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Medium: Engraving
Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
19th century woodcut engraving print figurative American forest trees scene
Located in Milwaukee, WI
The present woodcut engraving is an original print designed by Winslow Homer, originally published in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of fashionable people engaged in leisurely activities, in this case along a picturesque countryside lane. The sign reading 'Belmont' on the left indicates this is probably near his home in Belmont Massachusetts. The image presents multiple figures, both men and women, riding horseback: Some in the distance gallop away, toward a town marked by a church steeple beyond. Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds...
Category
1850s Victorian Engraving Prints and Multiples
Materials
Woodcut, Engraving
HERCULES FIGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left
Located in Santa Monica, CA
GIULIO BONASONE (Italian 1500/10-1574)
HERCULES FiGHTS ADRAGON center, ACHELOUS CARRYING OFF DEIANEIRA left 1531–76 (Bartsch XV.157.178; Massari 1983, no.230)
Engraving. Lettered in roundel held by putto at right: 'Iulio / Bonasone' Sheet 10 5/8 x 16 7/8 inches. Thread margins outside border line. A fair impression. Early annotations lower left verso, as well aa a collectors stamp: Lugt 2773 - A. Freiherr von...
Category
16th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
Etude pour une baigneuse (Study for a Bather)
Located in Fairlawn, OH
Etude pour une baigneuse (Study for a Bather)
Drypoint, 1901-1911
Signed with the signature stamp, Lugt 2137a
Printed: Louis Fort, Paris
Publisher: Ambrose Vollard, Paris
"The fame o...
Category
Early 1900s Impressionist Engraving Prints and Multiples
Materials
Drypoint
'Bacchus Cumampelo' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus Cumampelo', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original...
Category
1730s Realist Engraving Prints and Multiples
Materials
Engraving
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
Flowering Iris & Other Botanicals: Framed 17th C. Besler Hand-colored Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "I. Spatula foetida - II. Caucalis Dodonei - III. Cruciata", depicting three flowering plants, including an Iris, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful hand-colored botanical engraving is presented in a gold-colored wood frame with a French mat...
Category
Mid-17th Century Academic Engraving Prints and Multiples
Materials
Engraving
In th Bighorns (Wyoming)
Located in Fairlawn, OH
In th Bighorns (Wyoming)
Drypoint, c. 1930's
Signed in pencil lower right (see photo)
Titled in the plate lower left
Condition: Excellent
Image/Plate size: 6 3/8 x 4 3/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1930s American Realist Engraving Prints and Multiples
Materials
Drypoint
untitled, original
By Paul Colin
Located in Belgrade, MT
This piece is a limited edition, pencil signed by the artist on the print and in the plate. It is part of my private collection of artists from the School of Paris era. It is in very...
Category
Mid-20th Century Surrealist Engraving Prints and Multiples
Materials
Engraving, Lithograph
The Zodiac II Leo - 1975 - Grabado firmado a lápiz
Located in Sant Celoni, ES
Firmado a lápiz por el artista en la parte inferior y con el tiraje, este en concreto es un E/A (epreuve d'artiste)
Se presenta enmarcado con su marco original de la época (he puest...
Category
1670s Abstract Engraving Prints and Multiples
Materials
Engraving
Salvador Dali, Untitled XX (Le Tricorne)
Located in Boston, MA
Artist: Dali, Salvador
Title: Untitled XX (Le Tricorne)
Series: Le Tricorne (The Three-Pointed Hat)
Date: 1959
Medium: Wood engraving
Unframed Dimensions: 12.6" x 8.8"
Framed ...
Category
1950s Surrealist Engraving Prints and Multiples
Materials
Engraving
'Diptych' — Modernist Abstraction, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm).
Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing.
Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green.
