Late 20th Century Nude Prints
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Period: Late 20th Century
Composition - Original Etching by Leo Guida - 1970s
By Leo Guida
Located in Roma, IT
Composition is an original etching and aquatint realized by Leo Guida in 1970s.
Good condition.
Mounted on a white cardboard passpartout (50x35).
Leo Guida (1992 - 2017). Sensiti...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
STANDING NUDE DARK HAIR Signed Etching, Classic Female Nude, Casual Pose
Located in Union City, NJ
STANDING NUDE DARK HAIR is an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival prin...
Category
Realist Late 20th Century Nude Prints
Materials
Lithograph
Figure - Original Lithograph - 1980s
Located in Roma, IT
Figure is an original lithograph artwork realized by the artist of the 20th Century in 1980.
Hand-signed in pencil on the lower right.
Numbered, edition 23/99.
The state of preser...
Category
Modern Late 20th Century Nude Prints
Materials
Lithograph
Woman from the Back - Original Etching by Giacomo Porzano - 1972
Located in Roma, IT
Woman from the Back is an etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006).
Hand-signed on the lower right.
Numbered on the lower left. Edition of 50.
...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Kool Aid Jamaican Sand Piece, by Colette
By Colette
Located in Long Island City, NY
Kool Aid Jamaican Sand Piece, Colette (aka Colette Justine)
Tunisian/American (1952)
Date: 1978
Lithograph, signed and numbered in pencil
Edition of 200, AP 3...
Category
Pop Art Late 20th Century Nude Prints
Materials
Lithograph
The Armchair - Original Etching by Leo Guida - 1989
By Leo Guida
Located in Roma, IT
The Armchair is an original artwork realized in 1989 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original etching on ivory-colored paper.
Hand-signed on the lowe...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Black and White Abstract Female Nude Print
Located in Houston, TX
Black and white abstract outline drawing depicting nude female. Framed and matted in a carved wooden silver metallic frame. Signed by artist on the bo...
Category
Abstract Late 20th Century Nude Prints
Materials
Ink, Archival Paper
Salvador Dali - King Marc
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - King Marc - Original Etching
Dimensions: 45 x 33 cm
Edition: 125
1970
Signed in pencil.
On Arches Vellum
References : Field 70-10 (p. 60-61)
Category
Surrealist Late 20th Century Nude Prints
Materials
Etching
Woman with Signals - Original Etching by Leo Guida - 1989
By Leo Guida
Located in Roma, IT
Woman with Signals is an original etching and aquatint realized by Leo Guida in 1989.
Good condition.
Mounted on a white cardboard passpartout (50x35).
Dated and signed by the aut...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Nude - Etching on Paper by Sergio Barletta - 1970s
Located in Roma, IT
Nude is an original etching, realized by Sergio Barletta in 1970s.
Hand-signed on the lower right. Numbered, VI/XL prints, on the lower left.
In good conditions.
Sergio Barletta (...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Large Donald Saff Surrealist Pop Art Aquatint Etching Blue cat with Baby
By Donald Saff
Located in Surfside, FL
Artist: Donald Saff
Title:
Year: 1980
Medium: Etching with Aquatint, Hand signed and numbered in pencil
Edition: 150
30 in. x 22.5 in. (76.2 cm x 55.88 cm)
bears publishers blindstamp PP
Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York.
Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro.
Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002.
In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C.
Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991.
While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition.
In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.")
Exhibitions
Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006.
Honors
Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design.
In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...
Category
Pop Art Late 20th Century Nude Prints
Materials
Etching, Aquatint
Nude Figure Posterior View, Figurative Drypoint Etching
By Jim Smyth
Located in Soquel, CA
Limited edition drypoint etching of a nude figure from a posterior view by Jim Smyth (American, b. 1938). Numbered and signed by hand "7/15 Jim Smyth" along the bottom edge. Presented in a new cream and off-white double mat. No frame. Image size: 14.75"H x 10.75"W
Jim Smyth (American, b. 1938) has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy and the Art Students league. He is also a graduate from UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with an extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deep etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting.
Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...
