Billy Schenck

"Waco" Serigraph by Billy Schenck, 1981

1981

Bill Schenck Days Of August Serigraph 20/83 1987 Hand signed, date and numbered by Schenck in pencil. 29.50 inches H. x 38.50 inches W. A classic, stunning early example of the iconography of the artist Bill Schenck's 'Pop Western' work. Schenck is of the originators of the contemporary 'Pop' Western Art...

Carefree Highway Anne Coe Serigraph 96/100 1981 Hand signed, date, and numbered by Coe in pencil. 29.5 inches H. x 39.5 inches W. Carefree Highway is a classic and wonderful example of Anne Coe's early work. Coe’s early paintings were humorous and comic-book styled. Over the years, her paintings evolved from lighthearted whimsy (such as radioactive, mutant Gila monsters...

Every Year The Salmon Come Back, 1983. Serigraph, 65/99 In reference to the work, Robert Davidson says: "A narrative painting originating from personal experience of the Yakun ...

"T-SILII-AA-LIS" Raven Finned Killer Whale Serigraph, 34/99 In reference to the image, Davidson says: "Usually the Raven forms the fin, it's my own var...

"Personaje con Sombrero" is a superb figurative abstraction by the renown Mexican artist Rufino Tamayo. An aquatint and etching in colors printed on a full sheet of watermarked woven handmade paper. The full sheet measures 29 5/8 inches H. x 22 inches W. Framed dimensions are 40 3/4 inches H. x 33 inches W. Signed "R Tamayo" and numbered "40/99" in white crayon by the artist. Printed and published by Poligrafa, Barcelona in 1979. Rufino Tamayo (1899-1991) is a modern master whose legacy is rooted in his contributions across a variety of media, including mural and easel painting, drawing, and the graphic arts. Produced between 1925 and 1991, his graphic work includes woodcuts, lithographs, etchings, and Mixografia prints — a new technique that was developed in the early 1970s to allow him to produce his prints in relief. Tamayo is one of the most celebrated Mexican Artists of the 20th Century. Heavily influenced by pre-Columbian art...

"Unexpected Visitors" is a classic and wonderful early example of Anne Coe's painting on canvas. Titled "Unexpected Visitors" and signed "Anne Coe" in pencil on the back of the painting, this is a gem of a wholly original work painted by Anne. Coe’s early paintings were humorous and comic-book styled. Over the years, her paintings evolved from lighthearted whimsy (such as radioactive, mutant Gila...

Seascape (II). 1965. Signed and numbered verso on the edition label: rf Lichtenstein, 84/100. Published by Edition MAT, Cologne (publisher). Color silkscreen and blue Rowlux®, collag...

In Cologne, the city of art in Germany, painter and graphic artist Jurgen Kuhl met Andy Warhol for the first time. The American Pop Art artist had come on ...

Printed in glossy purple, lavender, and bright yellow, I'll take my life monotonous by Patrick Caulfield depicts a lattice outlined in black, with three small dots of yellow. A garden lattice...

A classic Rosenquist pop art composition with gold, turquoise, purple, pink, blue, green and yellow. Characteristically surreal and graphic, Rainbow incorporates bold geometric forms with painterly washes of color and airbrush texture. Rosenquist's signature gleaming metallic chrome texture can be seen on an inverted fork behind the glass of a golden window. Paper 25.25 x 30.25 in. / 64 x 77 cm Image 17 x 21.5 in. / 43 x 54.5 cm Lithograph with screenprint on cream-coloured Hodgkinson handmade Wookey Hole paper. Edition of 75 with 8 color trial proofs: this impression 8/8. Signed and dated 1972 lower right in pencil; titled, numbered 8/8 and labeled Color Trial Proof lower left in pencil. This graphic, colorful scene is based on Rosenquist’s 1962 oil painting of the same name, collected in the Museum Ludwig in Cologne. The artist used real glass and wood to construct windows for the original painting – here, house siding is abstracted to bold, black horizontal lines, and the window glass is printed in dark gold ink. At the top of the composition, a window with shutters pushed open is colored in turquoise, with sharp black shadows. The left-hand window pane is shattered, and to the right, the outline of an oversized...

Two artists: Shepard Fairey and C.R. Stecyk III The Pacific Ocean Park pier straddled a dividing line between the cities of Santa Monica and Los Angeles. It was in equal portions: a...

Edition of 50 This work is registered in the Steve Kaufman (SAK) Catalogue Raisonné.