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18th Century and Earlier More Prints

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Period: 18th Century and Earlier
The Ringball Player By Rembrandt Van Rijn
By Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606-1669 Dutch The Ringball Player Etching on paper New Hollstein’s first state of two Signed and dated lower left: Rembrandt F. 1654 Among the foremost figur...
Category

Old Masters 18th Century and Earlier More Prints

Materials

Paper, Etching

The Ringball Player By Rembrandt Van Rijn
The Ringball Player By Rembrandt Van Rijn

Rembrandt van Rijn
The Ringball Player By Rembrandt Van Rijn, 1654

Gigantic Crane, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Gigantic Crane, 18th century bird engraving by John Latham
Gigantic Crane, 18th century bird engraving by John Latham

John Latham
Gigantic Crane, 18th century bird engraving by John Latham, 1781

Hen crested Curassow, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Hen crested Curassow, 18th century bird engraving by John Latham
Hen crested Curassow, 18th century bird engraving by John Latham

John Latham
Hen crested Curassow, 18th century bird engraving by John Latham, 1781

Spur-winged Goose, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Spur-winged Goose, 18th century bird engraving by John Latham
Spur-winged Goose, 18th century bird engraving by John Latham

John Latham
Spur-winged Goose, 18th century bird engraving by John Latham, 1781

The Yacou, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

The Yacou, 18th century bird engraving by John Latham
The Yacou, 18th century bird engraving by John Latham

John Latham
The Yacou, 18th century bird engraving by John Latham, 1781

Hackled Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Hackled Partridge, 18th century bird engraving by John Latham
Hackled Partridge, 18th century bird engraving by John Latham

John Latham
Hackled Partridge, 18th century bird engraving by John Latham, 1781

Red-tailed Tropic Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Red-tailed Tropic Bird, 18th century bird engraving by John Latham
Red-tailed Tropic Bird, 18th century bird engraving by John Latham

John Latham
Red-tailed Tropic Bird, 18th century bird engraving by John Latham, 1781

Cream-coloured Plover, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Cream-coloured Plover, 18th century bird engraving by John Latham
Cream-coloured Plover, 18th century bird engraving by John Latham

John Latham
Cream-coloured Plover, 18th century bird engraving by John Latham, 1781

Pink-headed Duck, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Pink-headed Duck, 18th century bird engraving by John Latham
Pink-headed Duck, 18th century bird engraving by John Latham

John Latham
Pink-headed Duck, 18th century bird engraving by John Latham, 1781

Crested Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Crested Pheasant, 18th century bird engraving by John Latham
Crested Pheasant, 18th century bird engraving by John Latham

John Latham
Crested Pheasant, 18th century bird engraving by John Latham, 1781

Chinese Jacana, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Chinese Jacana, 18th century bird engraving by John Latham
Chinese Jacana, 18th century bird engraving by John Latham

John Latham
Chinese Jacana, 18th century bird engraving by John Latham, 1781

Giant Petrel, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Giant Petrel, 18th century bird engraving by John Latham
Giant Petrel, 18th century bird engraving by John Latham

John Latham
Giant Petrel, 18th century bird engraving by John Latham, 1781

Chinese Diver, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Chinese Diver, 18th century bird engraving by John Latham
Chinese Diver, 18th century bird engraving by John Latham

John Latham
Chinese Diver, 18th century bird engraving by John Latham, 1781

Red-necked Grebe, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Red-necked Grebe, 18th century bird engraving by John Latham
Red-necked Grebe, 18th century bird engraving by John Latham

John Latham
Red-necked Grebe, 18th century bird engraving by John Latham, 1781

Red-billed Promerops, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Red-billed Promerops, 18th century bird engraving by John Latham
Red-billed Promerops, 18th century bird engraving by John Latham

John Latham
Red-billed Promerops, 18th century bird engraving by John Latham, 1781

Artic Gull, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Artic Gull, 18th century bird engraving by John Latham
Artic Gull, 18th century bird engraving by John Latham

John Latham
Artic Gull, 18th century bird engraving by John Latham, 1781

Impeyan Pheasant, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Impeyan Pheasant, 18th century bird engraving by John Latham
Impeyan Pheasant, 18th century bird engraving by John Latham

John Latham
Impeyan Pheasant, 18th century bird engraving by John Latham, 1781

White-eared Bustard, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

White-eared Bustard, 18th century bird engraving by John Latham
White-eared Bustard, 18th century bird engraving by John Latham

