Late 19th Century Landscape Prints
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Period: Late 19th Century
Port of New Orleans - Original Lithograph by J.H. Tringham - 1890
By Joseph Holland Tringham
Located in Roma, IT
Image dimensions: 10.1 x 13.9 cm.
Port of New Orleans is a black and white xylograph on paper, realized in 1890 by Holland Tringham.
Of little dimensions but high quality, this ori...
Category
Modern Late 19th Century Landscape Prints
Materials
Lithograph
"Jamais Bredouille (Never Empty-handed)" Color Lithograph after Jules Denneulin
By Jules Denneulin
Located in Milwaukee, WI
"Jamais Bredouille (Never Empty-Handed)" is a color lithograph after Jules Denneulin. It depicts a hunter showing his day's work to a farmer on a path at dusk.
20" x 26" art
40 1/4...
Category
Realist Late 19th Century Landscape Prints
Materials
Lithograph
The Second Army Bombarding and Occupying Port Arthur by Watanabe Nobukazu
By Watanabe Nobukazu
Located in Long Island City, NY
Artist: Watanabe Nobukazu, Japanese (1872 - 1944)
Title: The Second Army Bombarding and Occupying Port Arthur
Year: 1894
Medium: Woodblock Triptych...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Woodcut
"Birthplace of Henry Clay, Hanover County, VA, " Lithograph by Kelloggs & Thayer
Located in Milwaukee, WI
"Birthplace of Henry Clay, Hanover County, Virginia" is an original hand-colored lithograph by Kelloggs & Thayer. The piece features a homestead and farm anima...
Category
Victorian Late 19th Century Landscape Prints
Materials
Lithograph
Le Bateau a Conflans/Le Paysagiste au Bateau
Located in Milwaukee, WI
"Le Bateau a Conflans/Le Paysagiste au Bateau" or "The Boat at Conflans/Landscape with Boat" is an original etching by Charles Francois Daubigny...
Category
Barbizon School Late 19th Century Landscape Prints
Materials
Etching
Westminster Palace
Located in New York, NY
Felix Buhot (1847-1898), Westminster Palace, etching, drypoint, roulette, 1884, signed in pencil and extensively annotated. Bourcard/Goodfriend 155, Bourca...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching, Drypoint
Original Victorian card with flower arrangement and ice skating scene
Located in Milwaukee, WI
Business cards like this fall into the category of what art historians today generally refer to as "ephemera." Ones like this were produced for companies in the late 19th century, pr...
Category
Romantic Late 19th Century Landscape Prints
Materials
Lithograph
Brookside
Located in New York, NY
Signed (at lower right): C A Walker
Category
American Realist Late 19th Century Landscape Prints
Materials
Monotype
Three Engravings Depicting Sailing Yachts Competing in 1885 America's Cup Trials
Located in Alamo, CA
Three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year.
These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled wood frames with pleasing light grey French mats, each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three prints in this series. These prints may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6.
Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Engraving
French architecture house design lithograph, late 19th century, 1878
Located in Melbourne, Victoria
'Ecuries et Remises.'
French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of fine illustrations of French designs for brick buildings.
...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
The Street, Chelsea - 1880s etching by Whistler follower Theodore Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Street, Chelsea Embankment
Etching, signed in the plate, signed on the artist’s tab, trimmed to the platemark by the artist, framed
15...
Category
Realist Late 19th Century Landscape Prints
Materials
Etching
"The Fisherman's Catch, " an Etching signed by James Fagan
By James Fagan
Located in Milwaukee, WI
"The Fisherman's Catch" is a signed (in pencil lower right and in plate lower left) etching by James Fagan. It depicts a fisherman walking on a beach in black and white. It is signed...
Category
American Realist Late 19th Century Landscape Prints
Materials
Etching
"Chicago in Early Days, " Original Color Lithograph by Kurz & Allison
Located in Milwaukee, WI
"Chicago in Early Days" is an original color lithograph by Kurz & Allison. This piece features multiple views of the city of Chicago.