Category
American Impressionist Late 20th Century Nude Prints
Materials
Paper, Ink, Drypoint
Leonor Fini - Untitled - Original Handsigned Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Untitled - Original Handsigned Etching
Circa 1982
On colored paper
Handsigned and Numbered
Edition: 275
Dimensions: 69 x 52.5 cm
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
Modern Late 20th Century Nude Prints
Materials
Etching
Talk - Original Etching by Leo Guida - 1985
By Leo Guida
Located in Roma, IT
Talk is an original etching and aquatint realized by Leo Guida in 1985.
Good condition.
Mounted on a white cardboard passpartout (50x35).
Dated and signed by the author.
Artist p...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Sybil - Original Etching by Leo Guida - 1971
By Leo Guida
Located in Roma, IT
Sybil is an original artwork realized in 1971 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original etching on ivory-colored paper.
Hand-signed on the lower right ...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Rest - Original Etching by Leo Guida - 1989
By Leo Guida
Located in Roma, IT
Rest is an original etching realized by Leo Guida in 1989.
Good condition.
Mounted on a white cardboard passpartout (50x35)
Hand-signed and dateb by the artist.
Artist proof.
Le...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Composition - Original Etching by Leo Guida - 1970s
By Leo Guida
Located in Roma, IT
Composition is an original etching and aquatint realized by Leo Guida in 1987.
Good condition.
Mounted on a white cardboard passpartout (50x35).
Leo Guida (1992 - 2017). Sensitiv...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Nude - Original Etching by Leo Guida - 1970
By Leo Guida
Located in Roma, IT
Nude is an original artwork realized in 1970 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original colored etching on ivory-colored cardboard.
Not signed.
In t...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Europa - Original Etching On Paper by Leo Guida - 1970s
By Leo Guida
Located in Roma, IT
Europa is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original etching on paper.
Hand-signed on the lower right in penci...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Letter "U" from the Alphabet Suite
Located in Saugatuck, MI
Erte hand signed and numbered limited edition lithograph and screen print. From the Alphabet Suite. Framed dimensions are 26" W x 31" T. Near Mint condi...
Category
Art Deco Late 20th Century Nude Prints
Materials
Screen, Lithograph
"Study 2" Figurative Lithograph
By Jim Smyth
Located in Soquel, CA
Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed.
Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique.
He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...
Category
American Impressionist Late 20th Century Nude Prints
Materials
Etching, Paper
"Succubus Festival"
Located in Washington, DC
Silkscreen work by Noche Crist (1909- 2004). Marked in pencil 7/9 lower left. Printed in 1974 by the artist. Image is from her "Succubus Festival" series. Catalogue of a postumous re...
Category
Outsider Art Late 20th Century Nude Prints
Materials
Paper
Europe - Original Etching by Leo Guida - 1989
By Leo Guida
Located in Roma, IT
Europe is an original etching realized by Leo Guida in 1989.
Good condition.
Mounted on a white cardboard passpartout (50x35).
Dated and signed by the author.
Artist proof.
Leo ...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Rest - Original Etching by Leo Guida - 1989
By Leo Guida
Located in Roma, IT
With the Ghost is an original etching and aquatint realized by Leo Guida in 1985.
Good condition.
Mounted on a white cardboard passpartout (50x35).
Dated and signed by the author....
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Nude of a man - Lithograph by Salvatore Provino - 1975
Located in Roma, IT
SALVATORE PROVINO
Nude of a man, 1975
Litograph, 62 x 38 cm
Signed and date lower right: Salvatore Provino, 1975
Number example: 62/80
Good condition...
Category
Contemporary Late 20th Century Nude Prints
Materials
Lithograph
Vintage Nude Figurative - Steel Plate Monotype
Located in Soquel, CA
Nude figurative by Patricia A. Pearce (American, b. 1948). Initialed "PP" on verso with the artist's name. Presented in a new blue mat with foamcore backing. Image size: 13"H x 11.25...
Category
Contemporary Late 20th Century Nude Prints
Materials
Monotype, Paper
Reclined Nude - Original Etching by Leo Guida - 1970
By Leo Guida
Located in Roma, IT
Reclined Nude is an original etching and aquatint in sanguine realized by Leo Guida in 1970s.
Good condition for the 8 copies of the artwork.
Mounted on a white cardboard (50x34 cm...
Category
Contemporary Late 20th Century Nude Prints
Materials
Aquatint, Etching
Fingono di Dormire - Original Etching by Leo Guida - 1975
By Leo Guida
Located in Roma, IT
Fingono di Dormire is an original Contemporary artwork realized by the italian Contemporary artist Leo Guida (1992 - 2017), in 1975.
Original black and white etching on paper.
Ver...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Reclined Nude - Original Etching by Leo Guida - 1970
By Leo Guida
Located in Roma, IT
Reclined Nude is an original etching and aquatint realized by Leo Guida in 1970s.
Good condition for the 8 copies of the artwork.
No signature.
Leo Guida (1992 - 2017). Sensitive...
Category
Contemporary Late 20th Century Nude Prints
Materials
Aquatint, Etching
Le Concile d'Amour, Modern Etching by Leonor Fini
By Leonor Fini
Located in Long Island City, NY
Two women dancing holding hands in a circle as religious figures and another nude look on the scene is the subject of this etching print by Leonor Fini. The work is an illustration of the themes of a satirical play with the same title Le Concile d’Amour...
Category
Surrealist Late 20th Century Nude Prints
Materials
Etching
MONICA NUDE WITH PURPLE ROBE
Located in Aventura, FL
Aquatint with embossing on BFK Rives paper. Hand signed and numbered by the artist. Edition of 75. Printed by Branstead Studio, New York with their blind stamp. Published by Intern...
Category
Pop Art Late 20th Century Nude Prints
Materials
Paper, Aquatint
Leonor Fini - Orgy - Original Handsigned Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Orgy - Original Handsigned Lithograph
Circa 1982
On colored paper
Handsigned and Numbered
Edition: 275
Dimensions: 69 x 52.5 cm
Category
Modern Late 20th Century Nude Prints
Materials
Lithograph
Woman with Flowers - Offset by Franco Gentilini - 1970s
Located in Roma, IT
Woman with Flowers is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of th...
Category
Modern Late 20th Century Nude Prints
Materials
Offset
Reverse Nude - Original Etching and Aquatint by Leo Guida - 1970
By Leo Guida
Located in Roma, IT
Reverse Nude is an original etching and aquatint realized by Leo Guida in 1970s.
Good condition for the 3 copies of the artwork.
Mounted on a white cardboard passpartout (50x34 cm)...
Category
Contemporary Late 20th Century Nude Prints
Materials
Aquatint, Etching
Il Crollo - Original Etching by Leo Guida - 1975
By Leo Guida
Located in Roma, IT
Il Crollo (The Collapse) is an original Contemporary artwork realized by the italian Contemporary artist Leo Guida (1992 - 2017), in 1975s.
Original black and white etching on pap...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Raymond Pettibon Black Flag 1983 postmarked (Raymond Pettibon prints)
Located in NEW YORK, NY
Raymond Pettibon: Rare early Black Flag punk flyer:
Black Flag Santa Monica Civic Auditorium, Jun 11, 1983. Santa Monica, CA. Flyer / handbill for gig by Black Flag, Misfits, Vand...
Category
Pop Art Late 20th Century Nude Prints
Materials
Offset, Lithograph
The Lovers
By Peter Max
Located in Berlin, MD
Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...
Category
Pop Art Late 20th Century Nude Prints
Materials
Lithograph
Made with Pride by a Queen
Located in New York, NY
Nayland Blake
Made with Pride by a Queen
1989
Silkscreen on canvas
8 x 10 inches; 20 x 25 cm
Edition of 50
Initialed, dated, and numbered in ink (lower ...
Category
Contemporary Late 20th Century Nude Prints
Materials
Canvas, Screen
Women and Horses - Etching on Paper by Alfredo Brasioli - 1970s
Located in Roma, IT
Women and Horses is a Contemporary artwork realized in the 1970s by the Italian artist Alfredo Brasioli (Verona, 1935 - Rome, 2016).
Original Etching...
Category
Modern Late 20th Century Nude Prints
Materials
Etching
Large Donald Saff Surrealist Pop Art Aquatint Etching Action Figure Gearhead
By Donald Saff
Located in Surfside, FL
Artist: Donald Saff
Title: Action Figure
Year: 1980
Medium: Etching with Aquatint, Hand signed and numbered in pencil
Edition: 150
30 in. x 22.5 in. (76...
Category
Pop Art Late 20th Century Nude Prints
Materials
Etching, Aquatint
Woman with Tall Hat - Original handsigned lithograph - 199ex
Located in Paris, FR
Jean-Baptiste VALADIE
Woman with tall hat
Original lithograph
Handsigned in pencil
Limited /199copies
On vellum 76 x 56 cm (c. 28 x 22 in)
Excellent condition
Category
Realist Late 20th Century Nude Prints
Materials
Lithograph
Woman nude - Etching by Patrizio Mercuri - 1970s
Located in Roma, IT
Woman Nude is an original etching realized by Patrizio Mercuri in the 1970s.
Black and white etching.
Hand signed on the lower right margin.
Number...
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Jamaican Kool-Aid Body Piece (Blue), by Colette
By Colette
Located in Long Island City, NY
Jamaican Kool-Aid Body Piece (Blue)
Colette (aka Colette Justine), Tunisian/American (1952)
Date: 1979
Lithograph, signed and numbered in pencil
Editio...
Category
Pop Art Late 20th Century Nude Prints
Materials
Lithograph
Knieendes Mädchen - Lithograph After Egon Schiele
Located in Roma, IT
This lithograph from the portfolio "Egon Schiele" is a reproduction of "Knieendes Mädchen", an original artwork realized by Egon Schiele in 1914. The portfolio, that includes 10 lith...
Category
Modern Late 20th Century Nude Prints
Materials
Lithograph
Nu au Bas Noir, Aquatint Etching by Rene Couturier
Located in Long Island City, NY
Nu au Bas Noir
Rene Couturier, French (1933)
Date: 1979
Aquatint Etching on Arches, signed in pencil
Edition of 110, PP
Image Size: 24 x 17.5 inches
Size: 30 x 22 in. (76.2 x 55.88 cm)
Category
Modern Late 20th Century Nude Prints
Materials
Aquatint, Etching
Standing Nude - Lithograph by Alain Bonnefoit - Late 20th Century
Located in Roma, IT
Standing Nude is an artwork realized by Alain Bonnefoit.
Original Lithograph on paper.
Hand-signed by the artist "A.Bonnefoit" at the lower right margin. Titled on the lower center...
Category
Contemporary Late 20th Century Nude Prints
Materials
Lithograph
Nude Woman - Vintage Offset by Franco Gentilini - 1970s
Located in Roma, IT
Nude Woman is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of the artwor...
Category
Modern Late 20th Century Nude Prints
Materials
Offset
"Study 2", Seated Figure Lithograph
By Jim Smyth
Located in Soquel, CA
Beautiful nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "8/12", "Study 2", "Smyth 75” along the bottom edge. Unframed.
Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art.
Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique.
He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels.
When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable.
On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate.
Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model.
In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting.
Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...
Category
American Impressionist Late 20th Century Nude Prints
Materials
Etching, Paper
Figure - Vintage Offset byFranco Gentilini - 1970s
Located in Roma, IT
Figure is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of the artwork is...
Category
Modern Late 20th Century Nude Prints
Materials
Offset
The Cathedral - Photolithography by Franco Gentilini - 1970s
Located in Roma, IT
The Cathedral is a photo-lithograph print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of the artwork is ...
Category
Modern Late 20th Century Nude Prints
Materials
Paper
Woman with Flowers - Vintage Offset by Franco Gentilini - 1970s
Located in Roma, IT
Woman with Flowers is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of th...
Category
Modern Late 20th Century Nude Prints
Materials
Offset
Nude Woman - Vintage Offset by Franco Gentilini - 1970s
Located in Roma, IT
Nude Woman is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of the artwor...
Category
Modern Late 20th Century Nude Prints
Materials
Offset
Still Life - Vintage Offset byFranco Gentilini - 1970s
Located in Roma, IT
Still Life is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of the artwor...
Category
Modern Late 20th Century Nude Prints
Materials
Offset
Nude Woman - Vintage Offset by Franco Gentilini - 1970s
Located in Roma, IT
Nude Woman is an original vintage offset print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in 1970s.
The state of preservation of the artwor...
