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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise
De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

By Jacob de Gheyn II

Located in Middletown, NY

A 16th century image from the state-sponsored military manual that revolutionized European warfare tactics. Leiden: 1599. Engraving on laid paper with a partial chalice and grapes ...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

Mademoiselle Cyclone
Mademoiselle Cyclone

Mademoiselle Cyclone

By Edgar Chahine

Located in Middletown, NY

A wonderful, rare image by a pivotal 19th century Printmaker whose work serves as a bridge between social realism and the exuberant, often gritty glamour of Parisian cabaret culture....

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Drypoint, Etching

Stag, Kate Boxer, original print
Stag, Kate Boxer, original print

Stag, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Paper sizes may vary. Stag is a limited edition drypoint etching by artist and printmaker, Kate Boxer. The warm tones of the work and delicate use of line highlights the magnificence...

Category

21st Century and Contemporary Minimalist Engraving Prints and Multiples

Materials

Drypoint

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

16th Century Old Masters Engraving Prints and Multiples

Materials

Engraving, Laid Paper

Dusk at Sedgwick Knoll
Dusk at Sedgwick Knoll

Dusk at Sedgwick Knoll

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Au Bord de la Mer (At the Sea Side)
Au Bord de la Mer (At the Sea Side)

Au Bord de la Mer (At the Sea Side)

By James Jacques Joseph Tissot

Located in Middletown, NY

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Category

Late 19th Century Realist Engraving Prints and Multiples

Materials

Etching, Handmade Paper, Laid Paper, Drypoint

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Engraving Prints and Multiples

Materials

Etching, Drypoint

Plantes tropicales [Tropical Plants]
Plantes tropicales [Tropical Plants]

Plantes tropicales [Tropical Plants]

Located in Middletown, NY

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving

Le Cours La Reine, from the series Rouen Illustré
Le Cours La Reine, from the series Rouen Illustré

Le Cours La Reine, from the series Rouen Illustré

By Maxime Lalanne

Located in Middletown, NY

Paris: A. Salmon, 1883. Etching with engraving on white laid paper, 6 1/8 x 9 3/4 inches (156 x 247 mm); sheet 9 1/4 x 12 1/2 inches (235 x 318 mm), full margins. In very good condi...

Category

Late 19th Century French School Engraving Prints and Multiples

Materials

Laid Paper, Etching, Engraving

“Sur la Plage, a Bernival”
“Sur la Plage, a Bernival”

“Sur la Plage, a Bernival”

By Pierre Auguste Renoir

Located in Southampton, NY

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Category

1890s Impressionist Engraving Prints and Multiples

Materials

Etching, Archival Paper, Drypoint

I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

2010s Contemporary Engraving Prints and Multiples

Materials

Drypoint

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC
'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

By Walter Tittle

Located in Myrtle Beach, SC

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Category

1920s American Impressionist Engraving Prints and Multiples

Materials

Drypoint

Kraft und Mut (Courage and Strength), German antique engraving
Kraft und Mut (Courage and Strength), German antique engraving

Kraft und Mut (Courage and Strength), German antique engraving

Located in Melbourne, Victoria

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Category

Early 20th Century Symbolist Engraving Prints and Multiples

Materials

Engraving

Château de Chaumont
Château de Chaumont

Château de Chaumont

By Maxime Lalanne

Located in Middletown, NY

Etching with drypoint on cream laid paper 4 x 6 1/2 inches (102 x 166 mm); sheet 5 1/8 x 7 5/8 inches (130 x 194 mm), full margins with a deckle edge. In good condition with light ye...

Category

Late 19th Century French School Engraving Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Shells, French 18th century natural history marine sea shell engraving

Shells, French 18th century natural history marine sea shell engraving

Located in Melbourne, Victoria

18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...

Category

Late 18th Century Victorian Engraving Prints and Multiples

Materials

Engraving

The Punishments of China, 8 plates
The Punishments of China, 8 plates

The Punishments of China, 8 plates

Located in Middletown, NY

A collection of gruesome 19th century images illustrating the barbarism of the Qing penal code. London: William Miller, 1801. Six (6) stipple point engravings with hand coloring in...