John Latham
White-eared Bustard, 18th century bird engraving by John Latham, 1781

Crested Coot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Crested Coot, 18th century bird engraving by John Latham
Crested Coot, 18th century bird engraving by John Latham

John Latham
Crested Coot, 18th century bird engraving by John Latham, 1781

Red Flamingo, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Red Flamingo, 18th century bird engraving by John Latham
Red Flamingo, 18th century bird engraving by John Latham

John Latham
Red Flamingo, 18th century bird engraving by John Latham, 1781

Marbled Guillemot, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Marbled Guillemot, 18th century bird engraving by John Latham
Marbled Guillemot, 18th century bird engraving by John Latham

John Latham
Marbled Guillemot, 18th century bird engraving by John Latham, 1781

Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Gold-breasted Trumpeter, 18th century bird engraving by John Latham
Gold-breasted Trumpeter, 18th century bird engraving by John Latham

John Latham
Gold-breasted Trumpeter, 18th century bird engraving by John Latham, 1781

Black faced Ibis, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Black faced Ibis, 18th century bird engraving by John Latham
Black faced Ibis, 18th century bird engraving by John Latham

John Latham
Black faced Ibis, 18th century bird engraving by John Latham, 1781

Green Partridge, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Green Partridge, 18th century bird engraving by John Latham
Green Partridge, 18th century bird engraving by John Latham

John Latham
Green Partridge, 18th century bird engraving by John Latham, 1781

Hooded Merganser, 18th century bird duck engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Hooded Merganser, 18th century bird duck engraving by John Latham
Hooded Merganser, 18th century bird duck engraving by John Latham

John Latham
Hooded Merganser, 18th century bird duck engraving by John Latham, 1781

Spectacle Owl, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Spectacle Owl, 18th century bird engraving by John Latham
Spectacle Owl, 18th century bird engraving by John Latham

John Latham
Spectacle Owl, 18th century bird engraving by John Latham, 1781

Harlequin Humming-Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Harlequin Humming-Bird, 18th century bird engraving by John Latham
Harlequin Humming-Bird, 18th century bird engraving by John Latham

John Latham
Harlequin Humming-Bird, 18th century bird engraving by John Latham, 1781

Capital Tanager, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Capital Tanager, 18th century bird engraving by John Latham
Capital Tanager, 18th century bird engraving by John Latham

John Latham
Capital Tanager, 18th century bird engraving by John Latham, 1781

Malabar Shrike, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Malabar Shrike, 18th century bird engraving by John Latham
Malabar Shrike, 18th century bird engraving by John Latham

John Latham
Malabar Shrike, 18th century bird engraving by John Latham, 1781

A View at Bolcheretzko (Russia) 1784 Captains Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A View at Bolcheretzko (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook.John Webber (1752-1793) was ...
Category

Realist 18th Century and Earlier More Prints

Materials

Engraving

A View at Bolcheretzko (Russia) 1784 Captains Cook Final Voyage by John Webber
A View at Bolcheretzko (Russia) 1784 Captains Cook Final Voyage by John Webber

John Webber
A View at Bolcheretzko (Russia) 1784 Captains Cook Final Voyage by John Webber, 1784

Caps of the Natives of Oonalashka (Alaska) Captain Cooks Voyage by John Webber
By John Webber
Located in Paonia, CO
Caps of the Natives of Oonalashka (Alaska) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (175...
Category

Realist 18th Century and Earlier More Prints

Materials

Engraving

Caps of the Natives of Oonalashka (Alaska) Captain Cooks Voyage by John Webber
Caps of the Natives of Oonalashka (Alaska) Captain Cooks Voyage by John Webber

John Webber
Caps of the Natives of Oonalashka (Alaska) Captain Cooks Voyage by John Webber, 1784

Siberian eared Owl and Acadian Owl, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark. John Latham was the lea...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Engraving

Siberian eared Owl and Acadian Owl, 18th century bird engraving by John Latham
Siberian eared Owl and Acadian Owl, 18th century bird engraving by John Latham

John Latham
Siberian eared Owl and Acadian Owl, 18th century bird engraving by John Latham, 1781

Johannes Sadeler I (Flemish 1550-1600) – Engraving 1582 - Jonah and the Whale II
By Johannes Sadeler I
Located in Meinisberg, CH
Johannes Sadeler I (Flemish, ∗ 1550 in Brussels, Belgium – † 1600 Venice, Italy) Jonah Spat Up by the Whale (Sheet II) Engraved by Sadeler after an image created by Theodor Bernard...
Category

