Portrait Prints

"Sid Vicious Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. NEW YORK - DEC...

"Eternal Problem" - 1924 Etching on Paper Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...

Jim Dine, Self Portrait 1971 drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate seven from Self Portraits (1971) port...

This lithograph is from my private collection. It is artist pencil signed and numbered. It is in very good condition.

This artwork by Lee Teter depicts a veteran at the Vietnam Veterans Memorial in Washington, D.C. It is nicely framed and in very good condition. The signature by Lee Teter is a r...

Tango Color Etching on Fabriano Italia, signed and numbered in pencil Edition of 36/280 Image Size: 17 x 14.5 inches Size: 26 x 19 in. (66.04 x 48.26 cm)

Some of his prints were published by the WPA some were done in Soviet Moscow in Russia.. it is a wood engraving signed in pencil. From a small edition. Albert Abramovitz (1879-1963...

The Fight Leonor Fini, Argentine/French (1918–1996) Etching on BFK Rives, signed and numbered in pencil Edition of XVII/XXV Image Size: 11.25 x 8 inches Size: 16.25 x 12.75 in. (41.2...

Salvador Dali The giantess with a bag, 1975 Original etching Signed in pencil Limited to 100 copies (Here numbered 52) On Arches vellum 32.5 x 25 cm (c. 12.7 x 9.8 in) REFERENCE...

Mother and Child Leonor Fini, Argentine/French (1918–1996) Color Etching on Japon, signed and numbered in pencil Edition of 153/186 Image Size: 18 x 12 inches Size: 26.5 x 19 in. (67...

Paul Cezanne Portrait, The man with a hat, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) ...

'Muslim Woman' by Shepard Fairey, 2005 24 x 36 inches (61 x 91,4 cm) Offset Lithograph on Fine Art Paper. Limited edition of 750 (AP) Hand-signed and dated in pencil by Shepard Fair...

Grabbing the faces of one another, the two women in this Pablo Picasso print tenderly kiss one another. Seen in profile view from the position of the viewer, the scene is loving albe...

Sumo Tournament is a Woodcut print realized in the first half of the 19th century by Utagawa Kunisada. Good condition and Beautiful colored woodblock print. This wonderful modern artwork represents Japanese Sumo...

Medium: linocut Year: 2023 Image Size: 18 x 24 inches Edition Size: 10 Undocumented immigrants scaling the wall to enter the United States, against a backdrop of butterflies flying ...

WALKING BLINDLY is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. WALKING BLINDLY portrays a young Black woman dressed in a magenta pink cardigan, white blouse, and blue green tweed texture skirt dancing by herself, centered amid a gray watercolor wash background surrounded by simple line drawn figures of an older woman shouting/singing praise, a forlorn young boy seated with his head down, and an older man standing, looking downward, holding a flask in his hand. This moving composition by Elizabeth Catlett is from the FOR MY PEOPLE suite of prints, a set of 6 lithographs...

Signed Limited Edition Etching 32 of 75 the artist more known for his Gouache and Oil paintings has here put his hand to an etching. Image 16" x 11"

Archival ink on Hahnemuhle Photo Rag 29x40" (print size) Individually numbered and Hand signed Limited Edition of 25 Artist Proof Edition Inspired by artists such as Dali, Caravaggi...

Portrait of Henry Melville, author of Moby Dick. The portrait is a companion piece to Or, The Whale (2019-20), a 14-by-51 foot scratchboard mural detailing the history and cost of Am...

Original poster printed on the occasion of the Metropolitan Opera’s 1981 production of Parade, a triple-bill of short French pieces directed by John Dexter, for which David Hockney d...

Countess Portrait   is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 10/75. The artwork represents a feminine portrai...

Hommage à Guttuso - Basket and Saw  is a print by the Sicilian artist Renato Guttuso (Bagheria, 1911 - Rome, 1987). A high-quality chromolithograph on paper, edited by the French ma...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 54/75. Virgilio Guidi  (Rome, 1892 - Venice, 1984)...

Jim Dine, Self Portrait drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate one from Self Portraits (1971) portfolio ...

Painted Portrait of the artist musician and actor Prince Giclée print on Hahnemühle German Etching paper 310gsm From an edition of 40 Paper size A2 The print has a 1cm border h...

After PABLO PICASSO (1881-1973) Flute Player Dimensions: 56 x 38 cm Signed and dated in the plate Posthumous edition by Edition Succession Picasso, Paris. Editions de la Paix Picas...

Ex-Libris - Music., Alfons Van Quelle i is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Sylvio Moreaux i is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Dr. Stefan Csanyi is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Sireho Schmidta is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Serigraph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 229. Image size: 27.5 x 20.5 in...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this case the Gilfrie...

Ex-Libris - Music, Kislinger is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Ex-Libris - Don Chisciotte is an Artwork realized in The 20th Century. Woodcut on paper.  Hand-signed in pencil. Good conditions.

Hand signed, titled and numbered by the artist. Ginestet Pouillon 390. Sheet size 10.7 x 7 in. Image size 8 x 6 in. Framed. Edition of 140. Artwork is in excellent condition. Certi...

TREE SWING is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan created using traditional hand lithography techniques printed on archival Arche...

