Provence : Sainte Victoire Mountain - Etching and aquatint engraved by J. Villon

Pierre PUVIS DE CHAVANNES (after) The Reaper : Life and Death, 1873 Original Etching Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Jean Baptiste Camille COROT (after) After the Bath, 1873 Original Etching Engraved by Boilevin under the supervision of COROT Printed sig...

Pierre PUVIS DE CHAVANNES (after) Hope, 1873 Original Etching Engraved by Boilvin under the supervision of PUVIS DE CHAVANNES Printed signature in the plate On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Alfred SISLEY (after) The Angelus, 1873 Original Etching Engraved by Flameng under the supervision of SISLEY Printed signature in the plate On laid paper...

Jean Francois MILLET (after) The Angelus, 1873 Original Etching Engraved by Martinez under the supervision of PUVIS DE CHAVANNES Printed signature in the ...

Claude MONET (after) Windmills in Holland, 1873 Original Etching Engraved by Gaucherel under the supervision of Monet Printed signature in the plate (with misspelled signature Monnet) On laid paper 20,5 x 30 cm (c. 8 x 12 in) INFORMATION : This etchings was edited in 1873 by Galerie Durand Ruel...

Automne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...

Effet de pluie by Camille Pissarro (1830-1903) Etching, aquatint and drypoint 15.9 x 21.3 cm (6 ¹/₄ x 8 ³/₈ inches) Stamped with initials C.P. lower left and numbered 7/14 lower righ...

Artist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

This artwork titled "Sunrise" 1978, is an original color aquatint on rice paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXIV/LXXV in red pencil...

A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.