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Medium: Engraving
Composition III
Located in Paris, FR
Engraving
Handsigned by the artist in pencil
Edition : 13/95
76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper)
76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (image)
Arches paper
A...
Category
1970s Abstract Engraving Abstract Prints
Materials
Engraving
Nature Morte country side farming scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category
20th Century Abstract Expressionist Engraving Abstract Prints
Materials
Engraving, Lithograph
$320 Sale Price
30% Off
"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954)
"Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004
Engraving, aquatint on paper...
Category
Early 2000s Contemporary Engraving Abstract Prints
Materials
Paper, Engraving, Ink, Etching, Aquatint
Leonard Baskin Beautiful Abstracted Figure Wood Engraving
Located in New York, NY
Leonard Baskin (1922-2000)
Death of the Laureate, `1957
Wood Engraving
Framed: 18 1/2 x 18 in.
Signed and inscribed bottom: Death of the Laureate, Ed. 20, For Walter [Rosenblum], Leo...
Category
1950s American Modern Engraving Abstract Prints
Materials
Engraving
'Blue Eyes' — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...
Category
1960s Surrealist Engraving Abstract Prints
Materials
Engraving, Drypoint
Luis Gordillo Spanish Artist Original Hand Signed engraving 2000, 15x11 in
Located in Miami, FL
Luis Gordillo (Spain, 1934)
'Sin título', 2000
engraving on paper
15 x 10.7 in. (38 x 27 cm.)
Edition of 75
ID: GOR1205-013-000_2
Hand-signed by author
Category
Early 2000s Abstract Engraving Abstract Prints
Materials
Paper, Engraving
Warriors
Located in New York, NY
A very good impression of this color engraving, soft-ground etching and scorper on Johannot paper. Artist's proof, aside from the edition of 200. Signed, dated and titled in pencil, ...
Category
1950s Abstract Expressionist Engraving Abstract Prints
Materials
Color, Engraving, Etching
suite 347
Located in BARCELONA, ES
Pablo Picasso
"Suite 347"
1968
Engraved
Hand signed
Print run of 50 copies, 33/50
54 x 42 cm.
Category
1960s Abstract Expressionist Engraving Abstract Prints
Materials
Engraving
Daliean Prophecy, Salvador Dali
Located in Fairfield, CT
Title: Dalinean Prophecy
Year: 1975
Medium: Engraving with pochoir on Arches paper
Edition: 250 Arabic Numerals on Arches paper, 250 (I = International) Arabic Numerals on Rives paper, 75 Roman Numerals on Japon paper, 25 Roman Numeral proofs (EAs) on Japon paper, and 5 Roman Numeral proofs (HCs) on Japon paper.
Size: 22.25 x 30.25 inches
Condition: Excellent
Inscription: Signed and numbered by the artist.
Notes: Published by Merrill Chase Publishing Associates. Albert Field Catalog Reference #: 75-13.
SALVADOR DALI (1904-1989) Salvador Dali's work is associated with the surrealist movement of the 20th Century. A diverse and multi-talented artist, Dali is considered one of the most collected artists today, and his works offer an incredible opportunity for enormous appreciation in value. In addition to his original works, Dali produced works on paper for reproduction using dry point, etching, woodcut, and lithography. Many of his works are held in prestigious private and public collections world...
Category
1950s Surrealist Engraving Abstract Prints
Materials
Engraving
$6,000 Sale Price
20% Off
Abstract Composition Color Engraving
By Najar Barsoumian Hratchaya
Located in Lake Worth Beach, FL
Abstract composition
color engraving pencil signed limited edition 10/60, actual size 22"X29"5 framed 31"x39" under glass.
Hratchaya Najar Barsoumian
Born in 1939 in Alep, Syria, N...
Category
1970s Abstract Engraving Abstract Prints
Materials
Archival Paper, Engraving
Christmas print, hand coloring in oil stick, Signed, Framed
By Jim Dine
Located in New York, NY
Jim Dine
The Christmas Print (Burg, 26), 2001
Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...