Category

Early 19th Century English School Engraving Prints and Multiples

Materials

Handmade Paper, Watercolor, Engraving

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

1770s Old Masters Engraving Prints and Multiples

Materials

Engraving

The Camper
The Camper

The Camper

By Fernand Léger

Located in Paris, FR

Wood engraving, 1976 Edition : 38/50 Publisher : Éditions Théo Schmied (Paris) Printer : Théo Schmied (Paris) Catalog : [Saphire E 18, p. 290-291] 90.00 cm. x 65.50 cm. 35.43 in. x ...

Category

1970s Abstract Engraving Prints and Multiples

Materials

Engraving

Le Cocu Magnifique -- complete with 12 original etchings
Le Cocu Magnifique -- complete with 12 original etchings

Le Cocu Magnifique -- complete with 12 original etchings

By Pablo Picasso

Located in New York, NY

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Category

Mid-20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Blue Hydrangea
Blue Hydrangea

Blue Hydrangea

By Elyse Ashe Lord

Located in Middletown, NY

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Category

Early 20th Century English School Engraving Prints and Multiples

Materials

Gouache, Handmade Paper, Drypoint, Woodcut

Un Soir, Bords du Rhône à Rix
Un Soir, Bords du Rhône à Rix

Un Soir, Bords du Rhône à Rix

By Adolphe APPIAN

Located in Middletown, NY

Paris: Cadart & Luce, 1869. Etching with drypoint and engraving on Guillaume Fort paper with the "G F" watermark; 6 1/4 x 9 1/2 inches (158 x 242 mm); 12 x 16 1/4 inches (305 x 419 ...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Etching, Engraving

Bords du Lac du Bourget
Bords du Lac du Bourget

Bords du Lac du Bourget

By Adolphe APPIAN

Located in Middletown, NY

Gazette des Beaux-Arts, 1866 Etching on Chine collé with engraving mounted to cream laid paper with an uknown, partial watermark bearing the letters "ST," 5 3/4 x 9 3/8 inches (147 x...

Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Etching

"L'attente" original drypoint

"L'attente" original drypoint

By Rodolphe Piguet

Located in Henderson, NV

Medium: original etching and drypoint. This work by Rodolphe Piguet (sometimes spelled Piquet) was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. Pla...

Category

Early 1900s Engraving Prints and Multiples

Materials

Drypoint, Etching

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...

Category

2010s Realist Engraving Prints and Multiples

Materials

Paper, Emulsion, Engraving, Etching

Manhattan Nocturne
Manhattan Nocturne

Manhattan Nocturne

By Armin Landeck

Located in Myrtle Beach, SC

A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...

Category

1930s American Realist Engraving Prints and Multiples

Materials

Drypoint

Lake Tahoe Panorama, Nautical Landscape Cyanotype in Blue, Minimal Water Art
Lake Tahoe Panorama, Nautical Landscape Cyanotype in Blue, Minimal Water Art

Lake Tahoe Panorama, Nautical Landscape Cyanotype in Blue, Minimal Water Art

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...

Category

2010s Minimalist Engraving Prints and Multiples

Materials

Emulsion, Watercolor, C Print, Color, Engraving, Lithograph, Photogram

Graceland Mansion
Graceland Mansion

Graceland Mansion

By Jennifer Bartlett

Located in Houston, TX

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

Category

20th Century Modern Engraving Prints and Multiples

Materials

Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint

XXV 82 363 (Abstract Print)
XXV 82 363 (Abstract Print)

XXV 82 363 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Edition of 1 copy, numbered 1/1. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is No. 1/1. This work will be shipped rolled in a tube. Fo...

Category

2010s Abstract Engraving Prints and Multiples

Materials

Paper, Engraving, Ink

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed
Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

By Mel Bochner

Located in New York, NY

Fresh to market - UNIQUE! Mel Bochner UNNAMEABLE Monoprint with collage, engraving and embossment on hand- dyed Twinrocker handmade paper Signed in graphite recto Frame included - he...

Category

2010s Conceptual Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Monoprint

HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting
HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting

HERNANDEZ PIJUAN geometric composition.original engraving abstract painting

By Joan Hernandez Pijuan

Located in CORAL GABLES - MIAMI, FL

geometric composition.original engraving abstract painting. VIRTUAL FRAMED Pijuan, Joan (Barcelona, 1931-2005). Joan Hernández Pijuan formed between Barcelona and Paris. It has the ...

Category

Late 20th Century Abstract Engraving Prints and Multiples

Materials

Engraving

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise
Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

By Jacob de Gheyn II

Located in Middletown, NY

An image from a 17th-century military drill manual depicting techniques for handling muskets and pikes. De Ghen II, Jacques / Jacob Wapenhandelinghe van Roers, Musquetten ende Spies...

Category

Early 17th Century Old Masters Engraving Prints and Multiples

Materials

Laid Paper, Engraving

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Engraving Prints and Multiples

Materials

Engraving, Laid Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

1790s Northern Renaissance Engraving Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses
COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses

COLMAR Signed Wood Engraving, French Village, Little Venice Half-Timbered Houses

By Bernard Brussel-Smith

Located in Union City, NJ

COLMAR is an original wood engraving by the American artist Bernard Brussel-Smith, hand printed in yellow, light blue and black ink. COLMAR depicts a quaint French village scene with...

Category

1970s Realist Engraving Prints and Multiples

Materials

Engraving

Rabbit Series #3
Rabbit Series #3

Rabbit Series #3

By Radovan Kragulj

Located in San Francisco, CA

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

Category

Late 20th Century Pop Art Engraving Prints and Multiples

Materials

Mezzotint

Lone Tree Schoodic Point, mezzotint print of Maine coastline
Lone Tree Schoodic Point, mezzotint print of Maine coastline

Lone Tree Schoodic Point, mezzotint print of Maine coastline

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Located in Paonia, CO

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

Category

1660s Realist Engraving Prints and Multiples

Materials

Engraving

Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato
Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato

Vatican Hallway designed by Raphael: 18th C. Hand-colored Engraving by Volpato

By Giovanni Volpato

Located in Alamo, CA

This is an original 18th century hand-colored framed copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and v...

Category

Late 18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Grand Marsh, mezzotint by James Groleau of coastal Maine
Grand Marsh, mezzotint by James Groleau of coastal Maine

Grand Marsh, mezzotint by James Groleau of coastal Maine

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century are evident in the palette of greens and grays, with additional touches of violet, eggplant and ochre. The suite of...

Category

21st Century and Contemporary Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Framboisier (Raspberry Bush)
Framboisier (Raspberry Bush)

Framboisier (Raspberry Bush)

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...

Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Lucio Fontana (1899–1968) - Serie Rosa - Aquatint engraving, printed in colour
Lucio Fontana (1899–1968) - Serie Rosa - Aquatint engraving, printed in colour

Lucio Fontana (1899–1968) - Serie Rosa - Aquatint engraving, printed in colour

By Lucio Fontana

Located in Varese, IT

Aquatint engraving, printed in colour on Rives BFK paper, edited in 1966.
 Limited edition, numbered as 41/50 in lower left corner. 
Hand-signed in pencil by artist in lower right co...

Category

1960s Abstract Engraving Prints and Multiples

Materials

Engraving, Aquatint

Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

Category

1930s American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Henry Macbeth Raeburn RA RE (1860-1947) - Framed Mezzotint, The McNab
Henry Macbeth Raeburn RA RE (1860-1947) - Framed Mezzotint, The McNab

Henry Macbeth Raeburn RA RE (1860-1947) - Framed Mezzotint, The McNab

Located in Corsham, GB

Henry Macbeth-Raeburn (1860-1947), after Sir Henry Raeburn (1756-1823) mezzotint, 'The Macnab'. Signed in pencil 'H. Macbeth-Raeburn' to the lower left. Published 1918. Presented in ...

Category

Early 20th Century Engraving Prints and Multiples

Materials

Mezzotint

Points of Departure: Mary's Turn, by Peter Milton
Points of Departure: Mary's Turn, by Peter Milton

Points of Departure: Mary's Turn, by Peter Milton

By Peter Milton

Located in Palm Springs, CA

Peter Milton’s Mary’s Turn reimagines a scene where Mary Cassatt and Edgar Degas engage in a game of billiards, reflecting their real-life friendship and rivalry. Cassatt leans forwa...

Category

1990s Contemporary Engraving Prints and Multiples

Materials

Engraving, Etching

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.