Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Ron Davis
Drypoint Lambda II

1980

About the Item

This artwork titled "Drypoint Lambda II" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist. The plate mark (image) size is 6.85 x 2.95 inches, sheet size is 13.35 x 9 inches, framed size is 16.35 x 12 inches. Custom framed under plexiglass, with white backing. it is in excellent condition. About the artist: Ronald Davis is a painter famed for his use of Geometric Abstraction, Abstract Illusionism, shaped canvas painting, and 3D computer graphics in his work. He was born in Santa Monica, CA, and was raised in Cheyenne, WY. He studied at the University of Wyoming from 1955 to 1956. From 1956 to 1959, Davis worked as a sheet metal mechanic. It was in 1960 that he developed an interest in painting. He enrolled in the San Francisco Art Institute in 1960, where he studied painting. At the time, the prevailing movement was Abstract Expressionism, which has since influenced many of his works. The artist graduated from the San Francisco Art Institute in 1964. He then moved to Los Angeles, CA, that same year. Davis had his first solo exhibition at the Nicholas Wilder Gallery in Los Angeles during the following year. He continued to live and work in Los Angeles until 1971. In 1972, he relocated to Malibu, CA, where he lived until 1990. In 1991, he moved to Arroyo Hondo, NM. In 1963, Davis started to paint in a distinct geometric, hard-edged style. In 1972, he ventured into sound sculpture and electronic music composition. He returned to using acrylic paints in 1973 and went on to paint the Floater Series, the Music Series, the Object Paintings, the Flatland Series, the Freeway and Freeline Series, and the Spiral Series. In 1988, he began to use Macintosh’s 3D rendering and animation programs to design paintings, which he used extensively for some time. In 1995, he returned to painting using a wax medium on wood, which he named the Wax Series. Since then, he has made several new series including the PVC Hinges, Squares, and Diamonds; the PVC Shaped series; the digital rendering Pixeldust series; and in 2021, began a new series of acrylic on canvas painting, the circular Plumb Bob series. Davis has numerous exhibitions to his name, including both solo shows and group exhibitions. His work has been exhibited in galleries and museums around the country. Some of his artwork continues to be displayed at the Museum of Modern Art in New York, NY, and the Tate Gallery in London, England. He continues to reside at his studio-residence in Arroyo Hondo, NM.
More From This SellerView All
  • Drypoint Lambda I
    By Ron Davis
    Located in San Francisco, CA
    This artwork titled "Drypoint Lambda I" 1980 is an original etching by noted American artist Ronald Davis, b.1937. It is hand signed, dated and numbered 9/25 in pencil by the artist....
    Category

    Late 20th Century Abstract Geometric Abstract Prints

    Materials

    Drypoint, Etching

  • 96-C-1
    Located in San Francisco, CA
    Artist: Yutaka Yoshinaga – Japanese (1948- ) Title: 96-C-1 Year: 1996 Medium: Color spit bite aquatint with drypoint and hard ground etching. Image si...
    Category

    1990s Abstract Geometric Abstract Prints

    Materials

    Etching, Aquatint

  • Number I
    By Avis Newman
    Located in San Francisco, CA
    This artwork titled "Number I" 1969 is an original colors etching and aquatint on CP paper by noted British artist Avis Newman, born 1946. It is hand signed, titled and numbered 29/5...
    Category

    Late 20th Century Abstract Geometric Abstract Prints

    Materials

    Aquatint

  • Calculus - Color Viscosity Etching
    By Stanley William Hayter
    Located in San Francisco, CA
    Artist: Stanley William Hayter (1901-1988 ) Title: Calculus Date: 1971 Medium: Etching and soft-ground etching Image Size: 23.5 x 19 inches Sheet size: 30 x 22 inches – BFK Rives paper Signature: signed, dated lower right Publisher: La Tortue Gallery, Santa Monica, CA Printer: Hector Saunier Catalogue Raisonne: B&M 353 Edition: 100 plus 5 artist’s proofs. This one: 57/100 This exceptional color viscosity etching is an excellent example of Stanley William Hayter’s iconic printmaking. He is the founder of Atelier 17, and as such, one of the most influential printmakers of the 20th century. Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. This is an absolutely beautiful print; it is an exceptional composition with rich, saturated colors. The print is titled “Calculus”. It was published in 1971, and is B&M 353 in the catalog raisonne. The print has full margins and is in very good condition, never framed. There is a bit of slight rippling on the upper and lower edges, barely visible. Please see photographs. Stanley William Hayter CBE (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...
    Category

    1970s Abstract Geometric Abstract Prints

    Materials

    Etching

  • Finger Print
    By Tom Marioni
    Located in San Francisco, CA
    Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...
    Category

    1990s Contemporary Abstract Prints

    Materials

    Drypoint, Etching, Mixed Media, Paper, Aquatint

  • Untitled
    By Charles Arnoldi
    Located in San Francisco, CA
    Artist: Charles Arnoldi (American, born 1931) Title: Untitled Year: 2001 Medium: Off set lithograph Edition: Numbered XXVI 10/40 in pencil Image size: 17 x 17 inches Signat...
    Category

    Late 20th Century Abstract Geometric Abstract Prints

    Materials

    Offset

You May Also Like
  • Trace #3
    Located in Kansas City, MO
    Lauren Steinert Trace #3 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1033 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...
    Category

    2010s Abstract Geometric Prints and Multiples

    Materials

    Handmade Paper, Mulberry Paper, Drypoint, Etching

  • Trace #4
    Located in Kansas City, MO
    Lauren Steinert Trace #4 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1034 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...
    Category

    2010s Abstract Geometric Prints and Multiples

    Materials

    Handmade Paper, Mulberry Paper, Drypoint, Etching

  • Etching for Stephen Spender “Fraternity”
    By Wassily Kandinsky
    Located in New York, NY
    Wassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 202, only state. From the editio...
    Category

    1930s Abstract Geometric Abstract Prints

    Materials

    Drypoint, Etching

  • Debris
    By Ray H. French
    Located in Fairlawn, OH
    Signed, dated, titled and number Edition: 25 (1/25), never fully realized Provenance: Estate of the artist Etching, engraving and color aquatint Sheet: 10 5/8 x 13 1/2"; Image...
    Category

    Mid-20th Century Abstract Geometric Abstract Prints

    Materials

    Engraving, Etching, Aquatint

  • The Pequod Meets the Jeroboam: Her Story from the Moby Dick Deckle Edges Series
    By Frank Stella
    Located in Long Island City, NY
    Two whaling ships meet out at sea, one named after an Indigenous American tribe and the other after the first king of the northern Kingdom of Israel, the latter set upon by a malignant epidemic and a sailor gone mad with the belief that he is the Archangel Gabriel. Both ships are plagued, one by sickness and the other by obsession, and neither heeds the warnings of the mad prophet. Built out in layers of paper that have been printed using techniques like lithography and etching, this colossal print by Frank Stella employs careful color against warping black and white grids to give the impression of control slowly slipping and giving way to chaos. Photos don't give this piece proper justice; it is carefully collaged in purposeful layers that constantly pull the eye in every direction and the viewer closer and closer in. The Pequod Meets the Jeroboam: Her Story...
    Category

    1990s Abstract Geometric Abstract Prints

    Materials

    Mezzotint, Etching, Aquatint, Lithograph

  • Soho Dreams
    By Helen Frankenthaler
    Located in New York, NY
    1987 Etching, aquatint and drypoint in colors, on wove paper Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower margin
    Category

    1980s Abstract Expressionist Abstract Prints

    Materials

    Paper, Drypoint, Etching, Aquatint

Recently Viewed

View All