Category
Early 2000s Pop Art Engraving Abstract Prints
Materials
Oil Crayon, Drypoint, Etching, Offset
Spanish Artist signed limited edition original art print silkscreen engraving
Located in Miami, FL
Manuel Velasco (Spain, 1966)
'S/T 1', 1991
silkscreen, collage on paper
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 50
Unframed
ID: VEL1400-001-050
Hand-signed by author
Category
1990s Contemporary Engraving Abstract Prints
Materials
Paper, Engraving, Screen
The Zodiac II Leo - 1975 - Grabado firmado a lápiz
Located in Sant Celoni, ES
Firmado a lápiz por el artista en la parte inferior y con el tiraje, este en concreto es un E/A (epreuve d'artiste)
Se presenta enmarcado con su marco original de la época (he puest...
Category
1670s Abstract Engraving Abstract Prints
Materials
Engraving
Etching for Stephen Spender “Fraternity”
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching for Stephen Spender “Fraternity”, etching and drypoint, 1939, signed in pencil lower right. Reference: Roethel 2...
Category
1930s Abstract Geometric Engraving Abstract Prints
Materials
Drypoint, Etching
Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Engraving Abstract Prints
Materials
Mixed Media, Drypoint, Etching, Aquatint, Screen
'Diptych' — Modernist Abstraction, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm).
Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing.
Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green.
An impression of this work is held in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category
1960s Modern Engraving Abstract Prints
Materials
Engraving
Hinterstoisser - Original Mezzotint by Piero Ruggeri - 1992
Located in Roma, IT
Hand signed. Edition of 60 pieces. Mezzotint and Carborundum print.
Diffused foxing.
Category
1990s Abstract Engraving Abstract Prints
Materials
Mezzotint
Joan Miro, "Le Penseur Puissant", etching, hand signed
By Joan Miró
Located in Chatsworth, CA
An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...
Category
1960s Abstract Engraving Abstract Prints
Materials
Drypoint, Etching, Aquatint
Deux Bleus Sur Noir (Two Blues on Black) /// James Coignard French Abstract Art
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008)
Title: "Deux Bleus Sur Noir (Two Blues on Black)"
*Signed by Coignard in pencil lower right
Year: 2006
Medium: Original Hand-Embellished Ca...
Category
Early 2000s Contemporary Engraving Abstract Prints
Materials
Engraving, Handmade Paper
"Open Wide" 1972 original signed engraving lithograph limited edition American
Located in Miami, FL
Robert Smith (United States, 1944)
'Open wide', 1972
lithograph in color on paper
21.7 x 29.6 in. (55 x 75 cm.)
Edition of 75
Unframed
ID: SMI1158-001-075
Hand-signed by author
Category
1970s Contemporary Engraving Abstract Prints
Materials
Paper, Ink, Lithograph, Engraving, Etching, Aquatint
Untitled by Bruce Nauman abstract black and white drypoint etching 70s
By Bruce Nauman
Located in New York, NY
A moody, evocative black and white abstract etching by pioneer Bruce Nauman.
Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media inc...
Category
1970s Abstract Engraving Abstract Prints
Materials
Drypoint, Aquatint
Hands, Mid Century mod Surrealist mixed media Signed/N (Gemini 20 Anselmino 61)
By Man Ray
Located in New York, NY
MAN RAY
Hands, 1966
Mixed Media: Silkscreen on Plexiglass
Published by Gemini GEL
Measurements:
Image: 20"h x 16"w
sheet plexi: 25.5"h x 19.5"w
overall (with frame): 26.75"h x 20.75...
Category
1960s Surrealist Engraving Abstract Prints
Materials
Mixed Media, Engraving, Screen
Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
Located in Surfside, FL
Francesco Clemente (Italian b. 1952),
'This side up / Telemone #2,
1981
Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Category
1980s Abstract Expressionist Engraving Abstract Prints
Materials
Drypoint, Etching, Aquatint, Intaglio
"Catastrophe programmée"
Located in Paris, FR
Engraving, 2002
Edition : 20/50
76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper)
76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (image)
Handsigned by the artist in pencil
Ref : LCD...
Category
Early 2000s Abstract Engraving Abstract Prints
Materials
Engraving
Fritz Scholder American artist 1982 original hand signed engraving texture mask
Located in Miami, FL
Fritz Scholder (United States, 1937-2005)
'Untitled 1',
engraving on paper
30 x 22.1 in. (76 x 56 cm.)
ID: SCH1341-007-000
Unframed
Category
1980s Contemporary Engraving Abstract Prints
Materials
Paper, Ink, Engraving, Etching, Aquatint
Dark Landscape (abstract expressionist)
Located in Wilton Manors, FL
Gabor Peterdi (1915-2001). Dark Landscape, 1958. Etching, engraving and aquatint with five stenciled colors. Image measures 20 x 24 inches. Signed, date...