16 3/4" x 23 1/4" art
28 1/8" x 33 7/8" frame
...
Category
Academic Late 19th Century Landscape Prints
Materials
Lithograph
Mississippi - Original Woodcut - 1890
Located in Roma, IT
Image dimensions: 9.5 x 12.5 cm.
Mississippi is a black and white xylograph on paper, realized in 1890 by anonymous artist.
Of little dimensions but high fineness, this original print portrays a historical view on the New Orleans port...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
"Diane Chasseresse, " Original Color Lithograph signed by Gaston De Latenay
Located in Milwaukee, WI
"Diane Chasseresse" is an original color lithograph signed by the artist Gaston de Latenay. It is edition 36/100, which is written in the lower right...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
The Corner of Cheyne Walk, Chelsea - 19th Century British Etching by Roussel
Located in London, GB
THEODORE CASIMIR ROUSSEL, RBA
(1847-1926)
The Corner of Cheyne Walk, Chelsea
Etching, unsigned, with the artist’s tab, signed in the plate, trimmed to th...
Category
Realist Late 19th Century Landscape Prints
Materials
Etching
La rue Saint-Louis - Original Woodcut Print by Bertrand, After Valnay - 1880
Located in Roma, IT
Image dimensions: 23.5 x 15.8 cm.
La rue Saint-Louis is a wonderful black and white xilograph on paper, realized in 1880 by Bertrand, after Valnay.
Signed on plate on sides. Title ...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
"Homeward Bound, " Etching by D. Landers after a painting by Charles Harold Davis
By D. Landers, after Charles Harold Davis
Located in Milwaukee, WI
"Homeward Bound" is an original etching by D. Landers after a painting by Charles Harold Davis. The artist signed the piece lower right. It depicts a woman in a field.
13 1/4" x 20...
Category
American Realist Late 19th Century Landscape Prints
Materials
Etching
Cowdray Castle (with cows)
Located in Roma, IT
Beautiful proof on verge, with note “Pl.194” and signed by the artist in pencil.
Full margins. Ex-coll. H.H. Benedict (Lugt 1298), with dry stamp not identified.
Ref. Cat. Harrington...
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Photogravure
"Westminster Abbey, " complete portfolio of 13 etchings by John Sloan
By John Sloan
Located in Milwaukee, WI
John Sloan's Westminster Abbey portfolio is among the most rare of his printmaking output, and a complete set like this is even more unusual. Printed in dark brown ink in on a sturdy...
Category
Ashcan School Late 19th Century Landscape Prints
Materials
Paper, Etching
Modern Art - Lithograph (Les Maîtres de l'Affiche), 1895
Located in Paris, FR
Arthur Wesley DOW (1857-1922)
Modern Art
Lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
INFORMATION : Plate 36 of "Les Maîtres de...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
La Lisière de Fôret. (The Edge of the Forest).
Located in Storrs, CT
Bliss 504. 8 x 12 1/2 (sheet 9 1/4 x 13 5/8). A rich impression printed on cream laid paper. A large, impressive plate with subtle inking. Unsigned.
Provenance: Baldwin-Wallace Col...
Category
Barbizon School Late 19th Century Landscape Prints
Materials
Etching
Ôkubo Hikozaemon Protects the Hidden Shogun Triptych
Located in Burbank, CA
“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Mulberry Paper, Woodcut
"Old Barns, " an Etching signed by Stephen Parrish
Located in Milwaukee, WI
"Old Barns" is an original etching signed by the artist Stephen Parrish. This etching depicts two barns in a rocky forest-edge landscape. The scene suggests nature's gentle and slow ...
Category
Late 19th Century Landscape Prints
Materials
Etching
Gibbon Falls, Yellow-Stone National Park
Located in Paonia, CO
Gibbon Falls, Yellow-Stone National Park is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls. This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R. Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872 Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone region for at least 11,000 years. The Northern Pacific Railroad...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Lithograph
"View of the City of Milwaukee" Wood Engraving Hand Colored by Theodore R. Davis
Located in Milwaukee, WI
"View of the City of Milwaukee" from "Harper's Weekly" is an original hand-colored wood engraving by Theodore R. Davis. It depicts an aerial view of the Wisconsin lakeside city in 1882.
