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David Hockney
Hotel Acatlán: Second Day, from Moving Focus (T.G. 283, M.C.A.T. 270)

1984-85

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  • Pool Made With Paper and Blue Ink for Book
    By David Hockney
    Located in New York, NY
    1980 Lithograph in colors on Arches Cover paper Sheet: 10 1/2 x 9 in. Edition of 1000 Signed, dated and numbered in pencil, lower margin Framed, excellent condition
    Category

    1980s Pop Art Landscape Prints

    Materials

    Paper, Lithograph

  • In Front of House Looking South
    By David Hockney
    Located in New York, NY
    2019 Inkjet print in colors, on wove paper 34 x 43 in. (86.4 x 109.2 cm) Edition of 35 Signed, dated and numbered in pencil, lower margin
    Category

    2010s Pop Art Landscape Prints

    Materials

    Paper, Digital, Inkjet

  • History Kids
    By Ed Ruscha
    Located in New York, NY
    2013 Lithograph in colors, on wove paper Sheet: 29 x 28 in. (73.7 x 71.1 cm) Edition of 60 Signed, dated and numbered in pencil, lower margin Unframed, mint condition
    Category

    2010s Conceptual Landscape Prints

    Materials

    Paper, Lithograph

    History Kids
    Price Upon Request
  • Over the Rainbow
    By Yoshitomo Nara
    Located in New York, NY
    2005 Set of two lithographs in colors, on wove paper Sheet: 16 1/8 x 12 1/4 in., each Edition of 100 Each signed, dated, and numbered in pencil, lower margin
    Category

    Early 2000s Pop Art Abstract Prints

    Materials

    Paper, Lithograph

  • Flowers
    By Andy Warhol
    Located in New York, NY
    1964 Offset lithograph in colors, on wove paper Sheet: 23 x 23 inches Edition of 300 Signed and dated in black ink, lower right Unframed, pristine condition
    Category

    1960s Pop Art Figurative Prints

    Materials

    Paper, Lithograph, Offset

    Flowers
    Price Upon Request
  • Crying Girl
    By Roy Lichtenstein
    Located in New York, NY
    1963 Offset lithograph in colors, on wove paper Sheet: 18 x 24 inches Edition unknown Signed in pencil, lower right Framed
    Category

    1960s Pop Art Figurative Prints

    Materials

    Paper, Lithograph, Offset

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  • The Sea and the Sky - Lithograph by Claudio Cintoli - 1974
    By Claudio Cintoli
    Located in Roma, IT
    The Sea and the Sky is an original Contemporary Artwork realized in 1974 by Claudio Cintoli, with the pseudonym of Marcanciel Stupro. Plate-signed on the center. Numbered on the lo...
    Category

    1970s Pop Art Landscape Prints

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    Paper, Lithograph

  • FLOWER ABSTRACT
    By Peter Max
    Located in Aventura, FL
    Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 165. Frame size approx 28 x 33 inches. Artwork is in excellent condition. Certificate ...
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    1980s Pop Art Figurative Prints

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    Lithograph, Paper

  • BALBOA PARK
    By Peter Max
    Located in Aventura, FL
    Hand signed and numbered by the artist. Published by Tsumura Art Association., Tokyo, Japan and printed by Joseph Kleineman, NY. Artwork is in excellent condition. Edition of 150....
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    1990s Pop Art Figurative Prints

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  • SAILBOATS
    By Peter Max
    Located in Aventura, FL
    Hand signed, dated and inscribed "PP Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity includ...
    Category

    1980s Pop Art Figurative Prints

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    SAILBOATS
    $1,500
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  • TONTO-CONDO (THREE DIMENSIONAL)
    By Red Grooms
    Located in Aventura, FL
    Tonto-Condo, 1983, published by Shark's Ink, Lyons, Colorado (Knestrick, 96). Hand signed and numbered by the artist in pencil. Three-dimensional color lithographic construction with...
    Category

    1980s Pop Art Landscape Prints

    Materials

    Paper, Mixed Media, Lithograph

  • Untitled
    By Billy Al Bengston
    Located in San Francisco, CA
    Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
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