Items Similar to Hippodrome, 1910 Etching, New York City History, NYC
Want more images or videos?
Request additional images or videos from the seller
1 of 4
William Walworth Stilson Hippodrome, 1910 Etching, New York City History, NYC1910
1910
About the Item
William Walworth Stilson, (American, 1874-1962)
Signed: Walworth Stilson, (in plate, lower, right)
" Hippodrome ”, 1910
Etching on thin paper, on loose sheet, a rich impression with a light stain outside of image. Museum matting and backing included.
Plate Size: 6" x 3 3/4"
Sheet Size: 11 3/4" x 9"
A brief biography of this interesting artist will be included with this etching.
Artist Biography:
The facts regarding the life of Walworth Stilson are limited to a history of the Stilson family, census reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art.
***Please view my other listings for more by Stilson***
Artist Biography:
The facts regarding the life of Walworth Stilson are limited to a history of the Stilson family, census reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art.
Stilson’s father, William Bostwick Stilson, was born in New Milford, Connecticut on September 30, 1842, and worked as a civil engineer. His mother, Ida Cynthia Alford, was born in Oswego, New York on June 25, 1851. The two were married August 4, 1869. The couple resided in New Milford, where a son, Jay Alvord, was born April 24, 1870, a daughter Mabel Louise was born March 11, 1872, and William Walworth was born July 29, 1874. The family moved to Jackson, Michigan circa 1882, where the father worked for the Michigan Central railroad at Detroit as a principal assistant engineer. A fourth child, Charles Edward, was born September 11, 1884 in Detroit, MI.
Walworth Stilson received a scholarship to the Detroit School of Arts, which he attended from 1892 to 1894. He also worked as an illustrator in Detroit until 1896, when moved back to New Milford, Connecticut, to continue his career as an artist and botanical illustrator. In 1901, the Frederick A. Stokes Company of New York published Our Ferns in their Haunts, for which Stilson completed 194 illustrations in pen & ink and graphite renderings. In the book, Willard M. Clute, a noted American botanist, surveyed the known species of ferns in America.
In 1909, twenty-nine original graphite drawings by Stilson were used to illustrate a one-hundredth anniversary edition of the William Cullen Bryant poem, Thanatopsis. In their prospectus announcing the release of this book, the Tandy-Thomas Company of New York proclaimed, ”Mr. Stilson, the artist, has spent many years studying Nature in all her visible forms, until the same inspiration which prompted the writing of the words compelled him to express their meaning in these beautiful works of art.” Stilson was later commissioned to complete 10 woodcuts for use as illustrations in The Writers of Knickerbocker New York. This 1912 publication by the Grolier Club of New York, the nation’s oldest and largest society for bibliophiles, was limited to an edition of 300 copies.
No other factual information regarding Stilson’s work after 1912 has been located, short of a notation regarding a studio fire sometime before 1925 and his death in 1962. What can be taken from these works is Stilson’s remarkable ability to capture the essence of the Nature he observed, in both meticulous rendering and carefully crafted, reflective verse.
- Creator:William Walworth Stilson (1874 - 1962, American)
- Creation Year:1910
- Dimensions:Height: 6 in (15.24 cm)Width: 3.75 in (9.53 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Grand Rapids, MI
- Reference Number:1stDibs: LU2380214207922
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2016
1stDibs seller since 2023
29 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Grand Rapids, MI
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Siebengebirge, circa 1920s Etching, Germany, TugboatLocated in Grand Rapids, MIHans Füsser (German, 1898-1959) Signed: Hans Füsser (Lower, Right) " Siebengebirge ", circa 1920s Etching Plate Size: 6 1/4" x 8 1/2" Housed in a 1/2" Frame Overall Size: 12 3/...Category
Early 20th Century Landscape Prints
MaterialsEtching
- Chicago Water Tower, c. 1930s, Etching Aquatint, Framed, CityscapeBy Leon Rene PescheretLocated in Grand Rapids, MILeon Rene Pescheret (American, 1892 - 1971) Signed: Leon Pescheret (Lower, Right) " The Chicago Water Tower ", 1932 (Titled, Lower, Left) Etchin...Category
Early 20th Century More Prints
MaterialsEtching, Aquatint
- The Inconvenience of Dress, British Caricature ArtLocated in Grand Rapids, MIGeorge Townley Stubbs (British, 1756-1815) Published by: S W Fores The Inconvenience of Dress, 1786 Etching and Engraving with Hand Coloring Site Size: 9 1/4" x 7 1/4" Housed i...Category
Late 18th Century Prints and Multiples
MaterialsEngraving, Etching
- St. John's Chapel, Varick Street, New York City, 1909 Etching, NYC HistoryLocated in Grand Rapids, MIWilliam Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in pencil, lower, right) & Walworth Stilson, (in the plate, lower, right) " St. John's Chapel, Varick S...Category
Early 20th Century Prints and Multiples
MaterialsEtching
- A Harlem Landmark, 1910 Etching, New York City History, NYCLocated in Grand Rapids, MIWilliam Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in pencil, lower, right) " A Harlem Landmark ", (titled in pencil, in lower, left margin) Circa 1910 Et...Category
Early 20th Century Prints and Multiples
MaterialsEtching
- Grand Central Terminal from Murray Hill Hotel, NYC History, New York CityLocated in Grand Rapids, MIWilliam Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in pencil, lower, right) & Walworth Stilson, (in plate, lower, right) " Grand Central Terminal from Murr...Category
Early 20th Century Prints and Multiples
MaterialsEtching
You May Also Like
- untitled, Abstract Etching by Henri GoetzBy Henri GoetzLocated in Long Island City, NYArtist: Henri Goetz, French/American (1909 - 1989) Title: Untitled I Medium: Aquatint Etching, Signed and numbered in pencil Edition: 24/40 Image Size: 13.5 x 18.5 inches Size: 20.5 ...Category
1970s Abstract Abstract Prints
MaterialsEtching, Aquatint
- Les Deux MagotsBy Red GroomsLocated in New York, NYRed Grooms Les Deux Magots, 1985 etching and aquatint, ed. of 90 26 1/4 x 31 3/8 in. (66.7 x 79.9 cm)Category
1980s Contemporary Portrait Prints
MaterialsAquatint, Etching
- Narcissist Seeks Similar (Large)By Harland MillerLocated in Bristol, GBEtching with relief printing Edition of 45/50 Signed on the front, numbered on the back Mint Published by Manifold Editions, 2021 Our mission is to connect art collectors to opportu...Category
21st Century and Contemporary Contemporary Figurative Prints
MaterialsEtching
- Nadia au regard attentifBy Henri MatisseLocated in London, GBAquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794Category
Mid-20th Century Modern Prints and Multiples
MaterialsAquatint
- Grande masqueBy Henri MatisseLocated in London, GBHenri Matisse Grande Masque 1948 Aquatint on Marais paper, signed in pencil and numbered 11/25, there were also 5 artist’s proofs. Signed, dedicated "à Nadia Sednaoui" and inscribed ...Category
1940s Modern Portrait Prints
MaterialsAquatint
- Tatoo-Shave-HaircutBy Reginald MarshLocated in New York, NYReginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...Category
1930s American Realist Figurative Prints
MaterialsEtching