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Period: Early 19th Century
10: Thames Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Etching
09: The Wolf Brig of War
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Etching
01: Prussian Snow
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Landscape Prints
Materials
Etching
02: Fishing Boat Arrived
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Landscape Prints
Materials
Etching
04: A Frigate
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Landscape Prints
Materials
Etching
05: Cowes Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Landscape Prints
Materials
Etching
07: The Victory
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Landscape Prints
Materials
Etching
06: Baroque
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Landscape Prints
Materials
Etching
08: Dutch Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Early 19th Century Landscape Prints
Materials
Etching
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo Early 19th Century Landscape Prints
Materials
Ink, Rice Paper, Woodcut
3 Panel Hand Colored Japanese Woodcut Print Lithograph
By Keisai Eisen
Located in Soquel, CA
3 Panel Hand Colored Japanese Woodcut Print Lithograph
Three panel hand colored woodcut lithograph from Nanso Satomi hakkenden, Tale of the Eight Dogs...
Category
Edo Early 19th Century Landscape Prints
Materials
Paper, Ink, Woodcut
Set of Four, Early 19th Century Hand Coloured Engravings, Horses and Carriages
Located in Cotignac, FR
Set of four early 19th century English hand coloured caricature engravings of horses and carriages by S and J Fuller. Presented in period plain wood frames under glass.
A charming s...
Category
English School Early 19th Century Landscape Prints
Materials
Ink, Paper
Ceiling plan of Crosby Hall, Bishopsgate Street
Located in Middletown, NY
Robert Wilkinson, 1816.
Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving, Watercolor, Handmade Paper
A North West View of St. Paul's Cathedral, London
Located in Middletown, NY
London: R.H Laurie, 1823
Engraving on buff wove paper, 10 x 15 3/4 inches (252 x 398 mm), full margins. Age and light tone, as well as areas of light yellow discoloration from the e...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving, Handmade Paper
Map of Cheapside, as it Appeared in the Year 1585
Located in Middletown, NY
Bird's eye view of the old buildings in West Cheap (Cheapside) as they appeared in 1585, from Londina Illustrata.
London: Robert Wilkinson, 1814
Engraving on buff wove paper, 11 ...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving, Handmade Paper
English School, 19th Cent. –An Interior View of the Porch ... Church St. Alphage
Located in Middletown, NY
An Interior View of the Porch of the Parish Church St. Alphage; An interior view of the porch of the parish church of St Alphage, London Wall: formerly the chapel of the priory of El...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving, Handmade Paper
Hall of Bermondsey Abbey, English School, 19th Century (attributed to Dale)
Located in Middletown, NY
London: Robert Wilkinson, 1820
Copperplate engraving on buff wove paper, 13 x 9 3/4 inches (330 x 247 mm) full margins. In good condition with some minor toning and surface soiling ...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving, Handmade Paper
Inside of the Duke's Theater in Lincoln's Inn Fields as it appeared...Charles II
Located in Middletown, NY
London: William Herbert & Robert Wilkinson, 1809
Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soiling, and edge wear along the top sheet edge, well outside of the image area. From a series of three views of the Duke's Theater.
An impression of this work may be viewed in the permanant collection of the Royal Collection...
Category
English School Early 19th Century Landscape Prints
Materials
Handmade Paper, Engraving
Base of a Colossal Column Near Syracuse, after Luigi Mayer
Located in Middletown, NY
London: T. Bensley for R. Bowyer, 1810
Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...
Category
English School Early 19th Century Landscape Prints
Materials
Aquatint, Handmade Paper
Crepin-Cordonnier by Charles Hullmandell Boys
Located in Middletown, NY
Lithograph on chine-collé mounted to wove paper, 14 1/8 x 8 3/4 inches (355 x 220 mm), full margins. Scattered light foxing throughout, toning, surface soiling and scattered creasing...
Category
French School Early 19th Century Landscape Prints
Materials
Lithograph, Handmade Paper
View of the Villa at Scabrosa, after Luigi Mayer
Located in Middletown, NY
London: T. Bensley for R. Bowyer, 1810
Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...
Category
English School Early 19th Century Landscape Prints
Materials
Aquatint, Handmade Paper
The Philanthropic Reform in St. George's Field
Located in Middletown, NY
London: James Whittle & Richard Holmes Laurie, 1814.
