Engraving Prints and Multiples
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Medium: Engraving
"Gobbledygook" monoprint with collage, engraving and embossment by Mel Bochner
By Mel Bochner
Located in Boca Raton, FL
"Gobbledygook" monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper from Two Palms Publishing. Signed and dated Bochner 2017 lower right recto. Ima...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Oil, Handmade Paper, Engraving
"Yo animal" contemporary interviened lithography
By Yanieb Fabre
Located in Ciudad de México, MX
A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...
Category
2010s Engraving Prints and Multiples
Materials
Engraving, Lithograph
Nude with a Fan - Female Nude with Fan French Russian Ecole de Paris
By Marc Chagall
Located in London, GB
This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right corner.
It is also hand numbered in pencil from the edition of 100, at t...
Category
1920s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
1980s Abstract Engraving Prints and Multiples
Materials
Engraving
"Yo animal" contemporary lithography, animal gathering, colors
By Yanieb Fabre
Located in Ciudad de México, MX
A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...
Category
2010s Engraving Prints and Multiples
Materials
Engraving, Lithograph
"Yo animal" contemporary lithograph pink interviened fertility animals
By Yanieb Fabre
Located in Ciudad de México, MX
A gathering of prehistoric plants, fantastic animals, and people along with elements that represent fertility, seem to be craved as ancient drawings in stone. These lithographs, orig...
Category
2010s Engraving Prints and Multiples
Materials
Engraving, Lithograph
After A Bust by J. Nollekins, 19th Century Mezzotint of The Marquess Wellesley
Located in London, GB
Mezzotint engraved by John Young, January 1820, from a drawing by George Antoine Kernan.
Richard Colley Wesley, later Wellesley, 1st Marquess Wellesley (20 June 1760 – 26 September ...
Category
Early 19th Century English School Engraving Prints and Multiples
Materials
Mezzotint
Untitled
Located in Barcelona, ES
The painting is being offered with a work and authenticity certificate
Category
1970s Abstract Engraving Prints and Multiples
Materials
Engraving
Untitled
Located in Barcelona, ES
the painting is being offered with a work and authenticity certificate
Category
1970s Conceptual Engraving Prints and Multiples
Materials
Engraving
Mujer en sofá
Located in Barcelona, ES
the painting is being offered with a work and authenticity certificate
Category
1970s Conceptual Engraving Prints and Multiples
Materials
Engraving
Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category
Mid-18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving, Mezzotint
Le Viol d'Europe (The Rape of Europa) /// Surrealism Salvador Dali Mythology Art
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Le Viol d'Europe (The Rape of Europa)"
Portfolio: Hommage à Albrecht Durer (Suite Mythologique Nouvel...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Engraving, Intaglio
Apuleius, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Apuleio' (Apuleius)
Copper-line engraving by N Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni...
Category
Mid-18th Century Renaissance Engraving Prints and Multiples
Materials
Engraving
The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785)
The Aurelian, A Natural History of English Moths and Butterflies – Plate IX
Hand-Colored Engraving
17.88 x 11.00
very good condition
Plate IX fro...
Category
1770s Engraving Prints and Multiples
Materials
Engraving
Eduardo Chillida Belzunce¨My bedroom¨, 2016, Etching, 17.7x15 in
Located in Miami, FL
Eduardo Chillida Belzunce (Spain, 1964)
'My bedroom', 2016
etching on paper Guarro Super Alpha 250g.
17.8 x 15 in. (45 x 38 cm.)
Edition of 34
ID: CHI-101
Unframed
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Etching, Aquatint, Screen
Sidney Sussex College, Cambridge and Sidney Street engraving by Challis
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Ebenezer Challis (1806 - 1881)
Sidney Sussex College...
Category
Mid-19th Century Realist Engraving Prints and Multiples
Materials
Engraving
Genesis Americana no. 1-6, Edition 84 of 92 (each)
Located in Miami, FL
"Genesis Americana 2-6" 1982
Serigraph
Ed. 84 of 92
26 x 20 in
These are five prints from the series "Genesis Americana" by the artist in 1982. They are numbered from 2 to 6, and ea...
Category
1980s Engraving Prints and Multiples
Materials
Engraving
Untitled: Head of A Woman 2
Located in New York, NY
George Zachary Constant (American/Greek 1892-1978), "Untitled: Head Of A Woman No. 2", Portrait/ Figurative Etching and Drypoint signed on Paper, 12.50 x 8.75 (15.25 x 11.50 Framed),...