An impression of this work is held in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category
1960s Modern Engraving Prints and Multiples
Materials
Engraving
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category
Early 18th Century Academic Engraving Prints and Multiples
Materials
Engraving
Lettres
Located in Paris, FR
Engraving, 1989
Handsigned by the artist in pencil and numbered II/XXVI
Printer : Atelier pasnic (Paris)
75.00 cm. x 56.00 cm. 29.53 in. x 22.05 in. (paper)
Moulin Laroque paper
Ce...
Category
1980s Abstract Engraving Prints and Multiples
Materials
Engraving
Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Engraving Prints and Multiples
Materials
Engraving
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Aquatint
The Sunday Before Confirmation; Parson: What did your godfathers & godmothers...
Located in Middletown, NY
English School, 19th century
The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none.
London: Thoma...
Category
Mid-19th Century English School Engraving Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Lithograph
Queen of Rewa, 19th century Fiji portrait engraving print
Located in Melbourne, Victoria
'Queen of Rewa'
Portrait of seated Fijian woman, draped from the waist in tapa cloth, holding a fan, wearing jewelry and an elaborate headdress.
From Narrative of the United States...
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
George Washington, early 19th century portrait engraving
Located in Melbourne, Victoria
'Giorgio Washington'
Stipple engraving by Giovanni Antonio Sasso (active 1809-1816) after Jean Bosio (1767-1832), 1818.
220mm by 155mm (platemark)
295mm by 220mm (sheet)
George W...
Category
Early 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
From My Window, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotint
Year: 2018
Edition: 30
Image Size: 19 x 19 inches
Signed, titled and numbered in pencil by the artist
Montage of scenes of the street below as seen from the artist...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category
Mid-18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving, Mezzotint
Sandwich Islands Canoe (Hawaii): Framed 18th C. Engraving Captain Cook's Journal
By John Webber
Located in Alamo, CA
"A Canoe of the Sandwich Islands, the Rowers Masked" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admiralty sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This famous image of ten Hawaiian rowers transporting a priest who is carrying a feather-covered image of Kukailimoku, the Hawaiian god of war. The priests and paddlers are all wearing gourd masks in their double-hulled canoe with an upright lateen woven sail. Each hull was shaped from a single large Koa log harvested from island rainforests, where they were carved before being transported to the coast.
This engraving is presented in a Koa wood frame and a white mat. There are occasional faint spots, but the print is otherwise in very good condition. Koa is the same wood as was used to make the canoe. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. The frame measures 20.75" high, 26.75" wide and 0.88" deep.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mat (LU117324682022, LU117324684052, LU117324684062). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Engraving Prints and Multiples
Materials
Engraving
Le Voil, I
Located in Fairlawn, OH
Provenance:
Marina Picasso Estate, her number verso
Purchased from Jan Krugier Gallery, NY
References And Exhibitions:
Georges Bloch, Picasso: Catalogue de l'oeuvre grave et lith...
Category
1930s Engraving Prints and Multiples
Materials
Drypoint
HRH (Her Royal Highness), Polymer gravure on Zerkall paper, Signed/N, Framed
By Tracey Emin
Located in New York, NY
Tracey Emin
HRH (Her Royal Highness) Royal Britannia, 2012
Signed, dated and numbered 141/200 in graphite on the front
Polymer gravure on Zerkall paper
Frame included
Polymer gravur...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Polymer, Engraving
Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
Located in Surfside, FL
Francesco Clemente (Italian b. 1952),
'This side up / Telemone #2,
1981
Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Category
1980s Abstract Expressionist Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint, Intaglio
Fractal - ssi - 1d
Located in Paris, FR
Engraving, 2018
Edition : 5/25
61.00 cm. x 56.00 cm. 24.02 in. x 22.05 in. (paper)
30.00 cm. x 30.00 cm. 11.81 in. x 11.81 in. (image)
In this print, Seiko Tachibana evokes a del...