9" x 13 3/8" art
17 5/8" x 21 3/4" frame
Theodore R. Davis (1840–1894) was a 19th-century American artist, who made numerous drawings of significant military and political events during the American Civil War and its aftermath. As a child, Theodore R. Davis was taken to Washington D.C. where he graduated from Rittenhouse Academy. When he was fifteen, he moved to New York where studied art under Henry W. Herrick and James Walker.
The Training Theodore Davis received under James Walker was informal. Davis typified certain artists as "special artists" was hired by popular magazines and newspapers. He was hired by them to illustrate the Civil War. He was hired by Harpers Weekly in 1861.[
During the Civil War, he served as a captain in the 15th Connecticut Volunteer Infantry. After the war, he became a companion of the New York Commandery of the Military Order of the Loyal Legion of the United States.
Some of these drawings include the Battle of Champion Hill, and the most significant sketch of General Joseph E. Johnston and General William T. Sherman meeting at the Bennett Farm near Durham Station to discuss the surrender terms of the remaining Confederate armies in the Southeast.
After the war when the Cyclorama in Atlanta was being painted, Davis was asked for his ideas having traveled with Sherman's army. He was later added to the painting.
Theodore Davis was a staff artist at Harper's Weekly.
Many of his drawings were published as wood engravings in Harper's Weekly.
Theodore R. Davis was chosen to create the Haye's China with a chance meeting. Mr. Davis suggested using flora and fauna of the American decor...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Engraving
Garden - Lithograph by M. Calderini - 1880 ca.
By Marco Calderini
Located in Roma, IT
Garden is a beautiful black and white lithograph on paper, realized by Marco Calderini (Tourin 1850-1948) around 1880.
Representing a luxurious and decadent garden with a central fo...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
J.H. Woods’ Fruit Shop, Chelsea
Located in New York, NY
James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches.
A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions.
watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.)
This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate.
According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching, Drypoint
Hotel Saint-Charles - Original Woodcut Print by A. Deroy - 1880
Located in Roma, IT
Hotel Saint-Charles is a beautiful black and white xylograph on paper, realized in 1880 by Auguste Victor Deroy.
Original title: Nouvelle-Orléans: Hôtel Saint-Charles
Signed on pl...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
La Nouvelle Orléans - Original Woodcut Print After T.A. Weber - 1876
By Theodore Alexander Weber
Located in Roma, IT
La Nouvelle Orléans is a wonderful black and white xilograph on paper, realized in 1876 by an unknown artist, whose signature is not completely readable on lower right corner, after the German artist and marine painter Theodore Alexander Weber (1838-1907).
With high meticulousness of sign this original print describes the new port...
Category
Modern Late 19th Century Landscape Prints
Materials
Woodcut
Victoria Club
Located in Storrs, CT
Victoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...
Category
American Modern Late 19th Century Landscape Prints
Materials
Lithograph
The Street, Chelsea Embankment
Located in New York, NY
Theodore Roussel (1847-1926), The Street, Chelsea Embankment, etching, 1888-9, signed in pencil on the tab and annotated “imp” [also signed lower left in the plate]. Reference: Hausb...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
Lindsey Row, Chelsea
Located in Storrs, CT
Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...
Category
American Modern Late 19th Century Landscape Prints
Materials
Lithograph
Boats - Original Etching by Giovanni Fattori - 1895 ca.
Located in Roma, IT
Etching on a zinc plate.
Very Good conditions.
Ref.
- A. Baboni, L'Ottocento: le incisioni di Giovanni Fattori, Pacini Editore, 2001. p. 128, n.106
Giovanni Fattori was an Italian ...
Category
Naturalistic Late 19th Century Landscape Prints
Materials
Etching
A Lancashire River.
