Camilla Engström

The Sun And The Moon

2021

Takashi Murakami Thank You for the Wonderful Destiny, 2021 Hand signed in pencil, dated and numbered by the artist Fine art inkjet ...

RETNA Sacred Dance Of Memories, 2017 Signed, named and numbered by the artist. Lithograph 4 colors printed with Marinoni Machines and hand cut on White BFK Rives 270 g. 82 x 68 cm Ed...

David Shrigley & Joan Cornella Vote (Set of 8 works), 2022 Numbered and hand signed by both artists Screenprint 17 x 12.8 in 43.2 × 32.4 cm Edition of 125

José Parlá The Founders, 2021 Signed, dated and numbered by the artist on a label that will be affixed to the reverse of each print. Archival pigment print ...

Camilla Engström Guldflod, 2021 Hand singed and numbered Digital print on 310g Photo Rag paper 80 x 60 cm Edition of 100 plus 10 AP

Jonas Woods Bonsai, 2022 Hand signed and numbered by artist 13-color screen print on rising museum board 28 × 23 in 71.1 × 58.4 cm Edition of 200

Kenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...

Series - Monet's House by Lélia Pissarro (B. 1963) Serigraph 38 x 48 cm (15 x 18 ⁷/₈ inches) Signed and numbered Printed in an edition of 300 Artist's Biography: Born in Paris in 19...

Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella immig...

Mountain Pastoral is a limited edition original serigraph no. 58/170 with deckle edges in excellent condition and signed in pencil by the artist. Published by Aspen mountain Grap...

Chama Canyon is a limited edition hand-pulled serigraph no. 225 /260 in excellent condition. It is signed in pencil and published by Aspen Mountain Graphics. sheet size 14 x 18 image 12 x 16 For American artist William Hook ( b. 1948- ) art was a central focus in his family home and he began his career in art at an early age.. He studied at several prestigious art schools in the US and abroad. His work has been featured in magazines such as Southwest Art, Art of the West, U. S. Art, American Artist and Focus Santa Fe. The book… Leading the West… by Donald Hagerty features William Hook as one of the most notable influences on the western art scene. Publishers Harper-Collins and North Light have included his work in numerous books written about the contemporary art process in Europe and America. Hook’s paintings can be found in the permanent collections of the Denver Art Museum, the Tucson Art Museum, the University of New Mexico, the FORBES Museum, NYC, and the Genesee Museum, NY as well as in many corporate and private collections. His work has also been featured in prints for the New Mexico Symphony, Music from Angel Fire...

Cottonwoods is a hand-pulled, limited edition serigraph, no. 32 / 165 and is signed in pencil by the artist. Published by Aspen Mountain Graphic it is ...