Engraving Prints and Multiples
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Medium: Engraving
Euripides, Ancient Greek, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Euripide Poeta Tragico' (Euripides, Tragic Poet)
Copper-line engraving by Nicola Billy after Giovanni Domenico Campiglia. Plate number top right corner of image.
Giovanni Domenico...
Category
Mid-18th Century Renaissance Engraving Prints and Multiples
Materials
Engraving
Gleizes, Composition, Du cubisme (after)
Located in Auburn Hills, MI
Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...
Category
1940s Modern Engraving Prints and Multiples
Materials
Drypoint
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Engraving Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
New York Stock Exchange (Symbolic icon of Wall St.'s vast power and wealth)
Located in New Orleans, LA
This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...
Category
21st Century and Contemporary Contemporary Engraving Prints and Multiples
Materials
Mezzotint, Aquatint
Kraft und Mut (Courage and Strength), German antique engraving
Located in Melbourne, Victoria
'Kraft und Mut'
(Courage and Strength)
German wood-engraving, 1903.
320mm by 230mm (image)
280mm by 410mm (sheet)
Category
Early 20th Century Symbolist Engraving Prints and Multiples
Materials
Engraving
A Hand Colored 17th Century Janssonius Map of Prussia: Poland, N. Germany, etc.
Located in Alamo, CA
An attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...
Category
Mid-17th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
The Letter
Located in Storrs, CT
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...
Category
Early 20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
James McBey
Located in Storrs, CT
Fletcher 6 state .ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Excellent condition. Illustrated: Fine ...
Category
Mid-20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category
21st Century and Contemporary American Modern Engraving Prints and Multiples
Materials
Mezzotint
Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category
1640s Academic Engraving Prints and Multiples
Materials
Engraving
"Africa Vetus": A 17th Century Hand-colored Map By Sanson
Located in Alamo, CA
This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...
Category
1690s Engraving Prints and Multiples
Materials
Engraving
Persia, Armenia & Adjacent Regions: A Hand-colored 17th Century Map by De Wit
Located in Alamo, CA
This colorful and detailed 17th century copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1690. It depicts the Caspian Se...
Category
Late 17th Century Old Masters Engraving Prints and Multiples
Materials
Engraving
The Pool of London.
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Hinterstoisser - Original Mezzotint by Piero Ruggeri - 1992
Located in Roma, IT
Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print.
Diffused foxing.
Category
1990s Abstract Engraving Prints and Multiples
Materials
Mezzotint
"C de Cabra" contemporary engraving surrealist goat
Located in Ciudad de México, MX
The repetition of patterns and rhythm is present in almost every piece of Pedro´s work.
The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...
Category
21st Century and Contemporary Surrealist Engraving Prints and Multiples
Materials
Engraving
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Engraving Prints and Multiples
Materials
Engraving
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Hole Punch (Jim Dine 30 Bones of My Body portfolio) tool dry point
By Jim Dine
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwd...
Category
1970s Pop Art Engraving Prints and Multiples
Materials
Drypoint
Scene Champretre, original lithograph, Epreuve d' Artiste
Located in Belgrade, MT
This piece is part of my private collection of artist lithographs, etchings and engravings from the 20th Century. It is a limited edition Epreuve d' Artiste.
Pierre Eugene Clairin...
Category
20th Century Impressionist Engraving Prints and Multiples
Materials
Paint, Illustration Board, Engraving, Lithograph
Salvador Dalí -- Pegasus from The Mythology suite
Located in BRUCE, ACT
Salvador Dalí
Pegasus from The Mythology suite, 1960-1964
Etching and engraving with color aquatint.
Hand Signed lower right
Numbered 28/150
Image size: 52 x 61 cm
Sheet size: 55...