Located in Storrs, CT
Schneiderman 203.viii. 10 7/8 x 15 7/8 (sheet 13 7/8 x 17 7/8). Illustrated: Print Collector's Quarterly 1 (1911): 27. A 1-inch printing fold in the left-hand side of the image, and ...
Category
Late 19th Century Landscape Prints
Materials
Etching
Souvenir d’Eza
Located in Roma, IT
Cliché-verre.
Magnificent proof of ancient edition, numbered in red pencil on verso, and whose subject wasn’t included in the later reprints by Bouasse-Lebel and Le Garrec. Signed on...
Category
Modern Late 19th Century Landscape Prints
Materials
Plate Glass
"San Salvador: Station d'Hiver des Arthritiques" Original Color Lithograph
Located in Milwaukee, WI
"San Salvador (Mediterranean)" is an original color lithograph poster by Ernest Louis Lessieux. It depicts a woman and her son on the picturesque coast of...
Category
Late 19th Century Landscape Prints
Materials
Color, Lithograph
Timber Raft on the Rhine
Located in Storrs, CT
Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, ...
Category
Romantic Late 19th Century Landscape Prints
Materials
Mezzotint
"The Harbor of Vera Cruz Mexico (Klackner 53)" an etching signed by Thomas Moran
By Thomas Moran
Located in Milwaukee, WI
This black and white etching by American painter and print maker of the Hudson River School in New York: Thomas Moran, is a rare Klackner #53 of the catalogue raisonné, depicting "The Harbor of Vera...
Category
Hudson River School Late 19th Century Landscape Prints
Materials
Etching, Parchment Paper
The Traghetto
Located in New York, NY
James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Westminster Abbey - the complete album of 13 etchings
By John Sloan
Located in New York, NY
John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound with ahand-painted gilt cover [many of the etchings...
Category
American Realist Late 19th Century Landscape Prints
Materials
Etching
Gabled Roofs
Located in New York, NY
James Abbot McNeill Whistler (1834-1903), Gabled Roofs, lithograph, 1893. Reference: Chicago (Spink et al) 64, only state. From the lifetime edition of 12 (there was also a posthumou...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
Water Mill
Located in Storrs, CT
Water Mill (after the drawing by J.M.W. Turner, R.A., 1775-1851). 1885. Mezzotint. Hardie 3.ii. With the publication line. 7 x 10 1/8 (sheet 12 1/4 x 16 5/8...
Category
Late 19th Century Landscape Prints
Materials
Mezzotint
Three-tree Farm
Located in Roma, IT
Beautiful proof printed in brown on verge paper, signed by the artist in pencil. Some minor folds on top and bottom of sheet; fold of edition on center of sheet.
Full margins. Ex-col...
Category
Modern Late 19th Century Landscape Prints
Materials
Etching
THE VICTORIA CLOCK TOWER, LONDON
Located in Portland, ME
Buhot, Felix. THE VICTORIA CLOCK TOWER, LONDON. BG 184. Lithograph, 1892. 9 x 6 3/8 inches; 230 x 163 mm., image; sheet 15 x 11 inches; 381 x 279 mm. Signed in the stone "Felix Buhot...
Category
Late 19th Century Landscape Prints
Materials
Lithograph
Bridge, Amsterdam
Located in New York, NY
James McNeill Whistler (1834-1903), Bridge, Amsterdam, etching, 1889, printed in brown ink on thin laid paper, signed with the butterfly on the tab and annotated “imp”, also signed with the butterfly on the verso and numbered 11. References: Kennedy 409, Glasgow 447, fifth state (of 5). In very good condition (slight nicks at edges), trimmed by the artist on the plate mark apart from the tab, 6 1/2 x 9 1/2 inches.
Provenance:
Vivian and Meyer P. Potamkin, Philadelphia;
sale, Sotheby’s, New York, May 11, 1989, lot 302
Samuel Josefowitz, Pully, Switzerland
A very fine, shimmering impression of this great rarity.
