Lithograph Interior Prints

Joan Miró, Design for a Tapestry Lithograph 62 x 82 cm Artwork is framed in a sustainably sourced gallery black box frame with acrylic glazing. Design for a Tapestry' by Joan M...

Joan Miró, Animal Composition (Framed) Lithograph 47 x 61 cm Framed in a sustainably sourced black box frame with gallery acrylic glazing. 'Ladders cross the blue sky in a wh...

Carmen Herrera (Cuban, b. 1915) Untitled (Red and White), 2011 Medium: Lithograph on wove paper Dimensions: 11 1/2 × 8 in (29.3 × 20.3 cm) Edition of 500: Signed, numbered, and dated...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Brownbridge (flourished 1930s - 1940s) Boat Race at the Dorchester...

Pierre BONNARD Fauvist : Dinner in Orange, c. 1950 Lithograph after a painting of the artist (Mourlot workshop) Printed signature in the plate On Rives vellum 62 x 67.5 cm (c. 25 x ...

THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...

Reading Woman is a beautiful lithograph on brownish paper realized in 1880 ca. by Emilio Zocchi. Signed on the plate. Original print in very good condi...

Beautiful poignant lyrical piece. I am not sure if it is a lithograph or an etching with hand painted watercolor. it depicts a beautiful shtetl interior scene. Chaim Goldberg -- bo...

PUBLIC OUTCRY is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. PUBLIC OUTCRY is a surrealist portrait composition portraying a semi interior scene showing a man in brown trousers standing positioned on stage like black and white checkered tile...

Ben Shahn From Portfolio "For the Sake of A Single Verse by Rainer Maria Rilke" Year: 1968 Lithograph on Richard de Bas hand-made paper Edition: 750 Size: 22.5 x 17.75 inches Signed in the stone COA included Publisher: Atelier Mourlot, LTD, New York Typography: The Spinal Press Provenance: Private Collection Kansas City, MO -------------------- Ben Shahn: "I had now long ago found in Rilke the passage that came to mean so much to me. He was a writer about the processes of art who was not telling me what to do, what to think, how to paint. No; he was too engrossed in his own discoveries. He was sharing with me the doubts and the hesitations of art, the probings, the slow emergence of forms. His every line of writing was art, and yet such art was inseparable from its life content. No manifesto could ever tell me more clearly than this one paragraph of Rilke's that art is an emanation from a person; that it is shaped and formed out of the shape and form of that person. In being so acutely personal to him it achieves also a rare universality. Rilke is speaking, (is he not?) to the innermost recesses of the consciousness, an area in which we spend so much of our time and expend so much of our feeling, and yet an area that is so remote from communication with our fellow-beings, an area that is, unhappily, increasingly remote from the reaches of art." ----------- Ben Shahn (September 12, 1898 – March 14, 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn was born in Kaunas, Lithuania, then part of the Russian Empire, to Jewish parents Joshua Hessel and Gittel (Lieberman) Shahn. His father was exiled to Siberia for possible revolutionary activities in 1902, at which point Shahn, his mother, and two younger siblings moved to Vilkomir. In 1906, the family immigrated to the United States where they rejoined Hessel, who had fled Siberia. They settled in the Williamsburg section of Brooklyn, New York, where two more siblings were born. His younger brother drowned at age 17. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Although Shahn attended New York University as a biology student in 1919, he went on to pursue art at City College in 1921 and then at the National Academy of Design. After his marriage to Tillie Goldstein in 1924, the two traveled through North Africa and then to Europe, where he made "the traditional artist pilgrimage." There he studied great European artists such as Henri Matisse, Raoul Dufy, Georges Rouault, Pablo Picasso and Paul Klee. Contemporaries who would make a profound impact on Shahn's work and career include artists Walker Evans, Diego Rivera and Jean Charlot. Shahn was dissatisfied with the work inspired by his travels, claiming that the pieces were unoriginal. Shahn eventually outgrew his pursuit of European modern art, and redirected his efforts toward a realist style which he used to contribute to social dialogue. The twenty-three gouache paintings of the trials of Sacco and Vanzetti...

Artist: Wayne Thiebaud, American (1920 - ) Title: Theater Marquee Year: 1956 Medium: Lithograph Signature: Signed, titled, numbered, and dated in penci...

Rare photolithograph by Colette.

Rare photolithograph by Colette.