Category
Mid-20th Century Abstract Expressionist Engraving Abstract Prints
Materials
Engraving, Etching, Aquatint
$350 Sale Price
30% Off
Cosmogonies No. 2
Located in Columbia, MO
Cécile Reims (French, 1927–2020)
Cécile Reims’s work is distinguished by its masterful technique, intricate detail, and deep engagement with themes of transformation and the natural ...
Category
1950s Surrealist Engraving Abstract Prints
Materials
Cotton, Paper, Drypoint, Etching
Planetary And Scatologic Vision
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989)
Title: Planetary and Scatologic Vision
Year: 1974
Medium: Engraving with embossing and color lithograph
Edition: Numbered...
Category
Late 20th Century Surrealist Engraving Abstract Prints
Materials
Engraving, Lithograph
Vulcano 1
Located in Mexico City, MX
Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...
Category
2010s Abstract Engraving Abstract Prints
Materials
Drypoint, Aquatint
Composition, L'amour du plus lointain, James Coignard
Located in Auburn Hills, MI
Engraving on vélin papier à la cuve du Moulin Richard de Bas paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, L'amour du plus lointain, neuf gravures...
Category
1960s Post-War Engraving Abstract Prints
Materials
Engraving
$1,676 Sale Price
20% Off
Decadence. Figurative mixed media etching, Surrealist, Polish art
By Leszek Rózga
Located in Warsaw, PL
Figurative surreal dypoint print with ink and crayons by Polish artist Leszek Rozga. Artwork depicts several portraits in different styles. There is also a landscape on the bottom pa...
Category
2010s Contemporary Engraving Abstract Prints
Materials
Paper, Drypoint, Crayon, Ink
Fritz Scholder American artist 1982 original hand signed engraving mask woman
Located in Miami, FL
Fritz Scholder (United States, 1937-2005)
'Mask of a mystery woman', 1982
engraving on paper
30 x 22.1 in. (76 x 56 cm.)
ID: SCH1341-002-000
Unframed
Category
1980s Contemporary Engraving Abstract Prints
Materials
Paper, Ink, Engraving, Aquatint, Screen, Etching
Oraison du soir (Evening Prayer)
Located in Palm Springs, CA
Signed and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. He has decided against...
Category
21st Century and Contemporary Abstract Engraving Abstract Prints
Materials
Drypoint, Aquatint
Joan Miro, Le Matador, original etching, hand signed
By Joan Miró
Located in Chatsworth, CA
This piece is an original etching, aquatint, dry-point and carborundum by Joan Miro, done in 1969. It is hand signed and numbered 54/75 from the edition of 75 copies on Arches, plus ...
Category
1960s Abstract Engraving Abstract Prints
Materials
Drypoint, Etching, Aquatint
Contrepoints
Located in Paris, FR
Engraving, 1977
Handsigned by the artist in pencil and annoted EA
63.00 cm. x 91.00 cm. 24.8 in. x 35.83 in. (paper)
58.00 cm. x 76.00 cm. 22.83 in. x 29.92 in. (image)
LCD4019
Category
1970s Abstract Engraving Abstract Prints
Materials
Engraving
suite 156
Located in BARCELONA, ES
PABLO RUIZ PICASSO
Untitled, from ‘Suite 156’.
1972
Signed and dated on plate.
37/50
Numbered in pencil.
41 x 47,5 cm.
Category
1970s Abstract Expressionist Engraving Abstract Prints
Materials
Engraving
'European Landscape' —Mid-century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Engraving Abstract Prints
Materials
Drypoint
Serie 23 no. 14-4, Serigraph, edition 157 of 200
Located in Miami, FL
"Serie 23 no. 14-4" 1971
Serigraph in color
Edition 157 of 200
30 x 30 in
Julio Le Parc is an Argentinian artist best known for his pioneering works of Kinetic Art. Depicting lab...