This impression is included in the Glasgow inventory, ID number K4090301; only about 11 lifetime impressions in all states are known (three were also printed posthumously by Nathaniel Sparks...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Etching
The Cabin
Located in Roma, IT
Beautiful proof on vélin fort, with stamp “Lugt 1048”.
Full margins.
Ref. Cat. Harrington 170; Schneiderman 163.
Category
Modern Late 19th Century Landscape Prints
Materials
Drypoint
Scene in the Campagna
Located in Storrs, CT
Scene in the Campagna, also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Mezzotint. 8 1/2 x 11 3/8 (sheet 1...
Category
Late 19th Century Landscape Prints
Materials
Mezzotint
Schuylkill River
By John Sloan
Located in New York, NY
John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt im...
Category
American Realist Late 19th Century Landscape Prints
Materials
Etching
The Bridge, Santa Maria
Located in New York, NY
James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also with an exceedingly light butterfly lower right in the plate). Kennedy 204, probably eighth (final) state; Glasgow 201, probably state 9 (of 9) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011), Lochnan 199. Trimmed to the platemark by the artist, h: 11.8 x w: 7.9 in / h: 30 x w: 20.1 cm.
A fine impression, printed with subtle tone.
The bridge theme occurs repeatedly in Whistler’s vistas. It is also the main focus of more than one of the Venetian prints. While some bridges are seen from below, from where one would see it if approaching in a gondola (for example Ponte del Piovan, Kennedy 209), The Bridge depicts the scene from a high perspective, opening up the view into the far distance. The small boat approaching the arch in the foreground is again, as in the earlier Thames prints, a stock motif that is probably ultimately derived from the Japanese woodcuts of Hokusai and Hiroshige. The bridge here is the Ponte de le Terese over the Rio de l’Arzere in the Santa Marta quarter.
The early biography of Whistler by Elizabeth and Joseph Pennell is essential for its “immense quantity of information” but also notorious for “the inherent hyperbole and misinformation” (Eric Denker, Annotated Bibliography, in Fine, p. 184). Still, it is worth quoting from the Pennels’ appraisal of The Bridge: “Simplicity of expression has never been carried further. Probably the finest plate, in its simplicity and directness, is The Bridge. Whistler now obtained the quality of richness by suggesting detail, and also by printing. In The Traghetto...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
Modern Art
Located in New York, NY
Dow, Arthur Wesley. Modern Art, 1896. Color lithograph. Plate from Maitre de L’affiches.
Arthur Wesley Dow, ( American painter, printmaker, photographer, and educator known for hi...
Category
Art Nouveau Late 19th Century Landscape Prints
Materials
Lithograph
Haystacks near Palaiseau - Original handsigned lithograph - 100 copies
Located in Paris, FR
Armand GUILLAUMIN
Haystacks near Palaiseau (Les Meules en hiver à Palaiseau), c. 1898
Original lithograph
Handsigned in ink bottom left
Limited to 100 copies ; this one bears ...
Category
Post-Impressionist Late 19th Century Landscape Prints
Materials
Lithograph
Le Pont de Pierre, a Rouen
Located in New York, NY
Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
L’île Lacroix, à Rouen
Located in New York, NY
Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Aquatint, Etching, Drypoint
"Royalty Greeting Townspeople, " a Tempera Diptych from the Late 19th c.
Located in Milwaukee, WI
"Royalty Greeting Townspeople" is a Persian tempera diptych from the Late 19th century. It includes multiple figures in red and blue interacting in a f...
Category
Other Art Style Late 19th Century Landscape Prints
Materials
Tempera
The Mill, Amsterdam, 1889
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011)
On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches.
A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone.
provenance:
H. Wunderlich & Co., New York
Louis B. Dailey, New York (Lugt 4500)
sale, Sotheby’s, New York, October 31, 2003, lot 69
literature;
Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category
Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
The Venetian Mast
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
Category
American Impressionist Late 19th Century Landscape Prints
Materials
Drypoint, Etching
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