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Medium: Engraving
Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...
Category

Mid-18th Century Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Mezzotint

Dans les Cendres (In the embers)
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
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Late 19th Century Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

Summer Maple
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category

21st Century and Contemporary Engraving Prints and Multiples

Materials

Drypoint

Pacific Ocean Currents, Handmade Cyanotype Seascape in Blue, Waves Landscape
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell. Details: + ...
Category

2010s Realist Engraving Prints and Multiples

Materials

Emulsion, Engraving, Etching, Paper

Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category

Early 20th Century American Modern Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

One Can't Tell Why - Proof from the Disasters of War
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category

1810s Old Masters Engraving Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Paul Jouve - Eagle - Original Engraving
Located in Collonge Bellerive, Geneve, CH
Paul Jouve - Eagle - Original Engraving Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Artwork by Paul Jouve. Original copper engraving heightened with pochoir. Paul...
Category

1950s Modern Engraving Prints and Multiples

Materials

Engraving

Two nudes - Figurative etching print, Monochromatic, Minimalistic, Female nude
Located in Warsaw, PL
LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...
Category

Early 2000s Contemporary Engraving Prints and Multiples

Materials

Watercolor, Paper, Drypoint

Hooked Salmon, angling fish etching by George Marples, circa 1920
Located in Melbourne, Victoria
Marples was a painter, etcher, writer on ornithology, and principal of Huddersfield, Hull and Liverpool School of Art. He specialized in etchings of fish...
Category

1920s Other Art Style Engraving Prints and Multiples

Materials

Etching, Drypoint

Hinterstoisser - Mezzotint by Piero Ruggeri - 1992
Located in Roma, IT
Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print. Diffused foxing.
Category

1990s Abstract Engraving Prints and Multiples

Materials

Mezzotint

Mr Matthew Buchinger - The Wonderful Little Man of Nuremberg
Located in Bournemouth, Dorset
Matthias Buchinger (German: June 2, 1674 – January 17, 1740), sometimes called Matthew Buchinger in English, was a German artist, magician, calligrapher, and performer who was born w...
Category

19th Century Engraving Prints and Multiples

Materials

Engraving

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Woodcut

Chinese Diver, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Planetary And Scatologic Vision
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Planetary and Scatologic Vision Year: 1974 Medium: Engraving with embossing and color lithograph Edition: Numbered...
Category

Late 20th Century Surrealist Engraving Prints and Multiples

Materials

Engraving, Lithograph

After P. Fourdrinier - 19th Century Engraving, Ruins of Baalbek
Located in Corsham, GB
This architectural drawing showcases the intricate details of a classical column and entablature, focusing on the ornate pediment and frieze. The original plate was created in 1757 ...
Category

19th Century Engraving Prints and Multiples

Materials

Engraving

Grant after Thomas Lupton - Engraving, Meeting of His Majesty's Stag Hounds
Located in Corsham, GB
This monochromatic artwork depicts a lively hunting scene, with a large group of riders on horseback accompanied by numerous hounds in the foreground of a vast rural landscape. Insc...
Category

19th Century Engraving Prints and Multiples

Materials

Engraving

Castle of Irrois in Champagne, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. du Chasteau de Irrois en Champagne' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, g...
Category

Mid-18th Century Rococo Engraving Prints and Multiples

Materials

Engraving

Ribes sanguineum, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van...
Category

Late 17th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Printemps Breton
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category

1920s Realist Engraving Prints and Multiples

Materials

Engraving, Drypoint, Etching, Aquatint

Yosemite Blue Mountain, Cyanotype on Watercolor Paper, Landscape in Indigo
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...
Category

2010s Photorealist Engraving Prints and Multiples

Materials

Emulsion, Watercolor, Photographic Paper, C Print, Engraving, Etching, M...

