James Gillray

Hand-colored Etching "The Spanish Bull-fight" Napoleon Satire by James Gillray

1808

This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...

"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...

This hand-colored etching and aquatint caricature entitled "Playing in Parts" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on May 15th 1801. The print is signed in the plate in the lower right. This is a rare musical caricature. It depicts five amateur musicians, a woman and four men, performing their music in a drawing room. A young overweight woman dressed in white is seated in the center, playing a piano...

"Neptune Washington" is a large contemporary lithograph by Ron Adams (1934- ), created in 1996. It depicts a muscular African-American fisherman polling his fishing boat in a river in the rain. Adams distinctive rendering of Neptune conveys his great strength, as well as the grace, fluidity and balance of his body. He is barefoot and shirtless, dressed in striped overalls with his right shoulder strap undone. A bucket of fish sits next to his left foot, while fishing line, an open tin can and a frog are seen on a wet bench in front of Neptune. A long-necked white bird (crane) sits on a log floating by in the river near the opposite shore. Ominous storm clouds are present in the background over trees, brush and rocks along the opposite river bank. The lithograph is printed on handmade deckle-edged paper and presented with a museum style floating mount in a black wood frame with a thick cream mat and glazed with UV protected plexiglass. It is signed in pencil in the right lower corner along with the date, '96. The title "Neptune Washington" is inscribed in pencil in the lower margin in the center and initials HGI are in the lower left. The initials HGI may stand for Hand Graphics Institute, which Adams founded in New Mexico. The initials rather than the usual edition number (which consisted of 70), possibly signify an artist proof or possibly a Hors-Commerce (before trade) printing. The print is in excellent condition. The frame measures 38" x 30.25" x 1.25". Ron Adams is a prominent African-American master printmaker. His detailed depictions of African-American musicians, craftsmen, folk heroes and everyday people have made him one of the top figurative artists and printmakers in the country. He has worked with and taught many other well-known artists, including Frank Stella, Charles White, John Biggers, Robert Rauschenberg and Jasper Jones...

A hand colored Vanity Fair caricature of a 19th century opera singer, M Jean de Reszke, entitled 'Polish Tenor'. The print was created by the most famou...

A framed hand-colored Vanity Fair caricature of a prominent 19th century English judge, Henry Charles Lopes, 1st Baron Ludlow (1828-1899) entitled "An O...

This rare 10 piece series from 1973 is Dali's interpretation of Shakespeare's drama Hamlet. Dali paid homage to Shakespeare in several other works but this suite is considered to be ...

Homme dévoilant une Femme. (Man uncovering a woman). 1931. Drypoint. Bloch 138; Baer 203 B.d. Vollard Suite, plate 5. Printed by: Lacourie...

Portrait is an original etching realized by Josè Vilato Ruiz Fin (1916-1969). Good condition no signature. Included a white cardboard passpartout (49x34 cm).

The two women is an original print realized by Massimo Campigli in the 1970/1971. Beautiful etching and drypoint on paper. This artwork it is part of a series of works created in t...

The idol is an original print realized by Massimo Campigli in the 1970/1971s. Etching on paper. This artwork it is part of a series of works created in the last period of the arti...

The idol is an original print realized by Massimo Campigli in the 1970/1971. Etching on paper. This artwork it is part of a series of works created in the last period of the ar...