Camilla Engström

Guldflod

2021

Parra No Work Today, 2017 Signed and numbered Screen print in colors on paper 27 3/5 × 19 7/10 in Edition of 250

Takeru Amano Venus and Cat (Blue), 2021 Hand signed and numbered on COA Screenprinting with ink 23 5/8 x 23 5/8 60 x 60 Edition of 70

Jonas Woods Bonsai, 2022 Hand signed and numbered by artist 13-color screen print on rising museum board 28 × 23 in 71.1 × 58.4 cm Edition of 200

Sam Friedman Three Caves (Blue/Green), 2021 Hand signed and numbered by the artist. Set of three: two 8-Color; one 9-Color, Hand-Pulled Screen Prints on M...

Yoon Hyup Still In The Game, 2022 Hand signed and numbered by the artist 17 colour hand printed screen print on Lambeth Drawing Cartridge 370gsm 33.50 x 25.2...

Camilla Engström The Sun And The Moon, 2021 Hand signed and numbered by the artist Archival pigment print on Hahnemuhle hemp paper 24 x 16.75 in Editi...

One fountain at the mountain IV, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (U...

Backcountry - model skiing with high heels and mountains in the background The artwork is made and signed by the artist. Other sizes and framing on request. A rush of colours, sunlit places, luminous sensualities and bright shine. Tony Kelly...

Ernst Fuchs (Austrian, 1930 - 2015) Zyklopische Landschaft, 1967 (Cyclopean Landscape) • Coloured Aquatint etching on rag paper (Prob. French Arches paper) • Sheet ca. 31.5 x 56 cm • Plate, ca. 22.5 x 48 cm • Signed bottom right • Inscribed in pencil bottom left: EA I/I (= Artist’s proof, print No. 1 out a run of one print) Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings as seen here. The title of this print, Microwave Oven...

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...