Kerr Eby
Burns Brothers, Sutton Place
1922

Name: Burns Brothers, Sutton Place
Brand: Kerr Eby
Price: 975 USD
Availability: InStock

About the Item

Burns Brothers, Sutton Place. 1922. Etching. Giardina catalog 90 state iv. 12 1/4 x 8 3/4 (sheet 16 x 12). Edition 50. A rich, tonal impression printed on cream-colored laid paper. Signed and annotated 'imp' in pencil. According to Giardina, p. 75: Burns Brothers, a New York City coal company, had many depots along the East River, including this one at Fifty-ninth Street and Sutton Place. Kerr Eby is one of the great 20th century printmakers, heralded for his use of negative space and plate tone. His plates usually held a combination of drypoint and etched lines, resulting in an interplay of strong lines and delicate details. His night scenes exude mystery and the silence of nightfall, with highlights from a flickering candle or a roaring campfire set against an all-encompassing darkness. His landscapes are just as telling of his talents and skilled hand. They speak to his ability to edit, as he would enlist only one or two lines to do the work of many- letting the almost unmarked plate convey a sense of vast open space with great depth and dimension. His prints continue to inspire artists to this day, and also serve as a rich historical account of the 20th century.

Creator:

Kerr Eby (1890 - 1946, American)

Creation Year:

1922

Dimensions:

Height: 12.25 in (31.12 cm)Width: 8.75 in (22.23 cm)Depth: 0.5 in (1.27 cm)

Medium:

Etching

Movement & Style:

American Modern

Period:

Early 20th Century

Condition:

Gallery Location:

Storrs, CT

Reference Number:

1stDibs: LU33522536483

View Invoice

Shop All Kerr Eby

Kerr Eby

Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. Returning to that country when he was three, Eby grew up studying art, which his parents encouraged, as his mother came from a family of prominent artists. Harold Kerr Eby was born to Canadian Methodist missionaries in Tokyo, Japan, on October 19, 1889. At the age of three his family moved to Vancouver, B.C. and by the time he was twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge. He worked as a 'printer's devil' on the Bracebridge paper, and at fifteen he took his savings and moved to New York with the dream of becoming an artist After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League.. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, life became desperate for the young artist. Starving and feeling defeated, he left in the spring for home in Canada and was employed by a surveying party in Northern Ontario. While in this northern wilderness, Eby regained his dream of becoming an artist, and in his spare time he started to draw his surroundings. By fall he had saved enough money to return to New York. He attended night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed a number of influential friendships with major artists such as John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through study and practice, Eby refined both his drawing and printing techniques. Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr Eby's work can be found in these collections of the Library of Congress, The Fine Arts Museums of San Francisco, Harvard Art Museums, New York Public Library, Navy Art Collection.