Category
Modern Late 20th Century Nude Prints
Materials
Offset
Vanity
Located in San Francisco, CA
This artwork titled "Vanity" 1980 is an original sepia etching by American artist Louis Russomanno, b.1946. It is hand signed, titled and numbered 113/185 in pencil by the artist. Th...
Category
American Realist Late 20th Century Nude Prints
Materials
Etching
Nudity 1 - Vintage Offset print after Renato Guttuso - 1980s
Located in Roma, IT
Nudity 1 is an offset print realized after the Sicilian artist Renato Guttuso, 1980s.
Good conditions.
Renato Guttuso (Bagheria, Palermo 1912 - Rome,1987) was a famous Italian pai...
Category
Contemporary Late 20th Century Nude Prints
Materials
Offset
Lying Nude - Original Etching by N. Gattamelata - 1970s
Located in Roma, IT
Figure is a black and white etching realized by Nazareno Gattamelata in 1970s.
Hand signed by the artist on the lower right margin: Gattamelata.
Good conditions.
Category
Contemporary Late 20th Century Nude Prints
Materials
Etching
Large Donald Saff Surrealist Pop Art Aquatint Etching Wolf, Man
By Donald Saff
Located in Surfside, FL
Artist: Donald Saff
Title: Wolf and Man
Year: 1980
Medium: Etching with Aquatint, Hand signed and numbered in pencil
Edition: 50
39 in. x 27.5 in.
Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, specializing in the fields of contemporary art in addition to American and English horology. Saff was born in Brooklyn, New York.
Donald Saff began his undergraduate degree at Queens College, City University of New York, in 1955, initially envisioning a career as an electrical engineer. However, the following year Saff changed his major to art and learned printmaking, to graduate with a B.A. in 1959 and a M.A. in art history from Columbia University in 1960. In the years following, Saff was awarded a M.F.A. from Pratt Institute in 1962 and an Ed.D. in studio art and art history from Columbia University in 1964. In his early career, Saff studied with Robert Goldwater, Robert Branner, Louis Hechenbleikner, and Meyer Schapiro.
Saff is primarily known for his work and collaboration with the leading artists of the late-twentieth century, including Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Nancy Graves, Philip Pearlstein, and James Turrell. Saff's prolific career is the subject of Marilyn S. Kushner's book, Donald Saff: Art in Collaboration (2010). Saff began his teaching career at Queens College as a lecturer in Art History, Design, and Drawing, from 1961 to 1964. In 1965, Saff was appointed as an associate professor in the visual arts department of the University of South Florida in Tampa, Florida, and became professor and chairman of the visual arts department two years later. In 1971, Saff became the founding dean of the College of Fine Arts at U.S.F., and was awarded the rank of distinguished professor at the university in 1982. Saff was later named dean emeritus by USF in 1989, and distinguished professor emeritus in 1996. In 1999, Saff was awarded the honorary degree of Doctor of Fine Arts at U.S.F. He was appointed the Director of Capital Projects of the Solomon R. Guggenheim Foundation, New York, in 2001, followed by the appointment of Senior Curator of Prints and Drawings in 2002.
In 1968, Saff founded Graphicstudio at U.S.F. through funding by a seed grant from the Florida Arts Council and community supporters; the following year, Philip Pearlstein was the first artist invited to Graphicstudio to collaborate with Saff and his team. Saff became Founding Dean of the College of Fine Arts at U.S.F. in 1971. Under Saff's directorship, Graphicstudio collaborated with artists such as James Rosenquist, Robert Rauschenberg, Richard Anuszkiewicz, Shusaku Arakawa, Jim Dine, Lee Friedlander, Nancy Graves, Ed Ruscha, and Roy Lichtenstein. The collection of Graphicstudio is archived in the National Gallery of Art in Washington, D.C.
Graphicstudio was founded by Dr. Donald Saff as part of the renaissance in American printmaking in the 1960s, in the company of studios such as ULAE, Tamarind, and Gemini GEL. This renaissance brought artists involved in the Pop art movement, such as Robert Rauschenberg, James Rosenquist, and Jim Dine, together with a growing number of trained printmakers from around the world. After Saff retired from U.S.F., he continued to collaborate with these artists, as well as James Turrell, at Saff Tech Arts in Oxford, Maryland, which was established in 1991.
