Leon Rene Pescheret

Chicago Water Tower, c. 1930s, Etching Aquatint, Framed, Cityscape

c. 1930s

Joan Miró (Spanish, 1893-1983) Signed: Miro (Lower, Right) " Archipel Sauvage IV ", 1970 (Titled on Verso) Etching Aquatint Printed in Colours Numbered: 22/35 Sheet Size: 29 5/...

Koyo Omura (Japanese, 1891 - 1983) Signed: Lower, Right Pagoda at Nara in Winter, c. 1940s - 1950s Woodblock Print Site Size: 15" x 10 3/8" Housed in a 1...

Reynold Weidenaar (American, 1915-1985) Signed: Reynold Weidenaar (Lower, Left) " Ten O'Clock in Taxco " Etching and Aquatint Plate Size: 17" x 13" Housed in a 1 1/8" Black and...

Hans Füsser (German, 1898-1959) Signed: Hans Füsser (Lower, Right) " Siebengebirge ", circa 1920s Etching Plate Size: 6 1/4" x 8 1/2" Housed in a 1/2" Frame Overall Size: 12 3/...

George Townley Stubbs (British, 1756-1815) Published by: S W Fores The Inconvenience of Dress, 1786 Etching and Engraving with Hand Coloring Site Size: 9 1/4" x 7 1/4" Housed i...

William Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in plate, lower, right) " Hippodrome ”, 1910 Etching on thin paper, on loose sheet, a rich impression ...

The Imaginary Animalis an artwork realized by Gaetano Pompa (1933, Forenza- 1998) in 1970s. The artwork is  an aquatint and etching on paper. Hand signed on the left corner. Editio...

44.5 x 44.5 cms (17.5 x 17.5 ins) Edition of 70 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...

Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)

from "Fusées" - Joan Miró, one artwork out of "Fusées" portfolio Wonderful exemplar form the portfolio "Fusées". Aquatint etching from 1959 32 x 50 cm. Edition of 100