Piotr Petrovich Belousov

The Road From the Mill, paper, etching, 10x14.5 cm

Old Town, paper, etching, 32x24.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Paintin...

Forest Road, paper, etching, 21.5x28.5 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

From the Pasture Paper, etching, 13x19 cm Piotr Petrovich Belousov (1912-1989) was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Pa...

Trees. 2016. Paper, etching, 2/5, 29x40 cm

The road from the mill. 1975 Paper, etching, 10x14.5 cm was a Soviet, Russian painter, graphic artist, art teacher, professor of the Leningrad Institute of Painting, Sculpture and A...

Fishing nets. 1965, paper, etching 53x66 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In...

This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier

James McBey (1883-1959), Haarlem, etching, 1910, signed in ink bottom right margin and numbered XXXV bottom left [also signed, titled and dated July 1910 in the plate]. Reference: Hardie and Carter 61, only state, edition of 40, 4 3/4 x 6 7/16, the sheet 6 1/4 x 8 inches. Printed on old laid paper, with a partial crest watermark, with margins. In good condition, a paper loss upper right corner (away from image), slight soiling in margins, archival mounting. A fine impression, with a light veil of plate tone. At the age of 26 McBey left his bank job (which he had had for 15 years!) and traveled to Holland, where from July to September of 1910 he created a number of etchings depicting the Dutch landscape. McBey had studied Rembrandt’s prints, and the influence of the Master is evident in etchings such as Haarlem; Haarlem also is reminiscent of Whistler’s Thames etchings...

Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In exce...

Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...

William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...

Adolphe-Marie Beaufrère (1876-1960) A Douelan, etching, 1923, signed in pencil and numbered (21/50) [also initials and date in the plate]. Reference: Morane 23-07, BN Laran 175. Seco...