Donald Sultan

Poppies Coral

2011

Carole Feuerman's prints are an extension of her fascination with swimming and water. This piece feature clusters of swimsuits, free of their practical use and presented as objects t...

Medium: Silkscreen on canvas covered with with diamond dust Edition 8 of 10. White frame Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s. She is the only woman to sculpt in this style. Her career is highlighted by iconic figurative works of swimmers and dancers. She has been included in exhibitions at the Smithsonian Institution’s National Portrait Gallery; the State Hermitage Museum in St. Petersburg, Russia; the Venice Biennale; and Palazzo Strozzi Palace in Florence, Italy, among others. Growing up in New York, Feuerman was deterred from being an artist. She attended Hofstra University, Temple University, and graduated from the school of Visual Arts in New York City to begin her career as an illustrator. During the early 1970s she went by the artist’s name Carole Jean, illustrating for The New York Times and creating album covers for Alice Cooper and the Rolling Stones. In 1981, Feuerman was chosen by a jury at the Heckscher Museum in Long Island where she exhibited. After this she was invited to participate in the ‘Learning through the Arts Program’ at the Guggenheim Museum. Feuerman received the Charles D. Murphy Sculpture Award in 1981. In 1982 she received the Amelia Peabody Award for sculpture. In 2016, she received Best in Show Award for her sculpture ‘Mona Lisa’ by the Huan Tai Museum. The sculpture was acquired for their permanent collection. Feuerman has also been awarded the Medici Prize by the City of Florence, First Prize at the Beijing Biennale, and the Austrian Biennale, and in 2008 she received First Prize in the Olympic Fine Art exhibition in Beijing. The piece was acquired by the Olympic Museum. She has taught, lectured, and given workshops at the Metropolitan Museum of Art and the Solomon Guggenheim Museum. In 2011, she founded the Carole A. Feuerman Sculpture Foundation. Her artworks are owned by eighteen museums, as well as in the collections of the City of Peekskill, New York, the City of Sunnyvale California, President and Senator Hillary Rodham Clinton, the Frederick R. Weisman Art Foundation, Dr. Henry Kissinger, the Mikhail Gorbachev Art Foundation, Mr. Steven A. Cohen, Alexandre Grendene Bartelle, and the Malcolm Forbes Magazine Collection...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Neill Wright is a multidisciplinary artist based in Johannesburg, South Africa. His satirical work braves the world of social commentary in a bold, colorful and humorous manner. Wrig...

Mini Summer Treats Triptych by Gavin Dobson Consists of Mini 99 Reasons Mini Cornetto Mini Rocket Each piece is individually £60 Each piece is individually H21cm x W14.8cm x D0.2c...

Edward Hopper’s Dog – Nighthawks by Mychael Barratt [2021] limited edition Silkscreen print Edition of 100 Image size: H:50 cm x W:68 cm Complete Size of Unframed Work: H:67 cm x...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf.

AS FAR AS A VIEW, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight us, and bring us into our own world, we seek something that stirs within us a memory or a dream. Traditionally, tapestries are a storytelling media as well as décor. This particular work is constructed from commercially printed tapestries acquired from a Chinese supplier during the pandemic. These tell a story of arrested, yet ample, desire. On one side of the piece we see a sunrise from a beach with palm trees. Gently folded over to the right is a second tapestry. In this the artist has chose to expose the desaturated backside which obscures slightly the third tapestry landscape of beach scene around midday. It brings to mind the passage of time much like time lapse photography...

AS FAR AS A VISTA, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight ...