Items Similar to Justo Barboza Argentinean Artist 1998 Original Hand Signed silkscreen n19
Want more images or videos?
Request additional images or videos from the seller
Justo BarbozaJusto Barboza Argentinean Artist 1998 Original Hand Signed silkscreen n191998
1998
About the Item
Justo Barboza (Argentina, 1938)
'Sin título (rosa rojo)', 1998
silkscreen on paper Guarro Geler
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 15
Unframed
ID: BAR1437-019-015
Hand-signed by author
- Creator:Justo Barboza (1938, Argentinian)
- Creation Year:1998
- Dimensions:Height: 27.6 in (70.11 cm)Width: 19.7 in (50.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU1854212759192
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2022
65 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- José Niebla Spanish Artist Original Hand Signed silkscreen 1991 n2Located in Miami, FLJosé Niebla (Spain, 1945) 'Ofrena', 1991 silkscreen on canvas 27.6 x 19.7 in. (70 x 50 cm.) Edition of 150 ID: NIE1205-003-150_4 Hand-signed by authorCategory
1990s Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- José Niebla Spanish Artist Original Hand Signed silkscreen 1996 n3Located in Miami, FLJosé Niebla (Spain, 1945) Untitled, 1996 silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: NIE1205-005-150_5 Hand-signed by authorCategory
1990s Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- José Niebla Spanish Artist Original Hand Signed silkscreen 1991 n1Located in Miami, FLJosé Niebla (Spain, 1945) 'Ana Mateix', 1991 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 150 ID: NIE1205-003-150_1 Hand-signed by authorCategory
1990s Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- Justo Barboza Argentinean Artist 1998 Original Hand Signed silkscreen n20Located in Miami, FLJusto Barboza (Argentina, 1938) 'Sin título (verde rosa)', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 15 Unframed ID: BAR1437-020-015 Hand-signed ...Category
20th Century Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- Argentinean signed limited edition original art print silkscreen 27x19 in. n14Located in Miami, FLJusto Barboza (Argentina, 1938) 'Sin título II', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-014-030 Hand-signed by authorCategory
20th Century Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
- Argentinean signed limited edition original art print silkscreen 27x19 in. n15Located in Miami, FLJusto Barboza (Argentina, 1938) 'Sin título III', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-015-030 Hand-signed by authorCategory
20th Century Abstract Prints and Multiples
MaterialsPaper, Engraving, Screen
You May Also Like
- Libertinia, from Imaginary PlacesBy Frank StellaLocated in London, GBRelief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...Category
Late 20th Century Abstract Abstract Prints
MaterialsEngraving, Etching, Aquatint, Lithograph, Screen
- DespairiaBy Frank StellaLocated in London, GBOver a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...Category
1990s Abstract Abstract Prints
MaterialsEngraving, Mezzotint, Etching, Aquatint, Lithograph, Screen
- Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief printBy Sam GilliamLocated in New York, NYSam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...Category
1980s Abstract Expressionist Abstract Prints
MaterialsMixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen
- Limited Edition 2005 Marielle Guégan French Artist Gravure/Engraving MinimalistBy Guégan MarielleLocated in Paris, FRThe sixth of six of this limited edition Marielle Guégan engraving created in 2005. Marielle Guégan is a French painter and engraver. During her studies as an interior designer, sh...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsPaper, Engraving
- Marielle Guégan French Artist Limited Edition Gravure/Engraving 2006By Guégan MarielleLocated in Paris, FRThe third of 10 of this limited edition Marielle Guégan engraving created in 2006. The engraving it self is H 15 cm x W 9.5 cm Marielle Guégan is a French painter and engraver. Duri...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsPaper, Engraving
- 17.1By Pierre MuckensturmLocated in London, GBCarborundum and drypoint on copper. Printing on BFK Rives paper 250 g. Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Edition 7/15 Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. In 2004, Muckensturm began working with oil on large scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...Category
2010s Abstract Abstract Prints
MaterialsPaper, Drypoint
Recently Viewed
View AllMore Ways To Browse
Picasso Barbu
Carlo Mattioli
Gaja Gamini
Louis Vuitton 3d Print
Vintage Ski Maps
Damien Hirst Color Chart
Arion Press Moby Dick
Vintage Mic Stand
Vintage Mic Stands
Hama Woods
John Oppen
Jonas Suyderhoef
Louis Vuitton Circus
Louis Vuitton Cup Book
Louis Vuitton Cup Trapani
Louis Vuitton En Usa
Louis Vuitton Et L Art
Nike Rift