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Medium: Engraving
Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula
Located in New York, NY
Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm). A classic example of a world ma...
Category

17th Century Other Art Style Engraving Prints and Multiples

Materials

Engraving

'Diptych' — Modernist Abstraction, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm). Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing. Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green. An impression of this work is held in the collection of the National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category

1960s Modern Engraving Prints and Multiples

Materials

Engraving

Ship of Fools Diptych, Old Masters Woodcut and Engraving by Albrecht Dürer
Located in Long Island City, NY
Albrecht Dürer, German (1471 -1528) - Diptych from First Edition of The Ship of Fools, Year: 1494, Medium: Woodcut and Engraving, Image Size: 7 x 12.25 inches, Frame Size: 10.75 ...
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15th Century and Earlier Old Masters Engraving Prints and Multiples

Materials

Engraving, Woodcut

La Boullie (The Porridge), Old Masters Drypoint Etching by Jean Francois Millet
Located in Long Island City, NY
Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...
Category

1860s Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching, Intaglio

A Mirage
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category

1920s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

A Mirage
A Mirage
$1,750 Sale Price
30% Off
A View of Kauai, Hawaii Discovered by Captain Cook: Original 18th C. Engraving
Located in Alamo, CA
"View of A Morai or Burial Place of Atooi, One of the Sandwich Islands (Kauai, Hawaii)" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the a...
Category

1780s Engraving Prints and Multiples

Materials

Engraving

"A Mirage" signed etching / drypoint (trial proof)
Located in Henderson, NV
Medium: original etching and drypoint. Catalogue reference: Seeber 194. This impression on japon paper is annotated "trial proof" and pencil-signed and titled in the margin, with Geo...
Category

1920s Engraving Prints and Multiples

Materials

Drypoint, Etching

The Enchanted Doorway; Venezia
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category

Early 20th Century American Modern Engraving Prints and Multiples

Materials

Handmade Paper, Etching, Drypoint

Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Mid-18th Century Old Masters Engraving Prints and Multiples

Materials

Engraving, Etching

A Man of Mangea 1784 final voyage of Captain Cook by John Webber
Located in Paonia, CO
A Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...
Category

1780s Realist Engraving Prints and Multiples

Materials

Engraving

Leonard Baskin Beautiful Abstracted Figure Wood Engraving
Located in New York, NY
Leonard Baskin (1922-2000) Death of the Laureate, `1957 Wood Engraving Framed: 18 1/2 x 18 in. Signed and inscribed bottom: Death of the Laureate, Ed. 20, For Walter [Rosenblum], Leo...
Category

1950s American Modern Engraving Prints and Multiples

Materials

Engraving

Composition - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Composition is an original print in etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through conf...
Category

Mid-20th Century Abstract Engraving Prints and Multiples

Materials

Drypoint, Etching

'The Furnace' — American Expressionism
Located in Myrtle Beach, SC
Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....
Category

1920s American Modern Engraving Prints and Multiples

Materials

Drypoint

Vachère au Bord de l'Eau
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

1959 engraving by Joan Miró Composition bleu et rouge art publication XXe Siècle
Located in PARIS, FR
The 1959 original engraving by Joan Miró, titled "Composition bleu et rouge" and created in 1938, is a captivating piece featured in the renowned art publication, XXe Siècle. Miró's ...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Paper

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Woodcut

wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category

1950s Engraving Prints and Multiples

Materials

Engraving, Woodcut

Jose Bedia, 'Nkunia Brava', 2019, Etching, 25.4x33.7 in
Located in Miami, FL
Jose Bedia (Cuba, 1959) 'Nkunia Brava', 2019 etching, aquatint on paper Deponte 300 g. 25.4 x 33.7 in. (64.5 x 85.5 cm.) Edition of 30 Unframed
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Paper, Engraving, Etching, Aquatint

untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies) Signed in pencil by the artist lower right (see photo) Signed by his printer, Otto Felsing lower left ((see photo) Annotated in pencil: "In kupfer geschnitten von einen Lapplander" Printed by Otto Felsing, one of Germany's master printers of the era One of several engravings Hagemann made based upon actual drawings given to him by Laplanders. Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony. He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category

1930s Outsider Art Engraving Prints and Multiples

Materials

Drypoint

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Engraving Prints and Multiples