Category
Early 20th Century Modern Engraving Prints and Multiples
Materials
Etching, Drypoint
The Gate, Chelsea
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
1880s Impressionist Engraving Prints and Multiples
Materials
Drypoint, Etching
Stevie Sitting, Drypoint Print, Dog, Animal, Black, White
Located in Deddington, GB
Stevie Sitting is a handmade dry point print by artist Kate Boxer, featuring a wire haired dog sitting obediently. Kate Boxer is an artist and printmaker.
The unique style of Kate...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Drypoint
Hen crested Curassow, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Red-tailed Tropic Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Spur-winged Goose, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Cream-coloured Plover, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Giant Petrel, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
The Yacou, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Gigantic Crane, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Hackled Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Red-billed Promerops, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Georges Braque -- Si je mourais là-bas (If I Died There) (Vallier 181)
Located in BRUCE, ACT
Georges Braque
Si je mourais là-bas (If I Died There) (Vallier 181), 1962
Wood engraving printed in blue, on Japon paper
Hand signed lower right
Edition IV / X lower left
Printed by...
Category
1960s Engraving Prints and Multiples
Materials
Woodcut, Engraving
Impeyan Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
White-eared Bustard, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Red Flamingo, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Marbled Guillemot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Artic Gull, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Spectacle Owl, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Black faced Ibis, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Green Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Hooded Merganser, 18th century bird duck engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Salvador Dali -- Homage To Mercure
Located in BRUCE, ACT
Salvador Dali
Hommage à Mercure, 1973
Hand signed lower right
Numbered 10 / 150 lower left.
Printed by Ateliers Rigal, Paris.
Published by Joseph Foret, Paris.
Reference Michler...
Category
1970s Engraving Prints and Multiples
Materials
Engraving
Harlequin Humming-Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Salvador Dalí -- Cactus (+ Crutches) Les Bequilles from Florals
Located in BRUCE, ACT
Salvador Dalí
Cactus (+ Crutches) Les Bequilles from Florals, 1972
Hand signed lower right
Edition 302 / 350 lower left
Image size 55.5 x 39.5 cm
Sheet size 75 x 55 cm
Reference F ...
Category
1970s Engraving Prints and Multiples
Materials
Engraving
Salvador Dali -- Cobea (Pisum Sensuale)
Located in BRUCE, ACT
Salvador Dali
Cobea (Pisum Sensuale) from Flora Dalinae, 1968
Etching and drypoint on Japon paper
Hand signed lower right
Edition 163/175
Image 58 x 38.5 cm
Sheet 76.7 x 56 cm
Printe...
Category
1960s Engraving Prints and Multiples
Materials
Drypoint, Etching
Soleil recerclé
By Hans Arp
Located in Paris, FR
Wood engraving, 1966
Handsigned by the artist in pencil and numbered 3/60
Publisher : Louis Broder (Paris)
Printer : Féquet & Baudier (Paris)
47.00 cm. x 36.50 cm. 18.5 in. x 14.37 ...
Category
1960s Abstract Engraving Prints and Multiples
Materials
Engraving
Morgana among the Lilies
By André Masson
Located in Paris, FR
Engraving, 1976
Handsigned by the artist in pencil and numbered 17/50
48.00 cm. x 38.00 cm. 18.9 in. x 14.96 in. (paper)
38.50 cm. x 20.50 cm. 15.16 in. x 8.07 in. (image)
Etching ...
Category
1970s Abstract Engraving Prints and Multiples
Materials
Engraving
Small Worlds IX Kleine Welten X - German Expressionism Russian
Located in London, GB
This original drypoint is hand signed in pencil by the artist “Kandinsky” at the lower right margin.
It is also monogrammed and dated in the plate “VK 22” at the lower left image.
It...
Category
1920s Expressionist Engraving Prints and Multiples
Materials
Drypoint
YELLOW CALLA LILLIES
By Jim Dine
Located in Portland, ME
Dine, Jim (American, born 1935). YELLOW CALLA LILLIES. D'Oench and Feinberg 19. Etching, soft-ground, drypoint, photogravure and electric tools, with hand-coloring, 1978. Edition of ...
Category
1970s Engraving Prints and Multiples
Materials
Etching, Drypoint
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Mid-18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving, Mezzotint
TWO FROM CHARLIE
By Peter Milton
Located in Portland, ME
Milton, Peter. TWO FROM CHARLIE M.48. Lift-ground etching and engraving, 1967. Edition of 75. Signed, titled, dated and numbered 49/75, all in pencil. 9 x 6 inches (plate), 13 1/2 x ...
Category
1960s Engraving Prints and Multiples
Materials
Engraving, Etching
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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