Hungary & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...
Category

1690s Engraving Prints and Multiples

Materials

Engraving

A thought by Dieter Roth abstract geometric black and white etching
Located in New York, NY
Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...
Category

1970s Abstract Engraving Prints and Multiples

Materials

Drypoint, Etching

Untitled by Bruce Nauman abstract black and white drypoint etching 70s
Located in New York, NY
A moody, evocative black and white abstract etching by pioneer Bruce Nauman. Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media inc...
Category

1970s Abstract Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category

Early 1900s Post-Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

Sportsmen
Sportsmen
$800 Sale Price
54% Off
Hollyhock Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741), entitled "A. Alcea Folio Lacinato, B. Alcea Vesicaria, C. Alchimilla minima, D. ...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Mein Weg mit dem Weib, plate 10
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fro...
Category

1910s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching, Aquatint

Bernard Sanders, Head of Girl
Located in New York, NY
For a print that's nearly one hundred years old it feels very contemporary. Signed in pencil; titled in lower margin in pencil.
Category

Early 20th Century American Modern Engraving Prints and Multiples

Materials

Drypoint

'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category

1920s American Impressionist Engraving Prints and Multiples

Materials

Drypoint

Sexual Encounter - Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category

Late 20th Century Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Academie de l’Espee Tabula XXI by Girard Thibault 17thc fencing engraving
Located in Paonia, CO
Hand colored original engraving from the Academie de l’Espee ( full title can be translated as Academy of the Sword: wherein is demonstrated by mathematical rules on the foundation of a mysterious circle the theory and practice of the true and heretofore unknown secrets of handling arms on foot and horseback ) by Girard Thibault...
Category

17th Century Other Art Style Engraving Prints and Multiples

Materials

Engraving

Samuel Clarke DD, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Gibson. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical f...
Category

Early 19th Century Renaissance Engraving Prints and Multiples

Materials

Engraving

The Earl of Montbar, famous French horseman, Crispin de Passe Engraving
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670) Caesar August de Bellegarde Conte de Montbar Marquis de Termes grand Ecuyer de France, c. 1660 Engraving Sight: 11 3/4 x 15 3/4 in. Fr...
Category

17th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

THORNTON. The Tulips.
Located in London, GB
Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
Category

1790s Naturalistic Engraving Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Kanani (Hawaii)— 1940s Polynesian Portrait
By John Melville Kelly 1
Located in Myrtle Beach, SC
John Melville Kelly, 'Kanani (Hawaii)', drypoint, 1946. Signed, titled and annotated 'No 36' in pencil. A superb impression, in dark brown ink, on ...
Category

1940s American Modern Engraving Prints and Multiples

Materials

Drypoint

To-Ka-Con, A Sioux Chief: Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "To-Ka-Con, A Sioux Chief", drawn ...
Category

1830s Naturalistic Engraving Prints and Multiples

Materials

Engraving

Flowering Burning Bush: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Gas Plants or Burning Bush and Fraxinella, which is finished with hand-coloring. It is entitle...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Salvador Dali "Apricot Knight"
Located in Boston, MA
Artist: Dali, Salvador Title: Apricot knight Series: Flors Dali (The Fruits) Date: 1969 Medium: Lithograph with original drypoint remarques Unframed Dimensions: 29.92" x 22.05" ...
Category

1960s Surrealist Engraving Prints and Multiples

Materials

Lithograph, Drypoint

Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival. The reference is Rose 183. It...
Category

1930s American Modern Engraving Prints and Multiples

Materials

Drypoint

Spain and Portugal: A Hand-colored 17th/18th Century Map by Visscher
Located in Alamo, CA
This is an early 18th century map of Spain and Portugal, with attractive original hand-coloring, entitled "Hispaniae et Portugalliae Regna per Nicolaum Visscher cum Privilegio Ordinum Hollandiae et Westfrisiae" first published by Nicolaes Visscher II (1649-1702) in 1688, and later re-published from Visscher's original copper plate by Peter Schenk, Junior in Amsterdam in 1725. The cartouche in the right lower corner depicts a coat of arms representing one combined kingdom of Spain and Portugal before their break-up. Putti hold up the coat-of-arms of Phillip II on the right and a queen reaches for it on the left. There is a scale cartouche in the lower left corner surmounted by two putti and a wheel. This is an outstanding depiction of the Iberian peninsula, showing Spain and Portugal and Balearic Islands. The map includes portions of North Africa and the Strait of Gibralter. This copperplate engraved map is presented in a cream-colored mat. It is printed on fine chain-linked, laid paper. The mat measures 26.5" high by 30" wide and the sheet measures 21.75" high by 26.375" wide. There is a central fold, as issued. The lower portion of the fold is reinforced on the verso. There is a small paper defect at the lower edge of the fold and another at the edge of the right corner, as well as a few small tears along the lower edge; none affecting the map and all covered by the mat. There are a few small faint spots in the upper margin and on the left. The map is otherwise in very good condition. The Visscher family were one of the great art and cartographic printing families of the 17th century. Begun by Claes Jansz Visscher...
Category