Materials

Engraving

Portrait of James McBey.
Located in Storrs, CT
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Category

1930s American Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Feuille d'etudes Techniques: Neuf Tetes
Located in New York, NY
Etching and drypoint on laid paper, 1934. With Picasso's ink stamped signature lower right, and numbered 29/50 in pencil lower left. Image 12.25 x 8.75 inches, full sheet 19.5 x 13...
Category

1930s Modern Engraving Prints and Multiples

Materials

Etching, Drypoint

Composition, Alternance, Jean Cocteau
Located in Southampton, NY
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category

1940s Modern Engraving Prints and Multiples

Materials

Engraving

Tropaeolum Majus Atrosanguineum, antique botanical nasturtium flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

HRH (Her Royal Highness), Polymer gravure on Zerkall paper, Signed/N, Framed
Located in New York, NY
Tracey Emin HRH (Her Royal Highness) Royal Britannia, 2012 Signed, dated and numbered 141/200 in graphite on the front Polymer gravure on Zerkall paper Published by Emin Internationa...
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Polymer, Engraving

Frocin, the Bad Dwarf, from Tristan and Iseult
Located in Washington, DC
Artist: Salvador Dali Title: Frocin, the Bad Dwarf Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: 12/25 Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4" x...
Category

1970s Surrealist Engraving Prints and Multiples

Materials

Engraving

Le banc de jardin (The Garden Bench).
Located in Storrs, CT
Le banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot catalog 79, Béraldi catalog 66, Wentworth catalog 75 state ii/iii. 16 1/2 x 22 1/8 (s...
Category

19th Century Impressionist Engraving Prints and Multiples

Materials

Mezzotint

Set of Four Gourds
Located in London, GB
Set of 4 double-page mezzotint engravings, printed in colour and finished by hand. [Published: H. Lentz and H.G. Neubauer, Regensburg, 1737]. An attractive collection of fine plates...
Category

1730s Naturalistic Engraving Prints and Multiples

Materials

Handmade Paper, Engraving, Mezzotint

Degas, La Danseuse de dos, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.5 x 6.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
Category

1940s Impressionist Engraving Prints and Multiples

Materials

Engraving

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Engraving Prints and Multiples

Materials

Drypoint, Etching

Les Voiles (The Sails) /// James Coignard Abstract Text Engraving Modern Art
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008) Title: "Les Voiles (The Sails)" *Signed by Coignard in pencil lower right Year: 1984 Medium: Original Hand-Embellis...
Category

1980s Contemporary Engraving Prints and Multiples

Materials

Gold Leaf

Beauties of Claude Lorrain mezzotint - Plate 1
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category

1820s Engraving Prints and Multiples

Materials

Engraving, Mezzotint, Etching

Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Engraving Prints and Multiples

Materials

Engraving

La Duchesse de Marlborough, Consuelo Vanderbilt
Located in Storrs, CT
Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...
Category

Late 19th Century Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

"Paysages" original drypoints
Located in Henderson, NV
Medium: original etching and drypoint. This pair of drypoints was printed in Paris in 1917 and published by Gazette des Beaux Arts. Plate sizes: 3 1/2 x 2 1/4 inches (89 x 58 mm) and...
Category

1910s Engraving Prints and Multiples

Materials

Drypoint, Etching

Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category

Early 1900s Post-Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

Sportsmen
Sportsmen
$800 Sale Price
54% Off
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...
Category

Early 1900s Impressionist Engraving Prints and Multiples

Materials

Handmade Paper, Drypoint, Etching

"Battle Horse I" 2019 Original Signed Engraving Etching 30x47 in Mexican Art
Located in Miami, FL
Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla I', 2019 Engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-101
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Engraving, Etching, Aquatint

Black Guillemot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...
Category

1760s Naturalistic Engraving Prints and Multiples

Materials

Engraving

George I, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George I' Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan. Basan (1723-1797) was a French engraver and publisher. George I (1660-1727) was King of Great Britain and Ireland from 1 August 1714 until his death, and ruler of Hanover in the Holy Roman Empire...
Category

Late 18th Century Renaissance Engraving Prints and Multiples

Materials

Engraving

'The East River', Brooklyn Bridge — Mid-Century Realism, New York City
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...
Category

