Skip to main content

Engraving Prints and Multiples

to
986
2,648
882
726
184
111
Overall Width
to
Overall Height
to
718
628
317
308
277
128
37
28
22
12
8
5
5
1
191
106
70
67
49
1,067
883
2,158
522
36
169
195
123
126
155
163
402
175
174
760
2,572
1,886
77
2,314
1,111
1,076
717
660
501
371
354
239
234
204
168
155
153
146
138
120
116
114
106
4,820
35,623
19,589
17,738
10,511
709
908
2,528
1,471
Medium: Engraving
'European Landscape' —Mid-century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition. Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Syracuse University Art Museum. ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
Category

1940s Surrealist Engraving Prints and Multiples

Materials

Drypoint

Akt mit Fächer
Located in New York, NY
A superb, richly-inked impression of an early etching and drypoint. With burr throughout and crisp plate edges. First state (of 2). Edition of 100. Signed in pencil by Chagall. Print...
Category

1920s Expressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

Adenandra umbellata - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Adenandra umbellata' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...
Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Marquis de Marigny: An 18th C. Wille Engraved Portrait after a Tocque Painting
Located in Alamo, CA
This is a mid 18th century engraved portrait of Abel François Poisson de Vandières, Marquis de Marigny by Jean Georges Wille after a painting by Louis Tocque...
Category

Mid-18th Century Engraving Prints and Multiples

Materials

Engraving

Place de la Concorde, Paris
Located in Middletown, NY
Paris: Gebbie & Co., 1895. Photogravure and engraving on cream wove paper, 6 11/16 x 9 5/8 inches (169 x 244 mm), full margins. In good condition with minor toning and three scatter...
Category

Late 19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Photogravure

"Discovering your landscapes" 2007 Original Engraving Signed Figurative 12x10in
Located in Miami, FL
Alberto"El Cuervo" Bustillos (Mexico, 1950) 'Descubrir tus paisajes', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.) ID: CUR-108 Unframed
Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Etching, Aquatint, Engraving

North and South America: An 18th Century Hand-colored Map by Johann Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category

Early 18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category

1930s Impressionist Engraving Prints and Multiples

Materials

Paper, Drypoint, Lithograph

The Wrath of Elihu: 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid.'
Located in Storrs, CT
The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...
Category

Early 19th Century Romantic Engraving Prints and Multiples

Materials

Engraving

"Plymouth" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Engraving Prints and Multiples

Materials

Engraving

Four Koa Wood Framed 18th C. Engravings from Captain Cook's 3rd Voyage Journal
Located in Alamo, CA
A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42. These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category

1780s Other Art Style Engraving Prints and Multiples

Materials

Engraving

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Woodcut

Le Petit Braconnier
Located in Middletown, NY
A boy kneels on a grass slope, trying to tempt an unseen animal. Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid ...
Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Etching

Julio Girona Cuban Artist Original Hand Signed silkscreen n1
Located in Miami, FL
"Julio Girona (Cuba, 1914-2002) 'Habitación interior', silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 115 ID: GIR1066-001-115" "Julio Giro...
Category

20th Century Contemporary Engraving Prints and Multiples

Materials

Paper, Engraving, Etching

The Pink Tablecloth - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939) The Pink Tablecloth, 1928 Original drypoint etching Signed in the plate On vellum, 28 x 20.5 cm Very good condition, minor flaws at the edges of the page
Category

1920s Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

Erotic Scene - Etching by Mino Maccari - Mid-20th Century
Located in Roma, IT
Erotic Scene is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower part. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...
Category

Mid-20th Century Modern Engraving Prints and Multiples

Materials

Paper, Etching, Drypoint

Blue bug
Located in Paris, FR
Engraving, 1964 Handsigned by the artist in pencil and numbered on 50 Annoted "EA" Catalog : [Rheims 45, p. 45] 56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper) 47.00 cm. x 60.00...
Category

