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Medium: Engraving
Blue bug
Located in Paris, FR
Engraving, 1964
Handsigned by the artist in pencil and numbered on 50
Annoted "EA"
Catalog : [Rheims 45, p. 45]
56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper)
47.00 cm. x 60.00...
Category
1960s Engraving Prints and Multiples
Materials
Engraving
Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper
Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category
1930s Impressionist Engraving Prints and Multiples
Materials
Paper, Drypoint, Lithograph
'European Landscape' —Mid-century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Engraving Prints and Multiples
Materials
Drypoint
Tete de Veau (Calf's Head)
Located in OPOLE, PL
Salvador Dali (1904-1989) - Tete de Veau (Calf's Head)
Drypoint etching and watercolor from 1968.
The edition 25/145.
Dimensions of work: 38.5 x 28.5 cm.
Hand signed.
The work i...
Category
1960s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Julio Girona Cuban Artist Original Hand Signed silkscreen n1
Located in Miami, FL
"Julio Girona (Cuba, 1914-2002)
'Habitación interior',
silkscreen on paper
19.7 x 27.6 in. (50 x 70 cm.)
Edition of 115
ID: GIR1066-001-115"
"Julio Giro...
Category
20th Century Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Etching
Notre-Dame Cathedral from the Seine
Located in Middletown, NY
Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...
Category
Early 20th Century French School Engraving Prints and Multiples
Materials
Etching, Drypoint
Place de la Concorde, Paris
Located in Middletown, NY
Paris: Gebbie & Co., 1895.
Photogravure and engraving on cream wove paper, 6 11/16 x 9 5/8 inches (169 x 244 mm), full margins. In good condition with minor toning and three scatter...
Category
Late 19th Century French School Engraving Prints and Multiples
Materials
Handmade Paper, Engraving, Photogravure
Vue d'une partie du Lac de Geneve, Switzerland, engraving, circa 1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Lake of Geneva, Switzerland.
From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...
Category
1780s Naturalistic Engraving Prints and Multiples
Materials
Engraving
Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
Vegetation III
By Peter Milton
Located in San Francisco, CA
This artwork titled "Vegetation III" 1963, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, titled, dated and numbered 14/50 ...
Category
Mid-20th Century American Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Le Petit Braconnier
Located in Middletown, NY
A boy kneels on a grass slope, trying to tempt an unseen animal.
Paris: Cadart & Luquet, 1865
Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid ...
Category
Mid-19th Century French School Engraving Prints and Multiples
Materials
Handmade Paper, Engraving, Etching
"Plymouth" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Engraving Prints and Multiples
Materials
Engraving
The Pink Tablecloth - Original etching
Located in Paris, IDF
Henri LE SIDANER (1862-1939)
The Pink Tablecloth, 1928
Original drypoint etching
Signed in the plate
On vellum, 28 x 20.5 cm
Very good condition, minor flaws at the edges of the page
Category
1920s Impressionist Engraving Prints and Multiples
Materials
Drypoint, Etching
Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Drypoint Lambda II
By Ron Davis
Located in San Francisco, CA
This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist...
Category
Late 20th Century Abstract Geometric Engraving Prints and Multiples
Materials
Drypoint, Etching
Nocturnal, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotin
Year: 2022
Edition: 50
Image Size: 17.75 x 23.5 inches
Signed, titled and numbered in pencil by the artist
Dramatic image of the streets of New York from the air. ....
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1884
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illust...
Category
Late 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
HRH (Her Royal Highness), Polymer gravure on Zerkall paper, Signed/N, Framed
By Tracey Emin
Located in New York, NY
Tracey Emin
HRH (Her Royal Highness) Royal Britannia, 2012
Signed, dated and numbered 141/200 in graphite on the front
Polymer gravure on Zerkall paper
Published by Emin Internationa...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Polymer, Engraving
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1794-1812 (First-second ser...
Category
1790s Victorian Engraving Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Falcon Crag, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Falcon Crag'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of ...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving, Aquatint
Degas, Au Salon, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the...
Category
1940s Impressionist Engraving Prints and Multiples
Materials
Engraving
$716 Sale Price
20% Off
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Engraving Prints and Multiples
Materials
Engraving
George Stubbs Esq, 19th century artist painter portrait engraving print
Located in Melbourne, Victoria
'George Stubbs Esq RA'
Stipple engraving by W Nicholls after Ozias Humphrey RA (1742-1810). 1809.
George Stubbs was a famous English painter of the horse and some wild animals. Th...
Category
Early 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
'Encircled' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...
Category
1940s Surrealist Engraving Prints and Multiples
Materials
Engraving
Hinterstoisser - Mezzotint by Piero Ruggeri - 1992
Located in Roma, IT
Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print.
Diffused foxing.
Category
1990s Abstract Engraving Prints and Multiples
Materials
Mezzotint
$617 Sale Price
25% Off
Raimundo Orozco Cuban Artist Original Hand Signed engraving 2000
Located in Miami, FL
Raimundo Orozco (Cuba, 1949)
'Untitled', 2000
engraving on paper Guarro Biblos 250g.
10.1 x 6.6 in. (25.6 x 16.6 cm.)
Edition of 60
ID: ORO-313-047
Hand-signed by author
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Paper, Aquatint, Screen, Engraving
Ordinis Benedictini monialis; Saint Thecla of Kitzengen
Located in Middletown, NY
King, Daniel (with Wenceslaus Hollar)
Ordinis Benedictini monialis; Saint Thecla of Kitzengen
c 1650.
Etching with engraving on cream laid paper with an indiscernible watermark wit...