While Saff and Rauschenberg were traveling in China, Rauschenberg conceived of the Rauschenberg Overseas Culture Interchange (ROCI) in 1982, which began in 1984 with Saff as the artistic director. Saff travelled to over twenty countries and met with poets and writers in order to decide which were the most appropriate venues for the show and prepare for Rauschenberg's visit and exhibition.
In recent years, Saff has continued to lecture and write on art and the history and mechanics of nineteenth-century clocks; in particular, the work of Charles Fasoldt, in addition to the development of time distribution from the Harvard College Observatory, and the horological innovations of Richard F. Bond. He has lectured on Fasoldt for the Antiquarian Horological Association in Cincinnati, OH (2001), the National Association of Watch and Clock Collectors in Pittsburgh, PA, and Anheim, CA (2003), and at the 26th Annual Ward Francillon Time Symposium in Houston, TX (2004), among other venues. Saff continues to work with the Royal Observatory in Greenwich, collaborating with Jonathan Betts and Rory McEvoy, on the trials of Burgess Clock B. (See "Honors.")
Exhibitions
Saff's individual work spans across his career of collaborative art. As early as 1965, Saff produced Duino Elegies, a print suite that was published and exhibited by Martin Gordon Gallery in New York and at the Galleria Academia in Rome; it was acquired by the Library of Congress, the Brooklyn Museum, and Lessing Rosenwald. Saff also collaborated with printers Galli and Arduini in Urbino to create print suites Breezes (1969), exhibited and published by the Martin Gordon Gallery. Additionally, Saff collaborated with Galli on print suites Paradise Lost (1970) and Numbers (1972), the former printed in Tampa, FL, and exhibited at the Martin Gordon Gallery, the University of South Florida Gallery, the Toronto Art Gallery, and the Loch Haven Art Center, FL. Numbers was exhibited at Multiples Gallery, New York. In 1979, Saff produced print suite Fables that was published and exhibited by the Getler/Pall Gallery in New York, followed by the print suite Constellations (1980), which was also exhibited at the Tom Lutrell Gallery in San Francisco. In 1981, Saff had solo exhibitions of his artwork in the Galleria d'Arte Moderna in Udine, Italy, Youngstown State University, OH, the Leo Castelli Gallery, NY, and in "Recent Acquisitions" at The Museum of Modern Art, NY. Additionally, Saff had solo exhibitions at Dyansen Gallery, NY (1982), at I. Feldman Gallery, Sarasota (1983), and at Edison Community College, FL (1988). In 1989, the retrospective Donald Saff: Mixed Metaphors, 1956–1989 was held at the Tampa Museum of Art and traveled to the Virginia Beach Center for the Arts, followed by his solo exhibition Winged Metaphors: Sculpture and Prints by Donald Saff at the Barbara Gillman Gallery in Miami later that year. In 1997, Brenau University Galleries exhibits Poetics: The Work of Donald Saff in Gainesville, GA. The same year, the Tampa Museum of Art exhibited Donald Saff/Robert Rauschenberg: In Collaboration. Finally, the Academy Art Museum in Easton, MD, exhibited Donald Saff: Gravity and Constellations; Selected Works in 2006.
Honors
Saff was awarded a Teaching Fellowship at Queens College (1960), a Yaddo Fellowship, Saratoga Springs, NY (1963), and Fulbright Fellowship (1964) to Italy where he studied at Istituto Statale di Belle Arti. While in Urbino, Saff met lifelong friend and colleague Deli Sacilotto, with whom he would co-author Printmaking: History and Process (1978) and Screenprinting: History and Process (1979). He received the Governor's Award for the Arts from the State of Florida in 1973, and was awarded the Florida Endowment for the Arts Individual Artist Grant in 1980. In 1997, Saff was awarded the title "Printmaker Emeritus" by the 25th Southern Graphics Council Conference in Tampa, F.L. In 2002, he was appointed as Visiting Distinguished Professor of Rhode Island School of Design.
In April 2015, Saff was awarded a certificate from the Guinness World Records for his work on completing the world's most accurate pendulum clock, "Clock B", which was started by Martin Burgess in 1975. The official title awarded by Guinness World Records, as "the most accurate mechanical clock with a pendulum...
Category
Pop Art Late 20th Century Nude Prints
Materials
Etching, Aquatint