Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Jacobus Houbraken
Sir Francis Drake: 18th C. Portrait of 16th C. Navigator, Privateer, Politician

1748

About the Item

This an 18th century copper plate engraved portrait of Sir Francis Drake by Jacobus Houbraken, after a painting by Sir Godfrey Kneller, from "The Heads of Illustrious Persons of Great Britain", published in London in 1748 by John & Paul Knapton. It depicts a bust portrait of Drake in an ornamental oval with a crown on top and surrounded by various weapons and nautical symbols. A naval battle scene is depicted on a pediment below the portrait. Drake is turned to his right, but he is looking directly at the viewer. He is wearing a dark shirt with a white lace collar. This strikingly beautiful engraved portrait of Sir Francis Drake has very wide margins. There is mile spotting in the margins, which does not affect the engraving. The print is otherwise in excellent condition. Sir Francis Drake (1540-1596) was an English sea captain, privateer, navigator, slaver, and politician of the Elizabethan era. He was knighted by Elizabeth I of England in 1581. He was second-in-command of the English fleet against the Spanish Armada in 1588. He also carried out the second circumnavigation of the world in history from 1577 to 1580. During this voyage he explored the Pacific Ocean, including the west coast of North America, until then an area of exclusive Spanish control. He conquered "New Albion" (present day California) and claimed the area for England. His naval accomplishments were legendary, making him a hero to the English, but considered a pirate by the Spanish, who called him El Draque. He was also known as Franciscus Draco (Francis the Dragon). King Philip II of Spain offered a reward of 20,000 ducats (about $6.5 million in today's value) for his life. Drake's frequent successful attacks on Spanish ships during the 1580's contributed to Philips II of Spain's decision to launch the Armada against England in 1588. Drake served as vice-admiral of the English fleet, which defeated the Armada. On June 17, 1579, Drake and his crew sailed into a protected cove on the Pacific coast of what is now Northern California, for repairs to their ship, the Golden Hind. While ashore, he claimed the area for Queen Elizabeth I as Nova Albion or New Albion. Today Drake's landing site is known as Point Reyes, California, a marine environment which is the setting of several small towns, ranches, and Point Reyes National Seashore. Drake posted an engraved brass plate to document Queen Elizabeth I's sovereignty and that of every future English monarch. This claim became the justification for English claims in other parts of America all the way to the Atlantic coast and influenced further English expansion on the North American continent. While ashore, Drake had contact with the Native American Miwok tribe. Sir Francis Drake Boulevard in the San Francisco Bay Area's Marin County commemorates Drake's visit to the area. Drake sailed from New Albion on July 23, 1579 and made landfall the next day at the Farallon Islands, off the coast of present day San Francisco, where the crew stocked the ship with seal meat. Future voyages brought Drake back to the Atlantic, where he died of dysentery in January, 1596 after unsuccessfully attacking San Juan, Puerto Rico. Jacobus Houbraken (1698-1780) was a Dutch engraver who devoted himself almost entirely to portraiture. He produced a published record of the lives of artists from the Dutch Golden Age. In many cases his portraits are the only likenesses left of these people. Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in London from 1743 to 1752. From 1752 to 1759 he worked with the historian Jan Wagenaar (1709–1773) on his 21 part "Vaderlandsche Historie", published by Isaac Tirion in Amsterdam.
  • Creator:
    Jacobus Houbraken (1698 - 1780, Dutch)
  • Creation Year:
    1748
  • Dimensions:
    Height: 16 in (40.64 cm)Width: 9.75 in (24.77 cm)
  • Medium:
  • Period:
    1740-1749
  • Condition:
  • Gallery Location:
    Alamo, CA
  • Reference Number:
    Seller: # 9371stDibs: LU117328762662
More From This SellerView All
  • Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
    By William Sharp
    Located in Alamo, CA
    This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday." This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image. Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
    Category