1940s American Modern Engraving Prints and Multiples

Materials

Drypoint

Icart, Sans titre, Le Sopha (after)
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Engraving Prints and Multiples

Materials

Etching, Drypoint

Marica Sabini, antique botanical blue flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category

Mid-19th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving

Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category

Mid-19th Century Impressionist Engraving Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting three draped young men and cortege of banqueters from an Attic column krater now in the British Museum. Technique : Copper-line engra...
Category

Early 1800s Other Art Style Engraving Prints and Multiples

Materials

Engraving

A Chinese Watchman, from The Costume of China, by G.H. Mason, engr. John Dadley
Located in Middletown, NY
London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...
Category

Late 18th Century Old Masters Engraving Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving

Holiday Pine Cones
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category

1990s American Modern Engraving Prints and Multiples

Materials

Mezzotint

Cultivated Pea Plants: An 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...
Category

Mid-18th Century Naturalistic Engraving Prints and Multiples

Materials

Engraving, Mezzotint

Salvador Dali "The Old Hippie"
Located in Boston, MA
Artist: Dali, Salvador Title: The Old Hippie Series: The Hippies Date: 1969 Medium: drypoint with added color Signature: Pencil signed Edition: I...
Category

1960s Surrealist Engraving Prints and Multiples

Materials

Drypoint

Loseley House, The Seat of James More Molyneux Esq. /// English Landscape Surrey
Located in Saint Augustine, FL
Artist: Owen Manning (English, 1721-1801) Title: "Loseley House, The Seat of James More Molyneux Esq." Portfolio: The History and Antiquities of the County of Surrey Year: 1804-1814 ...
Category

Early 1800s Victorian Engraving Prints and Multiples

Materials

Engraving

Luis Enrique Camejo, ¨Sábanas blancas¨, 2022, Aquatint, 28.1x20.9 in
Located in Miami, FL
Luis Enrique Camejo (Cuba, 1957) 'Sábanas blancas', 2022 sugar aquatint on paper Canson 320 g. 28.2 x 20.9 in. (71.5 x 53 cm.) Edition of 15 Unframed
Category

2010s Contemporary Engraving Prints and Multiples

Materials

Paper, Ink, Engraving, Aquatint, Screen

A Cricket Match at Mary-le-Bone Fields by Lawrence Josset
Located in Paonia, CO
Lawrence Jossett ( 1910 – 1995 ) was born in Cambridgeshire England. He acquired his knowledge and skill as an engraver of bank notes. His natural talent and his attention to detail ...
Category

20th Century Engraving Prints and Multiples

Materials

Mezzotint

Barcarolle.
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category

1920s Impressionist Engraving Prints and Multiples

Materials

Drypoint, Etching

Barcarolle.
Barcarolle.
$9,000 Sale Price
33% Off
AMERICA
Located in Santa Monica, CA
IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND JOHN SPEED (1552-1629) AMERICA - With Those Known Parts In That Unknown Worlde (sic), 1626-(76) (Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676 15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the World”. Generally good condition. A repaired split in lower centerfold. This is the most common version of this important map...
Category

1620s Old Masters Engraving Prints and Multiples

Materials

Engraving

AMERICA
AMERICA
$4,000 Sale Price
52% Off
The Framers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Framers is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized thro...
Category

Late 19th Century Modern Engraving Prints and Multiples

Materials

Engraving, Etching

'Riders at Sundown' — Mid-Century Southwest Regionalism
Located in Myrtle Beach, SC
'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...
Category

1950s American Modern Engraving Prints and Multiples

Materials

Drypoint, Aquatint

Reception for Captain Cook, Tonga: Original 18th C. Engraving, Cook's 3rd Voyage
Located in Alamo, CA
"The Reception of Capt. Cook in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third ...
Category

1780s Engraving Prints and Multiples

Materials

Engraving

Henry Bennet Earl of Arlington, English Civil War, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after Peter Lely. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Henry Bennet, 1st earl of Arlington, 1618-85, was an English statesman who fought for the royalists in the English civil war...
Category

Early 19th Century Renaissance Engraving Prints and Multiples

Materials

Engraving

Find Engravings and Other Fine Art Prints on 1stDibs

Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.

An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.

Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well. 

Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.

Find engravings and other fine art prints today on 1stDibs.

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