Renaissance 18th Century and Earlier More Prints

Materials

Laid Paper, Engraving

Johannes Sadeler I (Flemish 1550-1600) – Engraving 1582 - Jonah and the Whale II
Johannes Sadeler I (Flemish 1550-1600) – Engraving 1582 - Jonah and the Whale II

Johannes Sadeler I
Johannes Sadeler I (Flemish 1550-1600) – Engraving 1582 - Jonah and the Whale II

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No. 92, From the Original Drawing in the Collection of the Duke
Located in Columbia, MO
R. Earlom fecit No. 92, From the Original Drawing in the Collection of the Duke of Devonshire Etching by Claude le Lorrain 13.5 x 9 inches, 21 x 16.5 (framed)
Category

18th Century and Earlier More Prints

Materials

Etching

No. 92, From the Original Drawing in the Collection of the Duke

R. Earlom fecit
No. 92, From the Original Drawing in the Collection of the Duke , Unknown

No. 48, From the Original Drawing in the Collection of the Duke
Located in Columbia, MO
R. Earlom fecit No. 48, From the Original Drawing in the Collection of the Duke of Devonshire Etching by Claude le Lorrain 13.5 x 9 inches, 21 x 16.5 (framed)
Category

18th Century and Earlier More Prints

Materials

Etching

No. 48, From the Original Drawing in the Collection of the Duke

R. Earlom fecit
No. 48, From the Original Drawing in the Collection of the Duke , Unknown

No. 61, From the Original Drawing in the Collection of the Duke
Located in Columbia, MO
R. Earlom fecit No. 61, From the Original Drawing in the Collection of the Duke of Devonshire Etching by Claude le Lorrain 13.5 x 9 inches, 21 x 16.5 (framed)
Category

18th Century and Earlier More Prints

Materials

Etching

No. 61, From the Original Drawing in the Collection of the Duke

R. Earlom fecit
No. 61, From the Original Drawing in the Collection of the Duke , Unknown

No. 49, From the Original Drawing in the Collection of the Duke
Located in Columbia, MO
R. Earlom fecit No. 49, From the Original Drawing in the Collection of the Duke of Devonshire Etching by Claude le Lorrain 13.5 x 9 inches, 21 x 16.5 (framed)
Category

18th Century and Earlier More Prints

Materials

Etching

No. 49, From the Original Drawing in the Collection of the Duke

R. Earlom fecit
No. 49, From the Original Drawing in the Collection of the Duke , Unknown

Original Vintage Soviet Travel Poster Visitez L'URSS En Auto VW Intourist USSR
Located in London, GB
Original vintage travel poster - Visitez L'URSS en Auto! / Visit the USSR by Car - issued by the Soviet state travel agency Intourist featuring a photomontage design depicting two pe...
Category

18th Century and Earlier More Prints

Materials

Paper

Original Vintage Soviet Travel Poster Visitez L'URSS En Auto VW Intourist USSR
Original Vintage Soviet Travel Poster Visitez L'URSS En Auto VW Intourist USSR

Original Vintage Soviet Travel Poster Visitez L'URSS En Auto VW Intourist USSR, 1960s

The Chess Game Texture Print By Renowned Italian Artist Francesco Beda
By Francesco Beda
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* RESTORED, numbered and RARE Vintage Textured Print Afte...
Category

Expressionist 18th Century and Earlier More Prints

Materials

Handmade Paper

The Chess Game Texture Print By Renowned Italian Artist Francesco Beda
The Chess Game Texture Print By Renowned Italian Artist Francesco Beda

Francesco Beda
The Chess Game Texture Print By Renowned Italian Artist Francesco Beda, 1970

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Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Located in Paonia, CO
Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...
Category

Realist 18th Century and Earlier More Prints

Materials

Engraving

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Frederick DeWit
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map, 1666

Academie de l’Espee Tabula XXI by Girard Thibault 17thc fencing engraving
By Pierre Thibault
Located in Paonia, CO
Hand colored original engraving from the Academie de l’Espee ( full title can be translated as Academy of the Sword: wherein is demonstrated by mathematical rules on the foundation of a mysterious circle the theory and practice of the true and heretofore unknown secrets of handling arms on foot and horseback ) by Girard Thibault...
Category

