Jean Michel Basquiat, The Offs
View Similar Items
Jean-Michel BasquiatJean Michel Basquiat, The Offs1984
1984
About the Item
- Creator:Jean-Michel Basquiat (1960 - 1988, American)
- Creation Year:1984
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU35431131983
Jean-Michel Basquiat
Emerging from the New York City street-art scene, Jean-Michel Basquiat would become one of the most significant artists of the 20th century as he mixed hand-scrawled text, vibrant color, gestural brushwork and themes of social commentary in a prolific output of Neo-Expressionist paintings. Although his pieces always retained the improvisational energy of graffiti, Basquiat used deceptively uncomplicated motifs such as crowns and professional boxers to honor the majesty and power of Black men and place himself in that lineage. Today, Basquiat’s art is among the most expensive in the world, with his paintings regularly fetching tens of millions of dollars at auction.
Born in Brooklyn to a Haitian-American father and Puerto Rican mother, Basquiat’s parents treated him to regular visits to New York City museums and nurtured his early talent for drawing cartoons. When he was hit by a car while playing in the street, Basquiat’s mother gave him a copy of the lushly illustrated medical reference book Gray’s Anatomy. Later, human bones and body parts such as skulls and rib cages would prove potent as subject matter for his provocative and spirited visual explorations of social issues as well as his own vulnerability and the struggles he faced as a Black artist.
As a teenager, Basquiat spray-painted city bridges with friend Al Diaz, and their “SAMO” tag caught the eyes of local artists. He left home before he was 20, selling hand-painted sweatshirts and postcards in Lower Manhattan. Because Basquiat was homeless — sleeping in parks and girlfriends’ apartments — he couldn’t afford proper canvases, and instead transformed found materials, such as old doors and windows, with paint and layered paper. The works vividly juxtaposed a street-art style with forms inspired by Abstract Expressionism.
Basquiat’s first public exhibition was “The Times Square Show” in 1980, a landmark event for artists experimenting with the boundaries between the galleries and the streets, with pieces by Keith Haring, Jenny Holzer, Kenny Scharf and Kiki Smith. His art soon garnered critical acclaim as well as the attention of collectors. Basquiat’s first solo show was at Soho’s Annina Nosei Gallery, in 1982, with another that year at Larry Gagosian Gallery in Los Angeles. His star continued to rise with multiple exhibitions in Europe, a 1983 feature in the Whitney Biennial and inclusion in a 1984 exhibition of painting at New York’s Museum of Modern Art. But he found that racist stereotypes persisted in press coverage of him, even as his profile expanded, and friends contend that he was exploited by collectors and art dealers. He battled a heroin addiction for years, and at the age of 27, Basquiat died from an accidental drug overdose on August 12, 1988.
Although it mainly spanned from 1980 to 1988, Basquiat’s career in visual art involved hundreds of paintings, drawings, sculptures, prints and other works. This included collaborations with Andy Warhol, with whom he created a series of paintings between 1983 and 1985. Basquiat’s art has been exhibited in almost every major art museum in the world, and in 2017 his 1982 Untitled painting was sold for $110.5 million at a Sotheby’s auction.
Find a collection of original Jean-Michel Basquiat art on 1stDibs.
- Takashi Murakami record art 2018 (Takashi Murakami Kanye West)By Takashi MurakamiLocated in NEW YORK, NYTakashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Gh...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsPaper, Offset
$100 Sale Price20% Off - Takashi Murakami 'Superflat' exhibition poster (vintage Takashi Murakami)By Takashi MurakamiLocated in NEW YORK, NYTakashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsLithograph, Offset
- Takashi Murakami Kanye West 2007 (Takashi Murakami Louis Vuitton)By Takashi MurakamiLocated in NEW YORK, NYTakashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsOffset, Paper
- Andy Warhol Most Wanted Men (Warhol John Joseph H., Jr. screen-print & catalog)By Andy WarholLocated in NEW YORK, NYAndy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog: Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Wa...Category
1960s Pop Art Prints and Multiples
MaterialsPaper, Lithograph, Offset, Screen
- Joan Miró Vinyl Record ArtBy Joan MiróLocated in NEW YORK, NY1960s Joan Miró vinyl album art: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 19...Category
1970s Contemporary Prints and Multiples
MaterialsLithograph, Offset
$180 Sale Price20% Off - Vintage 1970s Alexander Calder poster (Calder prints)By (after) Alexander CalderLocated in NEW YORK, NYAlexander Calder 'La Grenouille et Cie': Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph. Dimensions: 25 x 32 inches. An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Alexander Calder changed the course of modern art with his three-dimensional kinetic sculptures, which Marcel Duchamp named “mobiles.” Resonating with tenets of Futurism, Constructivism, and early non-objective painting, Calder’s mobiles consist of boldly colored abstract shapes, which are made from industrial materials and hang in lyrical balance. Calder was an international phenomenon during his lifetime. He won the grand prize for sculpture at the 1952 Venice Biennale, where he represented the United States. He earned the French Legion of Honor and the American Presidential Medal of Freedom, among other honors. Calder has been the subject of solo exhibitions at the Museum of Modern Art, the Rijksmuseum, the Louisiana Museum of Modern Art, and the Museo Reina Sofía. His work regularly sells for eight figures on the secondary market. Though Calder is best known for his mobiles, his diverse practice also encompassed standing sculpture, painting, set and costume design, large-scale public installation, and jewelry-making. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.Category
1970s Contemporary Prints and Multiples
MaterialsLithograph, Offset
- Dogon MaskLocated in San Francisco, CAThis artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...Category
Late 20th Century Contemporary More Prints
MaterialsOffset, Screen
- Large Johnny Friedlaender Poster Print No TextBy Johnny FriedlaenderLocated in Surfside, FLJohnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...Category
Mid-20th Century Modern Abstract Prints
MaterialsOffset, Screen
- Munich 1972 Olympic Print, Danilowitz 213 Abstract Op Art hand signed & numberedBy Josef AlbersLocated in New York, NYJosef Albers Munich 1972 Olympic Games (Danilowitz 213), 1970 Color silkscreen on 250-gram Schöllers Hammer paper. Signed, dated and numbered 183/200 in graphite pencil on the front 40 × 25 1/2 × 3/10 inches Catalogue Raisonne Reference: Danilowitz, 213 Unframed Pencil signed and numbered from the limited edition of 200. By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...Category
1970s Abstract Abstract Prints
MaterialsScreen, Offset
- BrasilLocated in New York, NYPrint #12 from an edition of 30, themed after the colors and ideas from Brasil. Will ship Flat - Inquire for framing options Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck (1915-2002) which created among others the ensemble of the World Expo poster...Category
2010s Contemporary Abstract Prints
MaterialsOffset, Ink, Archival Paper
- BIGLocated in New York, NYArtist Proof Print (9/11) 2018 Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck (1915-2002) which created among others the ensemble of the World Expo poster...Category
2010s Contemporary More Prints
MaterialsArchival Paper, Offset
- Croire (Believe) - A print by Denis MeyersLocated in New York, NYA print from an Original drawing by Denis Meyers - Artists proof from an edition of 30. The print on paper features some of Denis Meyers "Word" patterns. ...Category
2010s Contemporary More Prints
MaterialsInk, Archival Paper, Offset