Category
2010s Abstract Engraving Prints and Multiples
Materials
Engraving
Degas, La Loge, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 4.75 x 6.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Prints and Multiples
Materials
Engraving
Ponte dei Baratteri, Venice
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Category
Early 20th Century French School Engraving Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
Simmons After Stone - Framed Mid 19th Century Engraving, The Duet
Located in Corsham, GB
William Henry Simmons (1811-1882) after Frank Stone (1800-1859). Engraving on paper. Published by E. Gambart & Co, 1851. Presented in a large 19th century birdseye maple frame with g...
Category
Mid-19th Century Engraving Prints and Multiples
Materials
Engraving
A Standing Leap at a Gate
Located in Stoke, Hampshire
James Seymour (1702-1752)
A Standing Leap at a Gate
Mezzotint with hand colouring
Image size 10 x 14 in
Framed size 16 1/2 x 20 in
James Seymour was an English artist renowned for h...
Category
18th Century Old Masters Engraving Prints and Multiples
Materials
Mezzotint
Untitled (Venice canal, man departing the gondola)
By Levon West
Located in Fairlawn, OH
Untitled (Venice canal, man departing the gondola)
Drypoint, c. 1930-1931
Signed in pencil lower right (see photo)
Annotated in the lower margin:
"Just a souvenir made ___ Monclair L...
Category
1930s American Impressionist Engraving Prints and Multiples
Materials
Drypoint
Chamomile & Safflower: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Chamemelum Romanum flore simplici (Chamomile), Cincus Sativus (False saffron, Safflower), Chamaemelum Romanum Flore (Roman Chamomile)", depicting flowering Chamomile, Safflower and Roman Chamomile plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There are a few small spots and some irregularity of the lower edge. There is some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.25" high and 17.38" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Early 18th Century Academic Engraving Prints and Multiples
Materials
Engraving
La Brebis, antique French 1760s sheep engraving
Located in Melbourne, Victoria
'La Brebis'
Copper-line engraving, circa 1765
From Buffon's "Histoire Naturelle, Generale et Particuliere Avec la Description du Cabinet du Roi" which was published in Paris.
24c...
Category
Late 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
Bernard Buffet -- Bouquet De Lys (Bouquet of lilies)
Located in BRUCE, ACT
Bernard Buffet
Bouquet De Lys (Bouquet of lilies), 1963
drypoint in black,
Edition EA lower left
Hand signed lower right,
Image size: 65 x 50 cm
Sheet size: 76 x 56 cm
Bibliography ...
Category
1960s Engraving Prints and Multiples
Materials
Drypoint
18th C. Portrait of Edward Stanley from Henry VIII's Court after Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of "Edward Stanley" created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Edward Stanley, 3rd Earl of Derby...
Category
Late 18th Century Old Masters Engraving Prints and Multiples
Materials
Engraving, Etching
READING BY LAMPLIGHT
Located in Portland, ME
Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32. Third state of three, with the revisions to the sitter's facial expression and the dar...
Category
1850s Engraving Prints and Multiples
Materials
Drypoint, Etching
The Quebec and the Surveillante [an animated naval battle scene]
Located in Middletown, NY
Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...
Category
Late 18th Century English School Engraving Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Laid Paper
![The Quebec and the Surveillante [an animated naval battle scene]](https://a.1stdibscdn.com/balthasar-friedrich-leizelt-prints-works-on-paper-the-quebec-and-the-surveillante-an-animated-naval-battle-scene-for-sale/a_19792/a_147281421719894824799/1567_1_master.jpg?width=240 "Balthasar Friedrich Leizelt - The Quebec and the Surveillante [an animated naval battle scene]")
The Unicorn Laser Disintegrates the Horns of Cosmic Rhinoceroses (The Conquest o
Located in Greenwich, CT
The Unicorn Laser Disintegrates the Horns of the Cosmic Rhinoceroses from the Conquest of Cosmos suite – 29.5 x 22" image size, signed ‘Dalí’ lower right and annotated lower left. Fr...