Other Art Style 18th Century and Earlier More Prints

Materials

Engraving

Academie de l’Espee Tabula XXI by Girard Thibault 17thc fencing engraving
Academie de l’Espee Tabula XXI by Girard Thibault 17thc fencing engraving

Pierre Thibault
Academie de l’Espee Tabula XXI by Girard Thibault 17thc fencing engraving, 17thc

François Nicolas Martinet (1731-1800) Le pigeon ramier de Madacascar Engraving
By François Nicolas Martinet
Located in Meinisberg, CH
François Nicolas Martinet (French, 1731 - c. 1800) Le Pigeon Ramier de Madacascar (The Wood Pigeon of Madagascar) • 18th century hand colored Copper Plate engraving • Plate No. 192 from : L' Histoir e des oiseaux, peints dans leurs aspects apparents et sensibles, published in 1790 (“The History of the Birds, painted in their appearing and sensitive aspects“) • Glased & ebonized hardwood frame contemporary to the engraving, ca. 43 x 33 cm A rare pigeon print...
Category

Naturalistic 18th Century and Earlier More Prints

Materials

Ink, Watercolor, Laid Paper

François Nicolas Martinet (1731-1800) Le pigeon ramier de Madacascar Engraving
François Nicolas Martinet (1731-1800) Le pigeon ramier de Madacascar Engraving

François Nicolas Martinet
François Nicolas Martinet (1731-1800) Le pigeon ramier de Madacascar Engraving, 1790

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Wave Of Distress Shepard Fairey Print Obey Giant World Water Day Sephia Gold Pop
By Shepard Fairey
Located in Draper, UT
"World Water Day is Monday and is a fitting day to precede the release of these Wave of Distress prints. World Water Day not only focuses attention on the water crisis and drinking w...
Category

Pop Art 18th Century and Earlier More Prints

Materials

Gold

Wave Of Distress Shepard Fairey Print Obey Giant World Water Day Sephia Gold Pop
Wave Of Distress Shepard Fairey Print Obey Giant World Water Day Sephia Gold Pop

Shepard Fairey
Wave Of Distress Shepard Fairey Print Obey Giant World Water Day Sephia Gold Pop, 2021

Ireland: A Framed 17th Century Hand-colored Map by Jan Jannson
By Johannes Janssonius
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Hibernia Regnum Vulgo Ireland" by Johannes Janssonius's (Jan Jansson), published in Amsterdam in 1640. This highly detailed map depicts the Emerald Isle with an extensive display of towns, roads, mountains, rivers, lakes and county borders, etc. It includes two decorative cartouches on the left. The title cartouche includes the Irish harp and the second, in the upper left, includes a lion wearing a crown on the left, a unicorn on the right and a coat-of-arms in the middle, which includes another Irish harp. A distance scale is seen in the lower right, augmented with two putti. The map is embellished with three sailing ships and a sea monster. Western portions of Scotland and England...
Category

Old Masters 18th Century and Earlier More Prints

Materials

Engraving

Ireland: A Framed 17th Century Hand-colored Map by Jan Jannson
Ireland: A Framed 17th Century Hand-colored Map by Jan Jannson

Johannes Janssonius
Ireland: A Framed 17th Century Hand-colored Map by Jan Jannson, 1640

Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published. The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points. The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
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Old Masters 18th Century and Earlier More Prints

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Engraving

Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Map of the World: An Original 18th Century Hand-colored Map by E. Bowen

Emanuel Bowen
Map of the World: An Original 18th Century Hand-colored Map by E. Bowen, 1744

Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...
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Old Masters 18th Century and Earlier More Prints

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Engraving

Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen
Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen

Emanuel Bowen
Mediterranean and Adriatic Seas: Original 18th Century Hand-colored Map by Bowen, 1748

Europe: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of Europe Drawn from the Best Authorities Assisted by the Most Improved Modern Charts and Maps." by E...
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Old Masters 18th Century and Earlier More Prints

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Engraving

Europe: An Original 18th Century Hand-colored Map by E. Bowen
Europe: An Original 18th Century Hand-colored Map by E. Bowen

Emanuel Bowen
Europe: An Original 18th Century Hand-colored Map by E. Bowen, 1744

Map of the Russian Empire: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of The Whole Russian Empire, As Contain'd Both In Europe and Asia, Drawn from Authentic Journals, Sur...
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Old Masters 18th Century and Earlier More Prints