1960s Engraving Prints and Multiples

Materials

Engraving

Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Vue d'une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland. From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category

1780s Naturalistic Engraving Prints and Multiples

Materials

Engraving

Salvador Dalí (1904-1989) - King Solomon - drypoint, etching - 1975
Located in Varese, IT
Drypoint etching on Japanese paper, edited in 1975. Limited edition of 250 copies, numbered 101/250 in lower left corner. Hand-signed by artist in pencil in the lower right margin. ...
Category

1970s Abstract Engraving Prints and Multiples

Materials

Etching, Drypoint

Tete de Veau (Calf's Head)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Tete de Veau (Calf's Head) Drypoint etching and watercolor from 1968. The edition 25/145. Dimensions of work: 38.5 x 28.5 cm. Hand signed. The work i...
Category

1960s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

George Stubbs Esq, 19th century artist painter portrait engraving print
Located in Melbourne, Victoria
'George Stubbs Esq RA' Stipple engraving by W Nicholls after Ozias Humphrey RA (1742-1810). 1809. George Stubbs was a famous English painter of the horse and some wild animals. Th...
Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Chinese Diver, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

PHOEBE PASSES MY GATE
Located in Portland, ME
Hutty, Alfred. PHOEBE PASSES MY GATE. Drypoint, c. 1931. Edition size c.75. 8 1/8 x 7 1/4 inches (plate), 10 1/4 x 8 3/4 inches (sheet). Print...
Category

1930s American Realist Engraving Prints and Multiples

Materials

Drypoint

Ordinis Benedictini monialis; Saint Thecla of Kitzengen
Located in Middletown, NY
King, Daniel (with Wenceslaus Hollar) Ordinis Benedictini monialis; Saint Thecla of Kitzengen c 1650. Etching with engraving on cream laid paper with an indiscernible watermark wit...
Category

Mid-19th Century Old Masters Engraving Prints and Multiples

Materials

Etching, Laid Paper, Engraving

'Encircled' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category

1940s Surrealist Engraving Prints and Multiples

Materials

Engraving

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Woodcut

Vultures, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Vultures Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category

Late 19th Century Victorian Engraving Prints and Multiples

Materials

Engraving

Nocturnal, by Art Werger
Located in Palm Springs, CA
Medium: mezzotin Year: 2022 Edition: 50 Image Size: 17.75 x 23.5 inches Signed, titled and numbered in pencil by the artist Dramatic image of the streets of New York from the air. ....
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Mezzotint

Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...
Category

Late 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

HRH (Her Royal Highness), Polymer gravure on Zerkall paper, Signed/N, Framed
Located in New York, NY
Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Published by Emin Internationa...
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Polymer, Engraving

Engraving of a British Fox Hunting Scene "The Pink Of Condition"
Located in Alamo, CA
The engraving "The Pink Of Condition" by George Wright was published in London in 1909. It depicts the beginning of a British fox hunting scene. The ...
Category

Early 1900s Naturalistic Engraving Prints and Multiples

Materials

Engraving

The Sunday Before Confirmation; Parson: What did your godfathers & godmothers...
Located in Middletown, NY
English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none. London: Thoma...
Category

Mid-19th Century English School Engraving Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving, Lithograph

Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the bro...
Category

Late 18th Century Victorian Engraving Prints and Multiples

Materials

Engraving

Le Soldat Du Chene, Osage Chief: Hand Colored McKenney Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Le Soldat Du Chene, An Osage ...
Category

1830s Naturalistic Engraving Prints and Multiples

Materials

Engraving

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...
Category

1790s Victorian Engraving Prints and Multiples

Materials

Watercolor, Engraving, Intaglio

Falcon Crag, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Falcon Crag' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of ...
Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Aquatint

Raimundo Orozco Cuban Artist Original Hand Signed engraving 2000
Located in Miami, FL
Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-313-047 Hand-signed by author
Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Paper, Aquatint, Screen, Engraving

'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel' French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794). From 'Th...
Category

