Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Leonor Fini
Femmes en Costumes

c. 1970

About the Item

Artist: Leonor Fini Title: Femmes en Costumes Year: c.1970 Medium: Original color engraving Edition: Numbered 124/275 in pencil Paper: Arches paper Image size 14.5 x 11 inches Sheet size: 26 x 19.75 inches Signature: Hand signed in pencil by the artist Condition: Excellent, two small pieces of hanging tape remaining at top edge on the back of the sheet, not visible from the front Description: With the cat blinstamp of the artist at the lower left corner About the artist: Leonor Fini was born in 1907 in Buenos Aires, Argentina of mixed Italian and Slavic descent. She had no formal training in art but like most children, she drew and painted. As a teenager she adorned her efforts with things like crushed eggshell, beads, etc. By the time she was seventeen she was making portraits in oils of well-known people in Triest, which led to an invitation to move to Milan and paint the whole family of a government official. In 1933 she moved to Paris and her work revealed a gift of fantasy that was close to Surrealism. She also created paintings, posters and sets for the Paris Opera and costumes for the Comedie Francaise. In addition to her work for the Parisian stage, she designed sets and costumes for La Scala opera house. She illustrated several books. Outspoken and independent, she became part of the surrealist movement along with artists Andre Breton and Max Ernst. She later became known for her images of mysterious exotic young women often portrayed as witches or fairies. Striking in person as well as in her work, Fini appeared in public in heavy makeup and wearing unusual clothes with wide-brimmed hats and a great deal of jewelry. She died in Paris in 1996. The work of Leonor Fini is held in the Galleria Nazionale d’ Arte Moderna, Rome; Musee des Beaux Arts, Grenoble; Musee Royaux des Beaux Arts, Brussels; Museum of Fine Art, Lodz; Peggy Guggenheim Collection, Venice; and the Centre Georges Pompidou, Paris.
  • Creator:
    Leonor Fini (1908 - 1996, French)
  • Creation Year:
    c. 1970
  • Dimensions:
    Height: 26 in (66.04 cm)Width: 19.75 in (50.17 cm)Depth: 0.01 in (0.26 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: fin/fem/cos/011stDibs: LU66637505702
More From This SellerView All
  • Femmes en Costumes II
    By Leonor Fini
    Located in San Francisco, CA
    Artist: Leonor Fini Title: Femmes en Costumes Year: c.1970 Medium: Original color engraving Edition: Inscribed E.A (Epreuve d'Artiste, Artist Proof) in pencil Paper: Arches paper Ima...
    Category

    1970s Surrealist Nude Prints

    Materials

    Engraving

  • "Mais O Belle Dionee" from the suite "lArt d'Aimer d'Ovide"
    By Salvador Dalí­
    Located in San Francisco, CA
    This artwork titled, "Mais O Belle Dionee" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is...
    Category

    Late 20th Century Surrealist Nude Prints

    Materials

    Woodcut

  • "Phobeus , ce Dieu Couronne de Lauriers" from the suite "l'Art d'Aime d'Ovide"
    By Salvador Dalí­
    Located in San Francisco, CA
    This artwork titled, "Phobeus, ce Dieu Couronne de Lauriers" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dal...
    Category

    Late 20th Century Surrealist Nude Prints

    Materials

    Woodcut

  • Une Jeune Femme Presente Avec Grace, from Les Enfants Trouves
    By (after) René Magritte
    Located in San Francisco, CA
    This artwork titled "" Une Jeune Femme Presente Avec Grace" from the suite" Les Enfants Trouves created in 1953 and printed/published in 1968 in an...
    Category

    Mid-20th Century Surrealist Nude Prints

    Materials

    Lithograph

  • La Negra (The Black Woman)
    By Rufino Tamayo
    Located in San Francisco, CA
    This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Torso de Joven (Torso de Jeune Fille)
    By Rufino Tamayo
    Located in San Francisco, CA
    This artwork titled "Torso de Joven (Torso de Jeune Fille)" from the suite "The Mujeres File" 1969 is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tama...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

You May Also Like
  • Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963
    By Salvador Dalí­
    Located in Roma, IT
    Attr. to S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, Signed and Dated...
    Category

    1960s Surrealist Nude Prints

    Materials

    Drypoint

  • Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963
    By Salvador Dalí­
    Located in Roma, IT
    S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, full margins, not signed....
    Category

    1960s Surrealist Nude Prints

    Materials

    Drypoint

  • Maldoror : Dreaming Nude - Original etching, HANDSIGNED, 1975 (Field #34-2)
    By Salvador Dalí­
    Located in Paris, FR
    Salvador Dali Dreaming Nude, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) REFERENCES : - Catal...
    Category

    1970s Surrealist Nude Prints

    Materials

    Engraving

  • Le Viol d'Europe (The Rape of Europa) /// Surrealism Salvador Dali Mythology Art
    By Salvador Dalí­
    Located in Saint Augustine, FL
    Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Viol d'Europe (The Rape of Europa)" Portfolio: Hommage à Albrecht Durer (Suite Mythologique Nouvel...
    Category

    1970s Surrealist Nude Prints

    Materials

    Engraving, Intaglio

  • Aphrodite
    By Salvador Dalí­
    Located in New York, NY
    A very good, richly-inked impression of this Drypoint and aquatint printed in gray and black on cream wove paper. Signed, dated and numbered 20/150 by Dali. Printed by Robbe, Paris. ...
    Category

    1960s Surrealist Abstract Prints

    Materials

    Drypoint

  • Purgatory: Canto 7 from The Divine Comedy
    By Salvador Dalí­
    Located in Washington, DC
    Artist: Salvador Dali Medium: Woodblock engraving Title: Purgatory: Canto 7 Portfolio: The Divine Comedy: Purgatory Year: 1963 Edition: 4765 Framed Size: 19 1/8" x 16 5/8" Sheet Size...
    Category

    1960s Surrealist Figurative Prints

    Materials

    Engraving

Recently Viewed

View All