Items Similar to Mappe-Monde Dresse sur les Observations de Mrs. De L'Academie Royale des Science
Want more images or videos?
Request additional images or videos from the seller
Guillaume De L'IsleMappe-Monde Dresse sur les Observations de Mrs. De L'Academie Royale des Science1696
1696
About the Item
Published by J. Covens & C. Mortier, Amsterdam.
Copper plate engraving, 1696, (c.1725).
Image size 19 1/2 x 25" (496 x 636 mm) plus margins.
Good condition save for some paper repairs along fold lines. Modern hand coloring.
This map seems to be a updated version of Mortier / Sanson map noted in Shirley as #581. Numerous engraved changes in the plate include a re-directing of the tip of South America, a more accurate westward placement of the Soloman Islands and the removal of approximation lines of Antarctica. There is also added navigational tracts added for the voyage of Halley and the St. Antoine. A handsome and well colored impression of this map.
- Creator:Guillaume De L'Isle (1675 - 1726, French)
- Creation Year:1696
- Dimensions:Height: 21 in (53.34 cm)Width: 27 in (68.58 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:
About the Seller
4.6
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1898
1stDibs seller since 2015
50 sales on 1stDibs
Typical response time: 1 to 2 days
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Circus Night.By Martin LewisLocated in New York, NYSigned in pencil by the artist. Drypoint and sandground, 1933. Edition 100, recorded impressions 43. Of the forty-three recorded impressions printed, a group of those were unsigne...Category
1930s Realist Landscape Prints
MaterialsDrypoint
- L'Amerique Septentrionale. L'Amerique Meridionale.By Alexis Hubert JaillotLocated in New York, NYFull title: "L'Amerique Septentrionale Divisee en ses Principales Parties scauoir Les Terres Articques, Le Canada, ou Nouvelle France, Le Mexique, ou Nouvelle Espagne, Le Nouvea...Category
18th Century and Earlier Prints and Multiples
MaterialsEngraving
- Chair & rooftoopBy Robert KipnissLocated in New York, NY“Chair & rooftop” is a mezzotint engraving created by Robert Kipniss in 2015. Printed in an edition of 30 this impression is signed in pencil and inscribed "27/30." The paper size i...Category
21st Century and Contemporary Modern Landscape Prints
MaterialsMezzotint
- Interiors VI: SoundingsBy Peter MiltonLocated in New York, NYContemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul." – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...Category
Late 20th Century Surrealist Interior Prints
MaterialsEtching, Engraving
- Garden with HenryBy Peter MiltonLocated in New York, NYPeter Milton created this etching and engraving entitled “GARDEN WITH HENRY” in 1993. It is signed, titled, dated, and inscribed “153/250” in pencil under the image. The printed image size is 9.5 x 12 inches and the paper size is 15.5 x 18 inches. The inspiration for this piece came from the Henry James novella “The Aspern Papers” and clearly depicts the Venetian setting. The American-British author Henry James (1843-1916) wrote “The Aspern Papers” first published in 1888. Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...Category
1990s Realist Landscape Prints
MaterialsEtching, Engraving
- A small copse in a field.By Robert KipnissLocated in New York, NYThe drypoint engraving entitled "A small copse in a field" was created by Robert Kipniss in 2016. Printed in an edition of 16 - this impression is signed in pencil and inscribed “12...Category
21st Century and Contemporary Modern Landscape Prints
MaterialsEngraving, Drypoint
You May Also Like
- The Mill, Amsterdam, 1889By James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...Category
1880s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- VenusBy James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition. 6 x 9 inches (15 x 22.6 cm) sheet 73/8 x 117/8 inches (18.8 x 30.3 cm) Reference: Kennedy 59; Glasgow 60 A very fine impression. A study of Héloïse, ‘Fumette’, asleep in bed, her head pressed into the pillow and the bedclothes covering her lower legs. This is one of three portraits Whistler made of Fumette in 1859: one of the others shows her standing and in the third only her head and shoulders are depicted. Venus is a work in the Realist tradition, and may be compared with Courbet’s nudes of the same period. The artist may also have had in mind Rembrandt’s study of Antiope in his etching Jupiter and Antiope. Venus was never published and there is no record of it being shown until 1898 when it was included in an Exhibition of Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked for exhibition until so late in Whistler’s life might suggest that the subject was considered improper. Frederick Wedmore, whose catalogue of Whistler’s etchings...Category
1850s Impressionist Nude Prints
MaterialsDrypoint, Etching
- One Can't Tell Why - Proof from the Disasters of WarBy Francisco GoyaLocated in New York, NYFrancisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...Category
1810s Old Masters Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- Surrealism between two wars, International Anthology of Contemporary EngravingBy Marcel DuchampLocated in London, GBThe complete set of eleven engravings by Jean Arp, Hans Bellmer, Victor Brauner, Paul Delvaux, Marcel Duchamp, Wilhelm Freddie, Wifredo Lam, René Magritte, André Masson, Roberto Matt...Category
1960s Surrealist Figurative Prints
MaterialsEngraving
- 8-foot "Thank You" monoprint in oil with collage, engraving and embossmentBy Mel BochnerLocated in Boca Raton, FL8-foot "Thank You" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing . Signed and dated in graphite on front l...Category
2010s Contemporary More Prints
MaterialsOil, Handmade Paper, Engraving, Monoprint
- I Learned Helplessness from RatsBy Bruce NaumanLocated in New York, NYFrame size: 23 x 25 3/8 inches Catalogue Raisonne: Cordes 61 Edition size: 35, plus proofs Signed, dated, and numbered in pencil, lower marginCategory
1980s More Prints
MaterialsDrypoint, Etching