Category
1970s Engraving Abstract Prints
Materials
Engraving
Sud (South)
By Anne Dykmans
Located in New Orleans, LA
This impression is #5 out of 40
Anne Dykmans was born in Verviers, Belgium, in 1952. She is a graduate of l’École Nationale d’Architecture et des Arts Visuels de La Cambre in Brussels, where she studied printmaking. Specialist of the Mezzotint (mezzotinto) technique, she is especially known for her prints of interior scenes, where light and dark come together in amazing chiaroscuro effects. She has presented her work in solo and group shows in Belgium and in many countries including; among others: France, Germany, Spain, Canada, Japan, China, and the USA. She was awarded in 1983 the Prix de la Jeune Gravure Belge in Antwerp. In 1986 she received the Prize of the 8th Biennale of Engraving of Fredrikstad, Norway. She won in 1988 the Gold Medal at the 2nd Triennial of Mezzotint Engraving of Sopot, Poland. Her prints are included in many private and public collections around the world.
Anne Dykmans taught engraving from 1984 to 2017 at the Constantin Meunier...
Category
Early 2000s Abstract Engraving Abstract Prints
Materials
Mezzotint
The Arrival of Iseult, from Tristan and Iseult
Located in Washington, DC
Artist: Salvador Dali
Title: The Arrival of Iseult
Portfolio: Tristan and Iseult
Medium: Color engraving
Year: 1970
Edition: XII/XXV
Frame Size: 25 1/4" x 20 3/4"
Sheet Size: 17 3/4"...
Category
1970s Surrealist Engraving Abstract Prints
Materials
Engraving
Cat and dog. Figurative etching, Animals, Minimalistic, Polish art
By Leszek Rózga
Located in Warsaw, PL
20th century figurative drypoint print by Polish artist Leszek Rozga. Print depicts a cat and dog. This piece is signed by the artist.
LESZEK RÓZGA (1924-2015)
He studied painting a...
Category
2010s Contemporary Engraving Abstract Prints
Materials
Paper, Drypoint
"Changes with the wind" 1972 original signed engraving lithograph American artis
Located in Miami, FL
Robert Smith (United States, 1944)
'Changes with the wind', 1972
Engraving
21.7 x 29.6 in. (55 x 75 cm.)
Edition of 75
ID: SMI1158-003-075
Hand-signed by author
Category
1970s Contemporary Engraving Abstract Prints
Materials
Lithograph, Engraving, Etching
Fractal - ssi - 1d
Located in Paris, FR
Engraving, 2018
Edition : 5/25
61.00 cm. x 56.00 cm. 24.02 in. x 22.05 in. (paper)
30.00 cm. x 30.00 cm. 11.81 in. x 11.81 in. (image)
In this print, Seiko Tachibana evokes a del...
Category
2010s Abstract Engraving Abstract Prints
Materials
Engraving
Fritz William Scholder American artist 1982 original signed engraving mask
Located in Miami, FL
Fritz Scholder (American, 1937-2005)
'Mask of the artist', 1982
Engraving, aquatint and resin
30 x 22.1 in. (76 x 56 cm.)
ID: SCH1341-005
Unframed
Category
1980s Contemporary Engraving Abstract Prints
Materials
Paper, Ink, Engraving, Etching, Aquatint
Bird
Located in Paris, FR
Engraving, 1958
Handsigned by the artist in pencil and annotated "Epreuve artiste"
22.00 cm. x 32.00 cm. 8.66 in. x 12.6 in. (paper)
11.00 cm. x 13.00 cm. 4.33 in. x 5.12 in. (imag...
Category
1950s Abstract Engraving Abstract Prints
Materials
Engraving
$2,984
Lettres
Located in Paris, FR
Engraving, 1989
Handsigned by the artist in pencil and numbered II/XXVI
Printer : Atelier pasnic (Paris)
75.00 cm. x 56.00 cm. 29.53 in. x 22.05 in. (paper)
Moulin Laroque paper
Ce...
Category
1980s Abstract Engraving Abstract Prints
Materials
Engraving
'Feu sous L'eau' (Fire Under Water) —Mid-century Modernism, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed.
ABOUT THIS WORK
In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism.
—edited from the Metropolitan Museum of Art
Published by 'La Jeune Gravure Contemporaine', Paris.
Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet.
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Materials
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Engraving abstract prints for sale on 1stDibs.
Find a wide variety of authentic Engraving abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red, blue, orange, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Pierre Muckensturm, Salvador Dalí, Arthur Luiz Piza, and James Coignard. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving abstract prints, so small editions measuring 0.02 inches across are also available
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