Late 17th Century Other Art Style Engraving Prints and Multiples

Materials

Engraving

Representation Generale de la Voute de La Galerie du President, French engraving
Located in Melbourne, Victoria
Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718. Depicts a ceiling design commissioned for the Hot...
Category

Early 19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Schizanthus Priestii, antique botanical white flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

1947 original engraving by Marcel Duchamp - Coffee Mill
Located in PARIS, FR
This rare 1947 original engraving, Coffee Mill, by Marcel Duchamp is a profound example of his conceptual approach to mechanical imagery and Dada aesthetics. Signed by the artist and...
Category

1940s Engraving Prints and Multiples

Materials

Paper, Engraving

Miss Hawtin - Born without Arms
Located in Bournemouth, Dorset
Miss Hawtin, born without arms, 18th century. Born in Coventry, she exhibited her dexterity cutting decorative watch papers with her feet all over England...
Category

19th Century Realist Engraving Prints and Multiples

Materials

Engraving

Le Calvaire - Etching and Heliogravure by Félicien Rops - 1882
Located in Roma, IT
Le Calvaire is an original etching, soft ground and colour héliogravure on Japanese paper, realized by Félicien Rops in 1882, signed on plate, plate from Les Sataniques In very ...
Category

1880s Symbolist Engraving Prints and Multiples

Materials

Etching, Engraving

Flowering Narcissus Lily: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

THORNTON. The Roses
Located in London, GB
Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...
Category

1790s Naturalistic Engraving Prints and Multiples

Materials

Mezzotint, Aquatint, Handmade Paper, Engraving

Cultivated Pea Plants: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Jupiter and Antiope: Smaller Plat - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Jupiter and Antiope: Smaller Plate on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1631. This wonderful...
Category

19th Century Old Masters Engraving Prints and Multiples

Materials

Engraving

Petunia violacea, antique botanical purple flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Giant Petrel, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

A View of Scarborough, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Scarborough" by W. Chapman is based on an original painting by the renowned British artist J.M.W. Turner. It was published in London by ...
Category

Mid-19th Century Romantic Engraving Prints and Multiples

Materials

Engraving

Degas, La Fete de la Patronne, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.625 x 7.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
Category

1940s Impressionist Engraving Prints and Multiples

Materials

Engraving

A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category

Mid-19th Century Romantic Engraving Prints and Multiples

Materials

Engraving

Fall Der Engel - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Fall Der Engel is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...
Category

1920s Symbolist Engraving Prints and Multiples

Materials

Engraving

Hole Punch (Jim Dine 30 Bones of My Body portfolio) tool dry point
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...
Category

1970s Pop Art Engraving Prints and Multiples

Materials

Drypoint

Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category

Mid-18th Century Rococo Engraving Prints and Multiples

Materials

Engraving

A feminine thought Dieter Roth portfolio abstract geometric black white etching
Located in New York, NY
A Feminine Thought (portfolio), 1971 Plate 11.6 x 9.6 in. / 29.5 x 24.5 cm Paper 27.2 x 20.9 in. / 69 x 53 cm 2 prints in portfolio with label, intaglio printing (drypoint) in dark g...
Category

1970s Abstract Engraving Prints and Multiples

Materials

Drypoint, Etching

Cream-coloured Plover, 18th century bird engraving by John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Late 18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Hand-Colored Houbraken Portrait of "Henry, Prince of Wales, Son of James"
Located in Alamo, CA
A hand-colored portrait of Henry Prince of Wales, Son of James, engraved and etched by the Dutch master of portraits Jacobus Houbraken (1698-1780...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Etching

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.

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