Katsunori Hamanishi

GAME-WORK #20

c. 1984

KATSUNORI HAMANISHI (b.1949) SITUATION X (S. 32) Mezzotint Signed, titled and numbered 6/90 in pencil. 13 1/4 x 11 5/8 inches, sheet 18 1/4 x 14 1/2 inches. Excellent condition. She...

BLANCHE LAZZELL (1878 – 1956) STAR PHLOX 1930 Color Woodcut in the single block Provincetown method. Signed and titled and with an annotation “Wood Block Print “Star Phlox” 280 no...

AMERICAN REVOLUTION - (Attributed to Richard Brookshaw) JOHN PAUL JONES Commander of a Squadron in the Service of THE THIRTEEN UNITED STATES OF NORTH AMERICA, 1779 (Creswell LC1...

DR. ROBERT JOHN THORNTON (circa 1768- 1837) THE DRAGON ARUM, 1801 (Dunthorne plate 161, pg. 250 i/iii; Nissen 1 955) Mezzotint printed in Payne's grey...

(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851) THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...

JOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...

This mezzotint from 1984 is an excellent example of this difficult medium. Signed, titled and numbered, from the edition of 75. Wax is recognized as a master of the mezzotint techni...

"The Fern Gatherers" After a painting by George Morland. 1763-1804. - Mezzotint engraving by John Raphael Smith. 1752-1812. Print: 20.75" x 26" - With Frame: 28" x 33.5" Published:...

"The Country Stable" After a painting by George Morland. 1763-1804. - Mezzotint engraving by William Ward. 1766-1826. Print: 20.75" x 26" - With Frame: 28.5" x 34" Published: March...

Edition of 25, signed, numbered AGNIESZKA LECH-BIŃCZYCKA Graduated from University of Rzeszów in a field of Artistic Education with specialisation in g...

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First ...

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...