Hand signed numbered by the artist in pencil. Artwork size: 24.25 x 30 in. Frame size: approx. 37 x 43 in. Artwork appears to be in excellent condition. Artwork has not been examine...

This artwork is one of the available artworks in a limited edition of 25 copies for each character from the Diners series by Moldovan artist Natasha Lelenco. In this series, comprise...

Overloading the Grid (David Byrne) (Talking Heads, Punk Rock, Creativity, Innovation) Screen print on thick white Speckletone paper Year: 2024 Size: 24x18 inches Edition: 550 Signed, dated and numbered by hand COA provided Ref.: 924802-2086 *Lead time may vary between 10-14 Days Tags: #TalkingHeads #PunkRock #Creativity #Innovation "I've been a fan of the Talking Heads since I was a kid, listening to songs like “Once in A Lifetime” and “Burning Down the House” on the radio. This was long before I discovered punk rock and realized the band's significant role in the nascent punk scene at CBGB’s in mid-70s NYC. Watching the film Stop Making Sense on HBO as a teenager left me intrigued by David Byrne's peculiar yet fearless performance in an absurdly oversized suit. Little did I know then that Byrne's exploration of life's awkwardness was precisely his forte! As I grew more sophisticated, I came to appreciate the Talking Heads' creative adventurousness both musically and visually. Learning that David, Tina, and Chris all attended the Rhode Island School of Design, the same art college I went to, added another layer of connection. For the “Overloading the Grid” (David Byrne) print, I collaborated with photographer Bobby Grossman...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* **IMPORTANT: This Is A Limited Edition Print On Canvas...

The Beatles Licensed Artwork by J. Scott Nicol Ltd Ed Signed and Numbered The is a limited edition signed and numbered on canvas with museum quality wood framing. 20" x 30" One ca...

'Peace Woman Kennwood' by Shepard Fairey, 2008 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Rare Kenwood Vineyard limited edition of 200 (137 /200...

Printed for Galerie Kammer’s 1981 David Hockney exhibition “Drawings and Prints”, this beautiful poster reproduces Hockney’s drawing Celia in a Black Dress and Red Stockings 1973. Fa...

Reduced to angular shapes, the female model in this Pablo Picasso print is portrayed in the Cubist style founded and propagated by the artist himself. Relying on invented perspective...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 53/75. The artwork represents a feminine portrait,...

Screenprint in colours on Coventry Rag paper, signed in pencil, numbered from an edition of 30, published by Fort Makers, New York Tunji Adeniyi-Jones is a rising star in the cont...

Seated in an armchair, the woman in this Pablo Picasso print appears fragmented and disjointed due to the artist’s integration of multiple perspectives. A lithograph from the Marina ...

Wearing a hat, the woman is represented with a series of black and white shapes that surve alongside one another. Accented by a mustard yellow, the portrait features different perspe...

Pablo PICASSO and Paul LEMAGNY Portrait of Picasso with Woman Head and Faun, 1956 The upper part (portrait of Picasso) is an original etching by Paul Lemagny The lower part (woman head and faun) is an original etching by Pablo Picasso Printed signature in the plate Annotated 9th state and 'Bon à tirer...

Artist: Russell Young Title: Marilyn Portrait (Red) Portfolio: Marilyn Portrait Medium: Hand-pulled acrylic and enamel silkscreen on paper Date: 2014 Edition: 25/25 Sheet Size: 27" x...

Leaning against the curved railing of the balcony, the model in this print is depicted through a series of shapes and forms of varying colors layered over one another. A lithograph f...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

Photo lithograph and etching with collage mounted on board from the suite Memories of Surrealism. Hand signed and numbered by Salvador Dali. Sheet size 29.75 x 21.25 inches. Image ...

Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. ...

William Steen Untitled, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publisher's blindstamp. 20 1/5 × 15 inches Unframed Hand signed, numbered and dated on lower front with printer's and publisher's blindstamp. This powerful limited edition lithograph by William Steen was published in 1988 as part of the Art Against Aids portfolio, numbered 38/50. Superb provenance as it is was acquired from the original Art Against AIDS Portfolio published in Houston, Texas. This will be the first time the work will be removed from the portfolio. The late 1980s was the height of the AIDS epidemic, and this was one of many efforts by the creative community to raise funds to assist in fighting this deadly scourge that disproportionately affected the artistic community. William Steen 1949-2008 William Steen, artist, collector, curator, and mystic, died of pancreatic cancer on December 20 in New York, where he has lived since 2001. Long time framer at the Menil Collection, the soft-spoken Steen is remembered in Houston where he had his first exhibition of paintings in 1978 at the Roberto Molina Gallery. In 1984 Steen made his first of several trips to India, photographing thousands of Tibetan Buddhist ritual paintings. A champion of outsider art, in 2000 he tangled with the Houston Police over the grafitti mural he comissioned for the walls of the reclaimed Sterling Cleaners...

Elizabeth Peyton (American, b. 1965) Peter, 2018 Medium: Linocut on paper Dimensions: 46 x 59 cm Edition of 30: Hand-signed and numbered in pencil Condition: Mint

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

"Elvis Shelby Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti Giclee print on canvas Stretched on wooden bars. Signed and numbered by the artist. This is a genuin...