1780s Naturalistic Engraving Prints and Multiples

Materials

Engraving

La Fantasie
Located in Middletown, NY
Engraving on cream laid paper, 7 x 3 1/2 inches (177 x 90 mm), full margins. An engraving by the artist after his own drawing which is housed in the permanent collection of the Metro...
Category

Mid-19th Century French School Engraving Prints and Multiples

Materials

Laid Paper, Engraving

Salvador Dali "Picasso: a Ticket to Glory"
Located in Boston, MA
Artist: Dali, Salvador Title: Picasso: a Ticket to Glory Series: After 50 Years of Surrealism Date: 1974 Medium: drypoint engraving with hand coloring Unframed Dimensions: 26" ...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Engraving, Drypoint

Drypoint Lambda II
Located in San Francisco, CA
This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist...
Category

Late 20th Century Abstract Geometric Engraving Prints and Multiples

Materials

Drypoint, Etching

Crustaceans - Coconut and hermit crabs, natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Icart, Composition, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

"Mount Edgcumbe" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category

Early 19th Century Engraving Prints and Multiples

Materials

Engraving

THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
Category

1790s Naturalistic Engraving Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Hermit Crabs, German animal antique underwater crustacean engraving print
Located in Melbourne, Victoria
'Einsiedlerkrebse' (Hermit crabs) German wood-engraving, circa 1895. 240mm by 155mm (sheet)
Category

Late 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Antique French Copper Engraving - Cathedral
Located in Houston, TX
Bold antique copper engraving of the floor plan of a French cathedral from Recueil d'Architecture, 1780. Original artwork on paper displayed on a whi...
Category

1780s Engraving Prints and Multiples

Materials

Ink, Paper, Engraving

Degas, Au Salon, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
Category

1940s Impressionist Engraving Prints and Multiples

Materials

Engraving

Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category

1990s Contemporary Engraving Prints and Multiples

Materials

Mezzotint, Aquatint

Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...
Category

Mid-17th Century Baroque Engraving Prints and Multiples

Materials

Engraving, Etching

Argentinean signed limited edition original art print silkscreen 27x19 in. n7
Located in Miami, FL
Justo Barboza (Argentina, 1938) 'Señal rosa', 1995 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 50 Unframed ID: BAR1437-007-050 Hand-signed by author
Category

20th Century Abstract Engraving Prints and Multiples

Materials

Paper, Engraving, Screen

A View of Scarborough, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Scarborough" by W. Chapman is based on an original painting by the renowned British artist J.M.W. Turner. It was published in London by ...
Category

Mid-19th Century Romantic Engraving Prints and Multiples

Materials

Engraving

Spoonbill "Platalea leucorodia": An 18th Century Hand-colored Nozeman Engraving
Located in Alamo, CA
This a rare 18th century hand-colored large folio-sized copperplate engraving entitled "Platalea leucorodia" (Spoonbill) by Cornelius Nozeman in volume II of his publication 'Nederlandsche Vogelen', engraved by Christiaan Sepp or his son Jan Christiaan Sepp, published in Amsterdam in 1770. This engraving depicts a Platalea leucorodia Spoonbill, a large bird that lives mainly in Europe, Asia and Africa. It commonly migrates long distances on thermal air currents from the colder Northern European climates to Sub-Saharan Africa in the winter, sometimes as far long as Finland to South Africa. The Asian black stork...
Category

1780s Naturalistic Engraving Prints and Multiples

Materials

Engraving

Hinterstoisser - Mezzotint by Piero Ruggeri - 1992
Located in Roma, IT
Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print. Diffused foxing.
Category

1990s Abstract Engraving Prints and Multiples

Materials

Mezzotint

14th Street Oriental
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category

Mid-20th Century American Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Game Birds, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Game Birds Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category

Late 19th Century Victorian Engraving Prints and Multiples

Materials

Engraving

The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category

1920s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Fifth Avenue Bridge.
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category

1920s American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.

Recently Viewed

View All