Category
1960s Engraving Prints and Multiples
Materials
Engraving, Etching
Chez Madame Dupont
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category
1930s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Moths and a Lady Bug in a Landscape: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a lady bug, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English Insects; Namely Moths & Butterflies", first published in London in 1766 and this from an 1840 edition. The engraving depicts the natural history developmental stages of the Burnished Brass Moth, the Dark Gothic...
Category
Mid-19th Century Realist Engraving Prints and Multiples
Materials
Engraving
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
1810s Naturalistic Engraving Prints and Multiples
Materials
Engraving
Xisco Mensua Spanish /artist 1995 original signed framed engraving print n14
By Xisco Mensua
Located in Miami, FL
Xisco Mensua (Spain, 1960)
Untitled from Portfolio "Junio - Julio", 1995
engraving on paper
12.6 x 9.5 in. (32 x 24 cm.)
Edition of 6
Frame 16x20 in.
ID: MEN1253-0014
Hand-signed by ...
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Paper, Engraving
Erotic Scene - Héliogravure by Micheal Von Zichy - 1911
Located in Roma, IT
Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...
Category
1910s Modern Engraving Prints and Multiples
Materials
Paper, Engraving
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category
Mid-20th Century Modern Engraving Prints and Multiples
Materials
Handmade Paper, Drypoint, Etching
The Aurelian, A Natural History English Moths Butterflies Plate XXVII 1778 ed.
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785 )
The Aurelian, A Natural History of English Moths and Butterflies
Hand colored engraving – Plate XXVII
1778 edition
Plate XXVII is from The A...
Category
1770s Engraving Prints and Multiples
Materials
Engraving
Untitled - Engraving by Ossi Czinner - 1990
By Ossi Czinner
Located in Roma, IT
Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects.
OSSI CZINNER - Central European artist, graphic designer and...
Category
1990s Contemporary Engraving Prints and Multiples
Materials
Engraving
Full Practice. Terrier dogs. 19th century mixed method engraving, circa 1865
Located in Melbourne, Victoria
'Full Practice', mixed method engraving published in New York, circa 1865.
After the painting by George Armfield.
475mm by 610mm (platemark)
505mm by 645mm (sheet)
Category
Mid-19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
Amulet in Crowd
Located in Bristol, GB
Drypoint, on Chine collé to Hahnemühle Copperplate paper
Edition 9 of 35
48.3 x 40.6 cm (19 x 16 in)
53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in
Signed, numbered and dated on the front
Min...
Category
21st Century and Contemporary Contemporary Engraving Prints and Multiples
Materials
Drypoint
Grand-mere (effet de lumiere)
Located in New York, NY
Camille Pissarro (1830-1903), Grand-mere (effet de lumiere), etching and drypoint, 1889, signed in pencil lower right, titled lower left, inscribed “No 3 – ...
Category
1880s Impressionist Engraving Prints and Multiples
Materials
Drypoint, Etching
The Butterfly.
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category
Early 20th Century Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
"Changes with the wind" 1972 original signed engraving lithograph American artis
Located in Miami, FL
Robert Smith (United States, 1944)
'Changes with the wind', 1972
Engraving
21.7 x 29.6 in. (55 x 75 cm.)
Edition of 75
ID: SMI1158-003-075
Hand-signed by author
Category
1970s Contemporary Engraving Prints and Multiples
Materials
Lithograph, Engraving, Etching
Daniel Marot's The Siege of the Dutch Fortified City of Ypres by Louis XIV
By Daniel Marot
Located in Alamo, CA
"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops.
The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition.
Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s.
Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...
Category
Late 17th Century Old Masters Engraving Prints and Multiples
Materials
Engraving, Etching
Cetaces - Dauphin ordinaire (Dolphin), French antique engraving
Located in Melbourne, Victoria
'Cetaces - Dauphin ordinaire'
Engraving with original hand-colouring by Beyer after Edouard Travies (1809-1865).
From Dictionaire Universel d'Histoir...