Category
20th Century Surrealist Engraving Prints and Multiples
Materials
Drypoint, Lithograph
Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category
Mid-18th Century Rococo Engraving Prints and Multiples
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting three draped young men and cortege of banqueters from an Attic column krater now in the British Museum.
Technique : Copper-line engra...
Category
Early 1800s Other Art Style Engraving Prints and Multiples
Materials
Engraving
Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category
1980s American Modern Engraving Prints and Multiples
Materials
Mezzotint
Roman Costumes: Nuova raccolta di cinquanta costumi pittoreschi
Located in Middletown, NY
A collection of 50 copperplate engravings featuring early 19th century costume scenes set in the Roman countryside. With characters dedicated to work, games, revelry, and various act...
Category
Early 19th Century Italian School Engraving Prints and Multiples
Materials
Engraving, Handmade Paper, Etching
Portrait d'Olga Picasso (Bloch 37; Baer 57)
Located in New York, NY
Drypoint etching, 1919-1920 on laid paper, printed later, 1961
#3 From the edition of 50
Signature Stamp Picasso, lower right and numbered, lower left
plate: 6 by 3 7/8 in (151 by...
Category
1920s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Portfolio: Hamlet
Located in OPOLE, PL
Salvador Dalí, 1904–1989 (Spain)
Portfolio: Hamlet, 1973
Salvador Dalí’s Hamlet (1973) is a stunning portfolio of ten drypoint etchings with aquatint and ...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
AMERICAE - Sive Novi Orbis, Nova Descriptio
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598)
AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69)
Engraving. A very good, well printed...
Category
16th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...
Category
Mid-18th Century Engraving Prints and Multiples
Materials
Handmade Paper, Engraving, Mezzotint
Rent Day, English antique engraving after Sir David Wilkie
By Sir David Wilkie
Located in Melbourne, Victoria
'Rent Day'
Engraving by Abraham Raimbach (1776-1843) after Sir David Wilkie RA (1785-1841). Circa 1820.
'Second Plate' printed under engraver's name.
Wilkie was an important Scot...
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Ass and the Lion Hunting, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving, Etching
Flowering Henbane : A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyosciamus albus and Hyosciamus vulgaris" (Henbane) plants from Basilius Besler's landmark work, Hortus Eystettensi...
Category
Early 18th Century Academic Engraving Prints and Multiples
Materials
Engraving
Picasso: Un Billet Pur la Glorie, Salvador Dali
Located in Fairfield, CT
Title: Picasso: Un Billet Pur la Glorie
Year: 1974
Medium: Engraving on Arches paper
Edition: F.122/195, plus proofs
Size: 25.75 x 19.75 inches
Condition: Good
Inscription: Signed an...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Engraving
18th-century celestial - Hydra Crater Corvus Sextans Virgo
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Hydra Crater Corvus Sextans Virgo
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star a...
Category
1750s Naturalistic Engraving Prints and Multiples
Materials
Watercolor, Engraving
Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Sacelle male, de la cote de Coromandel" (Plate 949)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
1770s Realist Engraving Prints and Multiples
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School Engraving Prints and Multiples
Materials
Handmade Paper, Engraving, Aquatint
Equestrian Scene
Located in Belgrade, MT
This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...
Category
Early 20th Century Contemporary Engraving Prints and Multiples
Materials
Oil, Engraving, Lithograph
The Fiancee of King of Garbe
Located in Boston, MA
Artist: Dali, Salvador
Title: The Fiancee of King of Garbe
Series: Le Decameron
Date: 1972
Medium: drypoint printed in color
Unframed Dimensions: 17.72" x 12.2"
Framed Dimension...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Drypoint
Deux Bleus Sur Noir (Two Blues on Black) /// James Coignard French Abstract Art
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008)
Title: "Deux Bleus Sur Noir (Two Blues on Black)"
*Signed by Coignard in pencil lower right
Year: 2006
Medium: Original Hand-Embellished Ca...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Engraving, Handmade Paper
Turbulence (color version), by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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