David Blackwood

Captain Llewellyn Kean

1989

David Blackwood, Canadian, 1941-2022 BREAKERS, 1976 etching, aquatint in colours 7.75 x 9.75 in (plate) 19.7 x 24.8 cm signed, titled, dated 1976 and inscribed “Artist’s Proof” in th...

William Perehudoff 1919 – 2013 La Plonge #8 Lithograph 27 x 36.5 in ( sheet ) signed, titled, numbered (edition of 111) and inscribed “Hors de Commerce” in the lower margin; unframed

William Perehudoff 1919 – 2013 La Plonge #10 Lithograph 27 x 36.5 in ( sheet ); 21 x 28 in (image) 53.3 x 71.1 cms INSCRIPTIONS signed lower right, titled and numbered (edition of 75...

Jacques Hurtubise, Canadian, 1939-2014 JOSETTE , 1969 Serigraph 20 x 20 in titled and numbered lower left (edition of 75); signed and dated 69 lower right.

Jean-Paul Riopelle, 1923-2002, Canadian UNTITLED N3 (1985 - 1991) Etching 19 3/4 x 25 3/4 in (image); 11 3/4 x 15 1/2 in (papier) 30 x 39.5 cm (image); 50 x 65 cm (papier) Signed l...

Jean-Paul Riopelle, 1923-2002, Canadian Autres mouches no 1, 1985 Lithograph on Japan paper 20 1/2 x 26 3/4 in Signed and numbered in pencil, edition of 75 Catalogue raisonné refer...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: BUSTE DE FEMME AU FOULARD MAUVE(Dora Maar) Year of Original Artwork: 1937 Medium: Lithograph on Coventry Paper, 100% acid f...

Le Masque de la Mort Rouge is a phototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felu...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: FEMME AU PETIT CHAPEAU ROND, ASSISE (Portrait Dora Maar) #4A Year of Original Artwork: 1942 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.5 x 21.5 in. Year printed - 1979-1982 FEMME AU PETIT CHAPEAU ROND, ASSISE is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on center lower margin. Lithograph is in excellent condition, never been framed or mounted. FEMME AU PETIT CHAPEAU ROND, ASSISE portrays a splendid portrait of a seated woman(Dora Maar, Picasso's muse and lover), dressed in a vibrant blue dress and small round brimmed gray hat...

Japanese General is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "General Japonais". The work is ...

Ainos is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Ainos". The work is part of Suite Moeurs, ...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: OLGA PICASSO #26-3 Year of Original Artwork: 1923 Medium: Lithograph on Coventry Paper, 100% acid free Edition of 1000, unnumbered, estate approved printed signature Print Size: 29.25 x 21.25 in. OLGA PICASSO is a limited edition lithograph re-created after an original painting from the estate Collection of Marina Picasso, Picasso's grand-daughter. Printed using hand drawn lithographic plates on archival heavy weight Coventry printmaking paper, 100% acid free. Edition was produced in accordance with the Picasso family under the supervision of Marcel Salinas, master chromist who worked closely with Pablo Picasso during his lifetime. Bears the estate approved printed signature of Picasso on lower margin. Lithograph is in excellent condition, never been framed or mounted. Picasso's OLGA PICASSO is a realistic portrait portraying Olga (Khokhlova), a Russian ballet dancer and the first wife of renowned Spanish painter and sculptor Pablo Picasso. Picasso's OLGA PICASSO presents a serious, restrained Olga seated in a domestic environment rendered in calm, neutral colors of light gray, light pink, beige, warm browns, and charcoal black, creating an appealing understated female portrait study. Picasso painted her portrait often, in a realistic manner, on which Olga insisted as she did not like experiments in painting. “I want to recognize my own face”, she said. While in Barcelona, Picasso made Olga meet his mother, who liked the Russian girl...