Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Paul César Helleu
Madame Helleu Looking at Watteau drawings at the Louvre..

c. 1901

About the Item

Madame Helleu Looking at Watteau drawings at the Louvre. (En regardant les Watteau de Louvre). c. 1895. Drypoint printed in 2 colors - black and sepia. 11 3/4 x 15 7/8. Goncourt 3, de Montesquiou LXI, Bibliothèque National Inventaire 48. Printed with light plate tone on Van Gelder Zonen laid paper with large, full margins, signed in red chalk The plate is also known as Les Trois Crayons de Watteau. Helleu places his wife, Alice Guérin, before the elegantly-framed Watteau watercolors. Housed in a gold-lipped silk mat and a 20 x 24 1/2-inch gold leaf frame suggestive of those in the Louvre Helleu was commissioned in 1884 to paint a portrait of a young woman named Alice Guérin (1870-1933). They fell in love, and married two years later, on 28 July 1886. Throughout their lives together, she was his favourite model. Charming, refined and graceful, she helped introduce them to the aristocratic circles of Paris, where they were popular fixtures. Helleu's favorite model by far was his wife, Alice Guérin, and later Madame Helleu, whom he met when and began sketching when she was only 14. Later, their eldest daughter Ellen would also become a favorite model of his. Both Helleu and his wife became high society figures, and their graceful and elegant lifestyle was echoed in his compositions. Throughout his career, Paul Helleu made many charming, intimate drawings and sketches of his wife and their three children, as well as relatives and family friends. The present sheet is a portrait of the artist’s favourite model, his wife Alice Guérin, whom he married in 1886, when she was sixteen years old. Alice Helleu had striking, long auburn hair, whose abundant tresses she would pin up on occasion. An elegant woman of reserved manners, she was always depicted by her husband dressed in stylish clothes, often wearing hats from the finest Parisian milliners. Alice also occasionally posed for other painters, including Giovanni Boldini and John Singer Sargent; the latter painted a double portrait of Paul and Alice Helleu
More From This SellerView All
  • Dans les Cendres (In the embers)
    By Albert Besnard
    Located in Storrs, CT
    Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
    Category

    Late 19th Century Impressionist Figurative Prints

    Materials

    Drypoint, Etching

  • Hélène of Septeuil (enfant au perroquet) (child with a parakeet).
    By Mary Cassatt
    Located in Storrs, CT
    Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...
    Category

    19th Century Impressionist Portrait Prints

    Materials

    Drypoint, Watercolor

  • Rotherhithe
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    Rotherhithe (Originally published as Wapping). 1860. Etching. Kennedy catalog 66 state iii; Glasgow catalog 70. state vi. 10 3/4 x 7 3/4 (sheet 12 7/8 x 9 1/2). Series: "Sixteen Etc...
    Category

    Mid-19th Century American Impressionist Figurative Prints

    Materials

    Drypoint, Etching

  • Portrait of Whistler with the Monacle.
    By Paul César Helleu
    Located in Storrs, CT
    Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were onl...
    Category

    19th Century Impressionist Portrait Prints

    Materials

    Drypoint

  • Le banc de jardin (The Garden Bench).
    By James Jacques Joseph Tissot
    Located in Storrs, CT
    Le banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot catalog 79, Béraldi catalog 66, Wentworth catalog 75 state ii/iii. 16 1/2 x 22 1/8 (s...
    Category

    19th Century Impressionist Portrait Prints

    Materials

    Mezzotint

  • Jeunesse Dorée (Kathleen Nancy Woodward). (Gilded Youth.)
    By Gerald Leslie Brockhurst
    Located in Storrs, CT
    Jeunesse Doree. Fletcher 80. 10 7/8 x 8 7/8. Edition 75 in this state (there was also 1 trial and 4 proofs in state I; 2 trials and 2 proofs in state II; and 2 proofs of state 3, p...
    Category

    1940s Modern Portrait Prints

    Materials

    Etching, Drypoint

You May Also Like
  • Self Portrait by Jim Dine (plate one from Self Portraits portfolio 1971)
    By Jim Dine
    Located in New York, NY
    Jim Dine, Self Portrait 1971 drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate one from Self Portraits (1971) portfo...
    Category

    1970s Realist Portrait Prints

    Materials

    Drypoint

  • George Constant, When We Were Very Young
    Located in New York, NY
    The Greek-American artist George Constant is known for his modernist approach to traditional subject matter. This portrait of a young woman holding a book titled "When We Were Very Young...
    Category

    1930s American Modern Figurative Prints

    Materials

    Drypoint

  • Darius II
    By Darius Steward
    Located in Fairlawn, OH
    Signed in pencil lower right Edition: 3 impressions Signed, dated and annotated “1 of 3” Exhibited: Zygote Press, Cleveland, 2016 Tregoning & Co. 2017
    Category

    2010s Contemporary Figurative Prints

    Materials

    Drypoint

  • Portrait De Dora Maar Au Chignon.II
    By (after) Pablo Picasso
    Located in Palo Alto, CA
    Created in 1936, this drypoint on laid paper is stamped by the Picasso Estate Collection via Marina Picasso on verso. This work is a rare proof, aside from the numbered and signed ed...
    Category

    1930s Modern Portrait Prints

    Materials

    Drypoint

  • If you're too cool, you lose.
    By Darius Steward
    Located in Fairlawn, OH
    Signed, dated and numbered in pencil Printer: Rebekah Wilhelm, Zygote Press, Cleveland Created at Zygote Press, Cleveland, 2015, while the artist was an Artist in Residence. Exhib...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Drypoint

  • René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I
    By Charles Meryon
    Located in Middletown, NY
    Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...
    Category

    Mid-19th Century French School Portrait Prints

    Materials

    Laid Paper, Etching, Drypoint, Engraving

Recently Viewed

View All