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Engraving

Map of the Russian Empire: An Original 18th Century Hand-colored Map by E. Bowen
Map of the Russian Empire: An Original 18th Century Hand-colored Map by E. Bowen

Emanuel Bowen
Map of the Russian Empire: An Original 18th Century Hand-colored Map by E. Bowen, 1744

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...
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Old Masters 18th Century and Earlier More Prints

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Engraving

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen

Emanuel Bowen
Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen, 1744

China: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of China, Drawn from Surveys made by the Jesuit Missionaries, by order of the Emperor. The whole bein...
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Old Masters 18th Century and Earlier More Prints

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Engraving

China: An Original 18th Century Hand-colored Map by E. Bowen
China: An Original 18th Century Hand-colored Map by E. Bowen

Emanuel Bowen
China: An Original 18th Century Hand-colored Map by E. Bowen, 1744

Loggie di Rafaele nel Vaticano: 18th Century Hand-colored Engraving by Volpato
By Giovanni Volpato
Located in Alamo, CA
This is an original 18th century hand-colored copper-plate engraving by Giovanni Volpato after a drawing by Camporesi. It was the frontispiece for volume one of the rare and valuable...
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Old Masters 18th Century and Earlier More Prints

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Engraving

Loggie di Rafaele nel Vaticano: 18th Century Hand-colored Engraving by Volpato
Loggie di Rafaele nel Vaticano: 18th Century Hand-colored Engraving by Volpato

Giovanni Volpato
Loggie di Rafaele nel Vaticano: 18th Century Hand-colored Engraving by Volpato, 1772

French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
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French School 18th Century and Earlier More Prints

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Engraving

French Neoclassical design for a Pulpit, engraving after Delafosse
French Neoclassical design for a Pulpit, engraving after Delafosse

Joly after Jean-Charles Delafosse (1734-1791)
French Neoclassical design for a Pulpit, engraving after Delafosse, 1768

Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Exact Chart of all the Countries through which Capt. Behring Travelled from Tobolski, Capital of Siberia to the Country...
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Old Masters 18th Century and Earlier More Prints

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Engraving

Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen
Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen

Emanuel Bowen
Siberia as Explored by Behring: Original 18th Century Hand-colored Map by Bowen, 1744

View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495. This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough." The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland. References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
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Old Masters 18th Century and Earlier More Prints

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Engraving

View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

Franz Hogenberg
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg, 1575

French Neoclassical Design engraving for Braziers
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, Nouvelle Iconologie Historique in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

French School 18th Century and Earlier More Prints

Materials

Engraving

French Neoclassical Design engraving for Braziers
French Neoclassical Design engraving for Braziers

Pierre Gabriel Berthault (1748-1819) after Jean-Charles Delafosse (1734-1791)
French Neoclassical Design engraving for Braziers, 1768

French Neoclassical Design for Candlesticks, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

French School 18th Century and Earlier More Prints

Materials

Engraving

French Neoclassical Design for Candlesticks, engraving after Delafosse
French Neoclassical Design for Candlesticks, engraving after Delafosse

Pierre Gabriel Berthault (1748-1819) after Jean-Charles Delafosse (1734-1791)
French Neoclassical Design for Candlesticks, engraving after Delafosse, 1768

French Neoclassical design for a Pulpit, engraving after Delafosse
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

French School 18th Century and Earlier More Prints

Materials

Engraving

French Neoclassical design for a Pulpit, engraving after Delafosse
French Neoclassical design for a Pulpit, engraving after Delafosse

Joly after Jean-Charles Delafosse (1734-1791)
French Neoclassical design for a Pulpit, engraving after Delafosse, 1768

French Neoclassical Design Engraving for Braziers
Located in Melbourne, Victoria
Copper-line engraving. C1768. Delafosse was a French decorative designer, engraver and architect. Apprenticed for a time to a sculptor, by 1767 he styled himself an 'architect and professor of design'. He published the first volume of his most important work, 'Nouvelle Iconologie Historique' in 1768, containing 110 plates of his designs for furniture, decorative arts and architectural...
Category

French School 18th Century and Earlier More Prints

Materials

Engraving

French Neoclassical Design Engraving for Braziers
French Neoclassical Design Engraving for Braziers

Pierre Gabriel Berthault (1748-1819) after Jean-Charles Delafosse (1734-1791)
French Neoclassical Design Engraving for Braziers, 1768

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