Category
Mid-19th Century Old Masters Engraving Prints and Multiples
Materials
Etching, Laid Paper, Engraving
Confident
Located in New Orleans, LA
Mikio Watanabe created "Confident", a side view of a sensuous female nude, exclusively for Stone and Press Gallery. The 2004 black and white mezzotint was issued in an edition of on...
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Mezzotint
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
Spoonbill "Platalea leucorodia": An 18th Century Hand-colored Nozeman Engraving
Located in Alamo, CA
This a rare 18th century hand-colored large folio-sized copperplate engraving entitled "Platalea leucorodia" (Spoonbill) by Cornelius Nozeman in volume II of his publication 'Nederlandsche Vogelen', engraved by Christiaan Sepp or his son Jan Christiaan Sepp, published in Amsterdam in 1770. This engraving depicts a Platalea leucorodia Spoonbill, a large bird that lives mainly in Europe, Asia and Africa. It commonly migrates long distances on thermal air currents from the colder Northern European climates to Sub-Saharan Africa in the winter, sometimes as far long as Finland to South Africa. The Asian black stork...
Category
1780s Naturalistic Engraving Prints and Multiples
Materials
Engraving
Crustaceans - Coconut and hermit crabs, natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Vultures, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Vultures
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
'Vue des Montagnes du Val-Travers, Neuchatel, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue des Montagnes du Val-Travers, d'ou aperçoit le Lac de Neuchatel'
French copper-line engraving by Duparc after Claude Louis Chatelet (1753-1794).
From 'Th...
Category
1780s Naturalistic Engraving Prints and Multiples
Materials
Engraving
Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
A View of Scarborough, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Scarborough" by W. Chapman is based on an original painting by the renowned British artist J.M.W. Turner. It was published in London by ...
Category
Mid-19th Century Romantic Engraving Prints and Multiples
Materials
Engraving
$460 Sale Price
20% Off
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Mezzotint, Aquatint
Antique French Copper Engraving - Cathedral
Located in Houston, TX
Bold antique copper engraving of the floor plan of a French cathedral from Recueil d'Architecture, 1780.
Original artwork on paper displayed on a whi...
Category
1780s Engraving Prints and Multiples
Materials
Ink, Paper, Engraving
The Sunday Before Confirmation; Parson: What did your godfathers & godmothers...
Located in Middletown, NY
English School, 19th century
The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none.
London: Thoma...
Category
Mid-19th Century English School Engraving Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Lithograph
Follow (73/100), mezzotint of New York sidewalk by Art Werger
By Art Werger
Located in Palm Springs, CA
Mezzotint, from the edition of 100. Signed, titled and numbered by the artist.
Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passi...
Category
21st Century and Contemporary Contemporary Engraving Prints and Multiples
Materials
Mezzotint
Argentinean signed limited edition original art print silkscreen 27x19 in. n7
Located in Miami, FL
Justo Barboza (Argentina, 1938)
'Señal rosa', 1995
silkscreen on paper Guarro Geler
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 50
Unframed
ID: BAR1437-007-050
Hand-signed by author
Category
20th Century Abstract Engraving Prints and Multiples
Materials
Paper, Engraving, Screen
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Baroque 17th century German fountain design engraving print by Boeckler
Located in Melbourne, Victoria
17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...
Category
Mid-17th Century Baroque Engraving Prints and Multiples
Materials
Engraving, Etching
La Fantasie
Located in Middletown, NY
Engraving on cream laid paper, 7 x 3 1/2 inches (177 x 90 mm), full margins. An engraving by the artist after his own drawing which is housed in the permanent collection of the Metro...
Category
Mid-19th Century French School Engraving Prints and Multiples
Materials
Laid Paper, Engraving
Hermit Crabs, German animal antique underwater crustacean engraving print
Located in Melbourne, Victoria
'Einsiedlerkrebse'
(Hermit crabs)
German wood-engraving, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Icart, Sans titre, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category
1930s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$876 Sale Price
20% Off
"Mount Edgcumbe" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Engraving Prints and Multiples
Materials
Engraving
14th Street Oriental
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category
Mid-20th Century American Modern Engraving Prints and Multiples
Materials
Drypoint, Aquatint
An Engraving from the Series 'The Cries of London': "Turnips & Carrots"
Located in Alamo, CA
A beautifully framed hand-colored engraving from the famous "Cries of London" series, depicting the lives and professions of the common people of 18th ...
Category
Late 18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Spanish Artist signed limited edition original art print silkscreen dance
Located in Miami, FL
Margó Venegas (Spain)
'Baile'
silkscreen on paper
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 25
ID: VEN1174-001-025
Unframed
Hand-signed by author
Category
21st Century and Contemporary Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Screen
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category
1920s American Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$1,500 Sale Price
23% Off
Game Birds, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Game Birds
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
San Marco [Venice].
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
Ciro Quintana Cuban Artist Original Hand Signed silkscreen 2016
Located in Miami, FL
Ciro Quintana (Cuba, 1965)
'Abstraccion de Vereda Tropical', 2016
silkscreen on paper Canson 320 g.
30 x 22.1 in. (76 x 56 cm.)
Edition of 50
ID: QUI-301...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving, Screen
Caernarfon Castle, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Caernarvon Castle'
Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, ...
Category
18th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Mexican on a donkey, Mexico, Mortimer Menpes etching with drypoint, 1914
Located in Melbourne, Victoria
Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin.
Mortimer Menpes was an artist and engraver, author, printmake...
Category
Early 20th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category
1920s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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