Engraving with hand coloring in watercolor on wove paper, 11 1/2 x 17 1/4 inches (290 x 437 mm). Condition issues include signif...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving, Watercolor, Handmade Paper
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....
Located in Middletown, NY
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185)
Tokyo c. 1830
Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art.
The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...
Category
Edo Early 19th Century Landscape Prints
Materials
Handmade Paper, Watercolor, Woodcut
Downing College, Cambridge engraving by Samuel Sparrow after Henry Barker
Located in London, GB
To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....
Category
Early 19th Century Landscape Prints
Materials
Engraving
La Place de la Pucelle.
By Samuel Prout
Located in Middletown, NY
A market scene; the spot on which the execution of Joan of Arc took place.
London: R. Bower, 1825.
Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inc...
Category
English School Early 19th Century Landscape Prints
Materials
Watercolor, Aquatint, Handmade Paper
Hermitage
Located in Middletown, NY
Etching on cream laid paper, 4 x 4 3/4 inches (100 x 120 mm) narrow margins. In very good condition with a number of inscriptions in pencil on the verso. Also on the verso there is a...
Category
Flemish School Early 19th Century Landscape Prints
Materials
Laid Paper, Etching
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Etching
Veduta della Piazza del Popolo
Located in Middletown, NY
Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...
Category
Italian School Early 19th Century Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving
Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
English School Early 19th Century Landscape Prints
Materials
Aquatint, Handmade Paper, Engraving, Etching
Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
English School Early 19th Century Landscape Prints
Materials
Handmade Paper, Engraving, Etching, Aquatint
Whitehaven, Cumbria engraving by Elizabeth Byrne after Joseph Farington RA
Located in London, GB
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Elizabeth Byrne (1777 - 1849) after Joseph Farington RA (1747 - 1821)
North View of Whitehaven, Cumbria
Hand-coloured engraving
27.5 x 56.5 cm
A view of the cliffs and port of Whitehaven in Cumbria.
Joseph Farington RA was an 18th-century English landscape painter and diarist. He drew a north and south view of Whitehaven, which were engraved by Elizabeth Byrne in the early 19th century. Byrne was a London-born etcher and landscape painter, who was taught by her father, the etcher William Byrne...
Category
Realist Early 19th Century Landscape Prints
Materials
Engraving
An Egyptian at Fair at Kafr Radon
By Luigi Mayer
Located in Mount Vernon, NY
Hand-colored aquatint by Thomas Milton, based on original drawings by artist Luigi Mayer (1755-1803). From Views in Egypt, Palestine, and Other Parts of th...
Category
Early 19th Century Landscape Prints
Materials
Aquatint
Johann Christian Reinhart (1761-1847) - 1807 Engraving, Balaam's Donkey
Located in Corsham, GB
A fine early 19th Century engraving, showing the Biblical scene of Balaam's Donkey. The artist has inscribed their name and date in plate at the lower edge, along with an inscription...
Category
Early 19th Century Landscape Prints
Materials
Engraving
JOB SACRIFICED - And My Servant Job Shall Pray For You
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827)
JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33)
Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category
English School Early 19th Century Landscape Prints
Materials
Engraving
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century Landscape Prints
Materials
Etching
The Sheldonian and Clarendon, Broad Street, Oxford engraving by Basire
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
James Basire II (1769 - 1822) after Edward Dayes...
Category
Realist Early 19th Century Landscape Prints
Materials
Engraving
Persia & Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Engraving
Dean Wolstenholme (1798-1882) - 1832 Aquatint, Death of Tom Moody, Gone to Earth
Located in Corsham, GB
A fine early 19th Century strike of the humorous scene of the death of Tom Moody. Moody's friends from his hunting troupe gather round his open grave, wildly shouting "Tally Ho!" muc...
Category
Early 19th Century Landscape Prints
Materials
Aquatint
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century Landscape Prints
Materials
Engraving
19th century landscape of rome daily life by fine print master Sir Muirhead Bone
Located in Milan, IT
Original etching and drypoint, signed in the plate and in pencil in the lower right corner; Dodgson "Etchings and drypoints by Muirhead Bone", Print Collector's Quarterly, 1922, IX, p. 173-200; Mackenzie, British Prints, p. 57; 400 x 278 mm
Superb test with signs particularly rich in beards, a characteristic typical only of the first tests: the pictorial effect is very effective. Small uneven margins. In perfect state of conservation.
