Marc Quinn

At the Far Edges of the Universe III

2010

Artist: Hallencreutz, Clara Title: Taste Candy Crush Date: 2015 Medium: C-print face mounted to archival acrylic, backed with aluminum Unframed Dimensions: 27.5" x 39" Sig...

Artist: Quinn, Marc Title: Portraits of Landscapes VIII Series: Portraits of Landscapes Date: 2008 Medium: pigment prints Unframed Dimensions: 39 3/8" x 29.5" Framed Dimension...

Artist: Quinn, Marc Title: At the Far Edges of the Universe IV Series: At the Far Edges of the Universe Date: 2010 Medium: pigment graphic prints Unframed Dimensions: 27....

Artist: Quinn, Marc Title: At the Far Edges of the Universe VI Series: At the Far Edges of the Universe Date: 2010 Medium: Pigment Prints Unframed Dimensions: 27.25" x 41...

Artist: Quinn, Marc Title: At the Far Edges of the Universe V Series: At the Far Edges of the Universe Date: 2010 Medium: Pigment Prints Unframed Dimensions: 27.25" x 41"...

Artist: Paul, Morrison Title: Rosy Fingered Dawn Date: 2013 Medium: Screenprint with gold leaf underlay on 410gsm Somerset Satin Paper Unframed Dimensions: 31.843" x 39.375" F...

36 x 27 inches - Edition 2 of 3 with 2 APs framing is an additional $525. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien)....

Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...

Gaspee Down the Line presents a view of Scarborough beach in Narragansett, Rhode Island. Named for Gaspee Road that empties onto the state beach in Narragansett, RI, this particular...

This etching is from my private collection of 20th Century artists. It is original, signed and numbered. Edouard Righetti (1921-2001) was a French post impressionist artist who speci...

Louis I of France as a Roman Emperor, in profile to the right Chiaroscuro woodcut, 1631-1633 Unsigned (as usual) After a drawing by Hubert Goltzius (1526-1583)...

Tarkay Serigraph Signed and numberd In excellent condition Measures 47x39 International buyers must pay all shipping cost