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Jean Besancenot

"Man of The Ouanergui Carrying the Tabbane" from "Costumes of Morocco"
Located in Detroit, MI
" is plate number 25 in Jean Besancenot's stunning portraits and depictions of the people of Morocco
Category

1940s Portrait Prints

Materials

Paper, Gouache

"City Notable" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
"Notable Citadine" translated to "City Notable" is plate number 2 in Jean Besancenot's stunning
Category

1940s Portrait Prints

Materials

Paper, Gouache

"The Sultan's Moghazni" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
"Moghanzi du Sultan" translated to "The Sultan's Moghazni" is plate number 4 in Jean Besancenot
Category

1940s Portrait Prints

Materials

Gouache, Paper

"Woman of Tiznit Wearing the Amendil", from "Costumes of Morocco"
Located in Detroit, MI
number 47 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series
Category

1940s Portrait Prints

Materials

Gouache, Paper

"Formal Dress Called <Of The Maghzen>", from "Costumes of Morocco"
Located in Detroit, MI
Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes
Category

1940s Portrait Prints

Materials

Paper, Gouache

"Man of the Zemmour" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
"Homme des Zemmour" translated to "Man of the Zemmour" is plate number 24 in Jean Besancenot
Category

1940s Portrait Prints

Materials

Gouache, Paper

"Woman of the Imerrhane" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
"Femme des Imerrhane" translated to "Woman of the Imerrhane is plate number 34 in Jean Besancenot
Category

1940s Portrait Prints

Materials

Gouache, Paper

"Townwoman Dressed For Housework" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series
Category

1940s Portrait Prints

Materials

Gouache, Paper

"Woman of the Aït MGuild" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
the verso with the title visible behind clear plastic. Jean Besancenot, real name Jean Girard, was a
Category

1940s Portrait Prints

Materials

Gouache, Paper

"Jewish Bride of Fez" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
"Mariée Juive de Fès" translated to "Jewish Bride of Fez" is plate number 52 in Jean Besancenot
Category

1940s Portrait Prints

Materials

Gouache, Paper

"Jewish Woman of the Tafilelt" from "Costumes of Morocco", Gouache on Paper
Located in Detroit, MI
from Spain in 1492 by the Alhambra Decree. Jean Besancenot's sixty plate reproduced and handcolored
Category

1940s Portrait Prints

Materials

Paper, Gouache

"Woman Of Tagmout (Singing the Ahwash)" from "Costumes of Morocco"
Located in Detroit, MI
number 44 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series
Category

1940s Portrait Prints

Materials

Gouache, Paper

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Jean Besancenot For Sale on 1stDibs

Find the exact jean besancenot you’re shopping for in the variety available on 1stDibs. Making the right choice when shopping for a jean besancenot may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 20th Century. On 1stDibs, the right jean besancenot is waiting for you and the choices span a range of colors that includes beige and gray. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in gouache, paint and paper can add an especially memorable touch.

How Much is a Jean Besancenot?

A jean besancenot can differ in price owing to various characteristics — the average selling price for items in our inventory is $1,800, while the lowest priced sells for $1,800 and the highest can go for as much as $1,800.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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