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Blackberries
Located in Boston, MA
Artist: Dali, Salvador
Title: Blackberries
Series: Fruits
Date: 1970
Medium: Photolithograph with original engraving on Rives
Unframed Dimensions: 22.5" x 14.5"
Framed Dimensio...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Engraving, Lithograph
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
Cat and dog. Figurative etching, Animals, Minimalistic, Polish art
By Leszek Rózga
Located in Warsaw, PL
20th century figurative drypoint print by Polish artist Leszek Rozga. Print depicts a cat and dog. This piece is signed by the artist.
LESZEK RÓZGA (1924-2015)
He studied painting a...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint
Rudolf Häsler, The El, 1981, stipple engraving
Located in New York, NY
The Swiss-born Rudolf Häsler (1927-1999) lead a varied and busy artistic life, living and working in his native Switzerland, the United States, Spain, where he died, and for an exten...
Category
1980s Contemporary Engraving Prints and Multiples
Materials
Engraving
Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames, Set of 6
Located in Richmond, GB
A group of mezzotint engravings of flowers from: "Phytanthoza Iconographia", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-174...
Category
18th Century Engraving Prints and Multiples
Materials
Watercolor, Mezzotint
TOD UND FRAU (DEATH AND WOMAN)
Located in Portland, ME
Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...
Category
1910s Engraving Prints and Multiples
Materials
Drypoint, Etching
Valeriane (Valerian), French botanical medicinal herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Early 19th Century Victorian Engraving Prints and Multiples
Materials
Engraving
Semen: large scale expressionist nude male figure portrait, floating in pink
Located in New York, NY
This large scale, ethereal portrait depicts a tranquil male nude figure floating in pink and blue. Based on a tempera painting, an expressionist, emotive piece to bring dramatic impa...
Category
1980s Contemporary Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
'Fantasia Americana, 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Engraving Prints and Multiples
Materials
Drypoint, Etching
Magdalen Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Magdalen Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size 6.24 x 4.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Prints and Multiples
Materials
Engraving
George Romodo - An Eccentric Mimic
Located in Bournemouth, Dorset
George Romondo, was a diminutive 18th-century performer known as the “eccentric mimic.”
Born in about the year 1765 in Lisbon, Portugal, Romondo’s unusual talent was matched by an...
Category
19th Century Engraving Prints and Multiples
Materials
Engraving
The plan of St. Martin's Church, St. Martin in the Fields
Located in Middletown, NY
London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...
Category
Mid-18th Century English School Engraving Prints and Multiples
Materials
Handmade Paper, Engraving
Zinnea violacea coccinea, antique botanical red flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Engraving Prints and Multiples
Materials
Engraving
Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Skinneri" by Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category
1880s Naturalistic Engraving Prints and Multiples
Materials
Engraving
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size 6.24 x 4.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Engraving Prints and Multiples
Materials
Engraving
"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving
Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
Category
17th Century French School Engraving Prints and Multiples
Materials
Paper, Watercolor, Engraving
Chateau de Verneuil
Located in Middletown, NY
Engraving with hand coloring and heightening in watercolor on two leaves of expertly conjoined handmade laid paper, one leaf with a large watermark a feathered dragon, 7 1/4 x 11 1/4...
Category
Mid-17th Century Old Masters Engraving Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving
Early 20th Century Santo Domingo Landscape Etching Proof
Located in Soquel, CA
Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart.
Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...
Category
1920s Contemporary Engraving Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 9 x 6 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the volum...
Category
1940s Impressionist Engraving Prints and Multiples
Materials
Engraving
"Discovering your landscapes" 2007 Original Engraving Signed Figurative 12x10in
Located in Miami, FL
Alberto"El Cuervo" Bustillos (Mexico, 1950)
'Descubrir tus paisajes', 2007
etching, aquatint on paper Deponte 300 g.
12.3 x 10.3 in. (31 x 26 cm.)
ID: CUR-108
Unframed
Category
Early 2000s Contemporary Engraving Prints and Multiples
Materials
Etching, Aquatint, Engraving
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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