Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Alphonse Mucha
"Lorenzaccio" by Alphonse Mucha from Les Maitres de l'Affiche

1896

About the Item

Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations at the Vienna "Ring Theater". When there was a fire at the theater, Mucha lost his job. He found new employment at the Viennese castle with Count Khuen, who became his patron and sent him to the Munich art academy a few years later. From there, Mucha went on to Paris in 1887 to continue his studies at the "Académie Julian" and then at the "Académie Colarossi". Due to a lack of support from Khuen, the student was forced to leave the academy and earn a living as an illustrator. During this time he produced a large number of drawings. These were studies for illustrations, which were later published in "Figaro illustré", "Petit Parisien illustré" and other journals. This early work and the prints for illustrated books like "L´éléfant blanc" by Judith Gauthier, at which Mucha worked during this time, still reflect the usual academic historic style of the time. By coincidence, thanks to an employer of Lemercier printers, Mucha was commissioned to design a poster for Sarah Bernhardt in 1894. This provided the launch pad for Mucha's future success and importance as an influential designer of French "Art Nouveau". From then on, the famous actress not only had Mucha design her posters but also her costumes and stages. The public also liked Mucha's works very much and he became a famous, widely talked about and celebrated master almost overnight. Around 1900 Alphonse Mucha reached the peak of his fame. Mucha's theoretical theses "Documents Décoratives" and "Figures Décoratives" influenced the applied art of the time significantly. People talked about "Mucha style" whose typical elements like the arabesque hair and the aureole surrounding the female profile, were often copied. In 1900 Alphonse Mucha took part in the Paris World Exposition, evoking general attention with his wall decorations in Bosnia and Herzegovina's pavilion. In 1904 Mucha went to America, where he produced wall decorations, stages settings and portraits during a prolonged stay in New York. Alongside he taught drawing and composition at the Chicago Art Institute. After Mucha's return to his home country, shortly before World War I, he dedicated considerable time to lithographic work. Mucha died in Prague 1939.
  • Creator:
    Alphonse Mucha (1860 - 1930, Czech)
  • Creation Year:
    1896
  • Dimensions:
    Height: 23 in (58.42 cm)Width: 14.5 in (36.83 cm)Depth: 1 in (2.54 cm)
  • More Editions & Sizes:
    Unknown edition sizePrice: $9,500
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The custom guild corner frame has two small chips in the gold, that can be touched up upon sale.
  • Gallery Location:
    Hinsdale, IL
  • Reference Number:
    Seller: 18691stDibs: LU138427289772
More From This SellerView All
  • "Femme au Tub" from "Elles" by Toulouse-Lautrec
    By Henri de Toulouse-Lautrec
    Located in Hinsdale, IL
    TOULOUSE-LAUTREC, HENRI DE (1864-1901) "FEMME AU TUB" (Woman with Tub) From the series, “Elles”, c. 1896 Wittrock 159, Adhemar 204 From the edition of 100; per Wittrock Original color crayon brush and splatter lithograph, five colors, printed on wove paper Printed without margins to deckled edge of paper Bearing Artist’s Monogram Stamp...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph, Crayon

  • "Lait Pur Sterilise de la Vingeanne" Antique Poster by Steinlen
    By Théophile Alexandre Steinlen
    Located in Hinsdale, IL
    Steinlen, Theophile "Lait Pur Sterilise de la Vingeanne" Original lithograph, c. 1894 Rennert 12 Printed by Charles Verneau, Paris Bright Fresh Colors, RARE "The humble dairy of Q...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • "Grande Tuilerie d’Ivry" from Les Maitres de l'Affiche
    By Alexandre Charpentier
    Located in Hinsdale, IL
    CHARPENTIER, ALEX (1856 -1909) "Grande Tuilerie d’Ivry" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, issue # 33, 1898. Plate #131 Unframed Size: 11 3/8 x 15 3/4”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. The text reads "Great Tileworks of Ivry, founded in 1854, Ivry-Port near Paris; the largest ceramics factory in the world for building, industry and art productions; Emille Muller stoneware; execution of works by masters of statuary; architectural facings; decorative sculpture; showroom and salesroom, 3 rue Halevy; the only tile able to bear the names Muller and Ivry; (tiles) guaranteed against frost" Given the commission for an extremely text heavy poster, the artist executes a masterful design. The angelic young boy holds the wares of this famous ceramics factory, against an abstract background awash in organic green hues. The handling of the immense text that flows from top to bottom in every available space shows great artistic skill, as the overall beauty of the design is intact. In 1989 the Metropolitan Museum of art acquired a stoneware plaque...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • "Quinquina Dubonnet" Original Jules Cheret Maitre de l'Affiche
    By Jules Chéret
    Located in Hinsdale, IL
    CHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • Harpers Magazine "March Hare" Maitres de l'Affiche
    By Edward Penfield
    Located in Hinsdale, IL
    PENFIELD, FERDINAND (1866 - 1922) Harper’s Magazine - March Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lowe...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • "La Petite Poucette" from Les Maitres de l'Affiche
    By Bernard Boutet de Monvel
    Located in Hinsdale, IL
    DE MONVEL, BOUTET (1859 - 1927) "La Petite Poucette" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #27, 1898. Plate #106 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. Boutet de Monvel...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

You May Also Like
  • Paris sans fin
    By Alberto Giacometti
    Located in London, GB
    First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...
    Category

    1960s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • The Jockey
    By Henri de Toulouse-Lautrec
    Located in Chicago, IL
    Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris. Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...
    Category

    1890s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • Original 1945 poster for a post-liberation costume ball
    By Jean Paul Le Verrier
    Located in Petworth, West Sussex
    Le Caf’ Conc A poster for a post-liberation costume ball (retrospective 1900) on 23rd June 1945 designed by Jean Paul Le Verrier (1922-1996)
    Category

    Early 20th Century Art Nouveau Figurative Prints

    Materials

    Lithograph

  • Original French early 20th Century Theatre poster of 'Le Reve'
    By Théophile Alexandre Steinlen
    Located in Petworth, West Sussex
    Le Reve (The dream) An original theatre poster designed by Theophile Alexandre Steinlen for Le Reve at the Academie Nationale de Musique 96 x 76cm. (incl. frame) New white wood fram...
    Category

    Early 20th Century Art Nouveau Figurative Prints

    Materials

    Lithograph

  • Adolphe Willette Lithograph Original Hand Signed Seven Deadly Sins Erotic Nude
    By Adolphe Willette
    Located in FR
    Adolphe Willette Lithograph Original Hand Signed 'Le Banquet' erotic No 95 Well known for his version of The Seven Deadly Sins Adolphe Léon Willette ...
    Category

    1910s Art Nouveau Figurative Prints

    Materials

    Lithograph

  • Adolphe Willette Lithograph Original Hand Signed Seven Deadly Sins Erotic Nude
    By Adolphe Willette
    Located in FR
    Adolphe Willette Lithograph Original Hand Signed erotic nude No 189 Well known for his version of The Seven Deadly Sins Adolphe Léon Willette (30 Jul...
    Category

    1910s Art Nouveau Figurative Prints

    Materials

    Lithograph

Recently Viewed

View All