Rich of burr drypoint, 1916, printed on cream paper. Good margins all around. In good condition.
Sir Muirhead Bone (23 March 1876 - 21 October 1953) was a Scottish etcher and watercolorist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists...
Category
English School Early 19th Century Landscape Prints
Materials
Etching
Paris - Lithograph by Horace Vernet - 1805
Located in Roma, IT
Paris is an Original Lithograph realized by Horace Vernet in 1805.
Good condition on a grey paper.
No signature.
Émile Jean-Horace Vernet (30 June 178...
Category
Modern Early 19th Century Landscape Prints
Materials
Lithograph
The Nodding Renealmia from Temple of Flora
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category
Early 19th Century Landscape Prints
Materials
Paper
Agave or American Aloe: A Framed Hand-colored Engraving from Robert Thornton
Located in Alamo, CA
This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand.
The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition.
Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...
Category
Early 19th Century Landscape Prints
Materials
Mezzotint, Engraving
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini.
From the collection “Le antichità de’ c...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Etching
Group of Carnations from Temple of Flora
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category
Early 19th Century Landscape Prints
Materials
Paper
1804 St George's Chapel Windsor Castle print
Located in London, GB
From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Meghan Markle; to see some ...
Category
Realist Early 19th Century Landscape Prints
Materials
Etching, Aquatint
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
Old Masters Early 19th Century Landscape Prints
Materials
Mezzotint
Les Bords de l'Escaut - Original Etching by Nicolas Toussaint Charlet - 1841
Located in Roma, IT
Les Bords de l'Escaut is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Etching print. Signed on plate on the lower left. Dat...
Category
Modern Early 19th Century Landscape Prints
Materials
Etching
St. Laurent - Original Lithograph by N. Toussaint Charlet - Early 19th Century
Located in Roma, IT
Le Fort St. Laurent is an original artwork realized by Nicolas Toussaint Charlet (1792-1845). Lithograph print. Signed on plate on the lower center. Titled "Le Fort St. Laurent". Edi...
Category
Modern Early 19th Century Landscape Prints
Materials
Lithograph
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Bear
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Color
A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Wolf
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Naturalistic Early 19th Century Landscape Prints
Materials
Etching
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Victorian Early 19th Century Landscape Prints
Materials
Etching, Engraving, Aquatint
FLOWERS - Monotype from 1997 Smithsonian Exhibition
By Karl Yens
Located in Santa Monica, CA
KARL YENS (1868 – 1945)
(FLOWERS) 1919
Color monotype signed, dated and annotated: “monotype 1919.” 17 ½” x 11 ½”
Monotypes are unique works of art that fall between printmaking a...
Category
American Impressionist Early 19th Century Landscape Prints
Materials
Monotype
Spaccato del Mauseleo di Ottaviano Augusto, Piranesi Roman etching, 1800
Located in Melbourne, Victoria
From Piranesi’s, Antichità Romane, Paris edition published by Francesco Piranesi.
Piranesi was an Italian architect and etcher. He published series of etchings of archaeological in...
Category
Baroque Early 19th Century Landscape Prints
Materials
Etching
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Victorian Early 19th Century Landscape Prints
Materials
Etching, Engraving, Aquatint
St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'.
St Margarets was a Regency house in Isleworth, Middlesex.
Published by Rudolf Ackermann ...
Category
Victorian Early 19th Century Landscape Prints
Materials
Etching, Engraving, Aquatint
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Victorian Early 19th Century Landscape Prints
Materials
Etching, Engraving, Aquatint
Aerial View on Malta - Original Woodcut - Early 19th Century
Located in Roma, IT
Aerial View on Malta is an original modern artwork realized in Italy in the first half of the 19th Century.
Original woodcut on Ivory Paper.
Inscripted in Gothic letters on the lo...
Category
Modern Early 19th Century Landscape Prints
Materials
Woodcut
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Hong Kong Boats
Jerusalem City Of Gold
Jerusalem Stone
Jewish Star Art
Les Caves
Map Of Texas
Michael Mitchell
Monhegan Island Art
Monhegan Island
Morris Henderson
New Harbor Maine
Oil Paintings English Landscapes 1970
Paris Eiffel Tower Painting
R Wilson
Retro Mexican Dresses