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Carbon Pencil Prints and Multiples

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Medium: Carbon Pencil
Spanish Artist signed limited edition original art print numbered etching
Located in Miami, FL
Antoni Tapies (Spain, 1923-2012) 'Oval i blanc', 1982 etching, aquatint, carborundum on paper Guarro Biblos 250g. 22.1 x 30 in. (56 x 76 cm.) Edition of 99 Unframed ID: TAP1162-018 H...
Category

1980s Abstract Carbon Pencil Prints and Multiples

Materials

Carbon Pencil, Etching, Aquatint, Paper

CB HOYO YES YOU COULD HAVE MADE THIS BUT YOU DIDN'T... Street Art
Located in Draper, UT
Medium: Print Condition Print in good condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand Signed and Numbered by the Artist in Pencil, CB HOYO. ...
Category

2010s Contemporary Carbon Pencil Prints and Multiples

Materials

Carbon Pencil, Screen

Bohemian Woman - Rare and Signed Graphite Portrait Drawing on Textured Paper
Located in Soquel, CA
Bohemian Woman - Signed Graphite Portrait Drawing on Textured Paper Portrait of a woman in a Boehme Bandana with exaggerated eyes and a parted smile. A Carbon Pencil and eraser original drawing by Eugene Hawkins (American, b. 1933). Signed and dated upside-down along the bottom edge: "Eugene May 13th 1976" Presented in a new black mat. Mat size: 20"H x 16"W Paper size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist known for his detailed portraiture and printmaking. He is listed in Who Was Who in American Art, 1564-1975, and his work was exhibited in the Whitney Museum of American Art. He spent the majority of his life working and exhibiting in Southern California. His work frequently touches upon socio-political subjects, making strong statements about the world. The California African American Museum features Eugene Hawkins's work in the Permanent Collection.Exhibition: 2017 Paperworks: Selections from the Permanent Collection focuses on works on paper produced from 1800?2000 and includes figurative, impressionistic, and abstract styles. The exhibition showcases the radically diverse range of works on paper created by African American and other artists over the last two centuries, and includes drawings, prints, paintings, and collages by Edward Mitchell Bannister...
Category

1970s American Modern Carbon Pencil Prints and Multiples

Materials

Carbon Pencil, Paper

Miguel Rasero Spanish Artist Original Hand Signed carborundum, chine colle
Located in Miami, FL
Miguel Rasero (Spain, 1955) 'Vinas', N/A carborundum, chine colle on Heavy weight handmade paper 52.6 x 40.6 in. (133.5 x 103 cm.) Edition of 18 ID: RAS-301 Hand-signed by author
Category

2010s Contemporary Carbon Pencil Prints and Multiples

Materials

Etching, Screen, Carbon Pencil

Edgar Plans Sketch Book Signed & Numbered with Hand Finished Doodle
Located in Draper, UT
Book with sketch 11 × 8 in 27.9 × 20.3 cm Edition 547/1000
Category

2010s Pop Art Carbon Pencil Prints and Multiples

Materials

Archival Paper, Carbon Pencil, Color Pencil

Counting the energy of the shoe
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here, a fragment of the Fragonard's "Swing" who were a student of famous Boucher and an old electric meter...
Category

2010s Conceptual Carbon Pencil Prints and Multiples

Materials

Pencil, Paper, Carbon Pencil, Carbon Pigment

Last Call - the facsimile print
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here a post-war telephone set and an ancient Egyptian relief...
Category

2010s Photorealist Carbon Pencil Prints and Multiples

Materials

Pencil, Paper, Carbon Pencil, Carbon Pigment

Canon (facsimile print in black and white)
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. His pencil drawing is a technique so exquis...
Category

2010s Conceptual Carbon Pencil Prints and Multiples

Materials

Pencil, Paper, Carbon Pencil, Carbon Pigment

Canon (facsimile print in black and white)
Located in Fort Lee, NJ
The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. His pencil drawing is a technique so exquis...
Category

2010s Conceptual Carbon Pencil Prints and Multiples

Materials

Paper, Pencil, Carbon Pencil, Carbon Pigment

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Flowers is a beautiful Cromolitografia print, realized by H.Herder. Good conditions with some rips on the lower margin. Signed. The artwork represents beautiful flowers created th...
Category

Early 20th Century Modern Carbon Pencil Prints and Multiples

Materials

Lithograph, Paper

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Janine
Located in Storrs, CT
9 5/16 x 8 1/4 (sheet 15 1/4 x 12 3/4). Toning in the image; otherwise good condition. A rich impression with plate tone printed on cream wove paper. Signed in pencil. Housed in a 20...
Category

Mid-20th Century American Modern Carbon Pencil Prints and Multiples

Materials

Drypoint, Etching

Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief print
Located in New York, NY
Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category

1980s Abstract Expressionist Carbon Pencil Prints and Multiples

Materials

Mixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen

Previously Available Items
CB HOYO YES YOU COULD HAVE MADE THIS BUT YOU DIDN'T... Street Art
Located in Draper, UT
Medium: Print Condition Print in good condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand Signed and Numbered by the Artist in Pencil, CB HOYO. ...
Category

2010s Contemporary Carbon Pencil Prints and Multiples

Materials

Carbon Pencil, Screen

"Penergy" Signed and Numbered Show Poster
By Futzie Nutzle
Located in Soquel, CA
Signed and numbered lithograph poster from the "Penergy" show in 1980 by Futzie Nutzle (American, b. 1942). Signed "Nutzle" on the right side and numbered "4/50" on the right. Presented in a simple metal frame with glass. Image size: 22.25"H x 17.25"W Artist Bruce Kleinsmith became Futzie Nutzle in 1967. Over the decades since, the NUTZLE signature came to signify a certain kind of drawing: crisp, decisive, often only a few lines without background on a white page. The lines describe a unique perspective on life—perhaps a view from that uncommon brain hemisphere from which Nutzle becomes Everyman and the view becomes simple. Born in Cleveland, raised in a blue collar town in Ohio, Kleinsmith worked as a laborer, tried on the art life in New York then arrived in the late 1960s in Santa Cruz where he and two friends, “henry humble” and “Spinny Walker,” tried to change the face of the modern cartoon. They reported every morning to their hippie home office, a converted chicken coop across from Dominican Hospital, and drew their alternative paper, The Balloon. From 1975 to 1980 Nutzle’s drawings appeared on the letters page of Rolling Stone. “Everyone then was working vertically, I began to work horizontally, because after all that’s the way we see things.” At the time, the only place for a horizontal drawing...
Category

1980s Minimalist Carbon Pencil Prints and Multiples

Materials

Paper, Carbon Pencil, Lithograph

L'Equinoxe
Located in Palm Beach, FL
40 9/10 x 28 7/10 inches 104 x 73 cm Framed size: 122 x 91 cm YEAR 1967 Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul ...
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1960s Surrealist Carbon Pencil Prints and Multiples

Materials

Carbon Pencil, Etching, Aquatint

L'Equinoxe
L'Equinoxe
H 48.04 in W 35.83 in D 0.4 in

Carbon Pencil prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Carbon Pencil prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Timofey Smirnov, Antoni Tàpies, and CB Hoyo. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Carbon Pencil prints and multiples, so small editions measuring 0.01 inches across are also available

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