    Early 19th Century Portrait Prints

    Materials

    Engraving

  • Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney & Hall Lithograph
    By McKenney & Hall
    Located in Alamo, CA
    This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...
    Category

    Mid-19th Century Naturalistic Portrait Prints

    Materials

    Engraving

  • Kee-She-Waa, A Fox Warrior: Hand-colored McKenney & Hall Folio-sized Lithograph
    By McKenney & Hall
    Located in Alamo, CA
    This an original 19th century hand-colored folio-size McKenney and Hall engraving of a Native American entitled "Kee-She-Waa, A Fox Warrior", drawn b...
    Category

    Mid-19th Century Naturalistic Portrait Prints

    Materials

    Engraving

  • Original Hand Colored McKenney & Hall Lithograph Wat-Che-Mon-Ne, An Ioway Chief
    By McKenney & Hall
    Located in Alamo, CA
    An original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Wat-Che-Mon-Ne, An Ioway Chief, No. 90", published by Rice, Rutter & Co. in 1865. Th...
    Category

    Mid-19th Century Naturalistic Portrait Prints

    Materials

    Engraving

  • Ancient Roman Statues in the Vatican: A Grouping of Three 18th C. Engravings
    By Vincenzo Dolcibene
    Located in Alamo, CA
    A grouping of three antique engravings depicting statues found in the Vatican, including: "Pescatore" (Fisherman), "Pastore" and "Istrione", "Gia nella Villa Mattei" (Found in the Vi...
    Category

    1780s Old Masters Still-life Prints

    Materials

    Engraving

  • 18th Century Engraved Portrait of George Savile, Marquis of Halifax by Houbraken
    By Jacobus Houbraken 1
    Located in Alamo, CA
    A superb 18th century engraved portrait of George Savile, Marquis of Halifax, Plate 82 in "The Heads of Illustrious Persons of Great Britain", written by...
    Category

    Mid-18th Century Realist Portrait Prints

    Materials

    Laid Paper, Engraving

You May Also Like
  • "Dame a la Toque", fabulous drypoint etching by Paul Cesar Helleu
    By Paul César Helleu
    Located in Hinsdale, IL
    HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Drypoint printed in colors on pale cream wove paper, c. 1906 Signed in black crayo...
    Category

    Early 20th Century Post-Impressionist Portrait Prints

    Materials

    Drypoint

  • "Madame Georges Menier" Portrait, by Paul Cesar Helleu
    By Paul César Helleu
    Located in Hinsdale, IL
    HELLEU, PAUL CÉSAR (1859 -1927) "MADAME GEORGES MENIER" Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full...
    Category

    Early 20th Century Art Nouveau Portrait Prints

    Materials

    Drypoint

  • Anthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie
    By (After) Anthony Van Dyck
    Located in Greven, DE
    A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle. This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...
    Category

    17th Century Baroque Portrait Prints

    Materials

    Engraving

  • J Haid, Martin Van Meytens, Engraving, Portrait Count Ferdinand Plettenberg
    Located in Greven, DE
    Johann Jakob Haid (1704-1767), engraver Johann Stenglin (1715-1770), engraver Martin van Meytens (1695-1770), inventor Ferdinand Count of Plettenber...
    Category

    18th Century Baroque Portrait Prints

    Materials

    Engraving

  • Profile (Portrait)
    By Nicolas Party
    Located in London, GB
    A mezzotint on Velin Arches paper, produced in 2016. Edition of 15. Signed and numbered in pencil by Nicolas Party.
    Category

    2010s Contemporary Portrait Prints

    Materials

    Mezzotint

  • portrait
    Located in Belgrade, MT
    This lithograph is from my private School of Paris collection of early, mid , late 20th Century artist. It is vibrant in color and a limited edition, hand signed. It is in very good ...
    Category

    Mid-20th Century Abstract Expressionist Portrait Prints

    Materials

    Oil, Engraving, Lithograph

Recently Viewed

View All