Etching Still-life Prints
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Medium: Etching
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
Located in Columbia, MO
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Fig-marigold Showy, Mesembryanthem spectabile Plate 396
Located in Columbia, MO
Fig-marigold Showy, Mesembryanthem spectabile Plate 396
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
------- Pyramidal, ------- Pyramidalis Plate 366
Located in Columbia, MO
—–---Pyramidal, -------Pyramidalis Plate 366
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Corn-flag Copper coloured, Gladiolus securiger Plate 383
Located in Columbia, MO
Corn-flag Copper coloured, Gladiolus securiger Plate 383
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
------- Shining-leaved, Salvia formosa Plate 376
Located in Columbia, MO
—– Shining-leaved, Salvia formosa Plate 376
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Vervain Three-leaved, Verbena triphylla Plate 367
Located in Columbia, MO
Vervain Three-leaved, Verbena triphylla Plate 367
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Marvel of Peru Common, Mirabilis jalapa Plate 371
Located in Columbia, MO
Marvel of Peru Common, Mirabilis jalapa Plate 371
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
Located in Columbia, MO
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Craggula Tree, Crassula cotyledon Plate 384
Located in Columbia, MO
Craggula Tree, Crassula cotyledon Plate 384
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Brunfelsia American, Brunfelsia americana Plate 393
Located in Columbia, MO
Brunfelsia American, Brunfelsia americana Plate 393
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
Located in Columbia, MO
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Toad-flax Clammy, Antirrhinum viscosum Plate 368
Located in Columbia, MO
Toad-flax Clammy, Antirrhinum viscosum Plate 368
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
Heath Recurved, Erica retorta Plate 362
Located in Columbia, MO
Heath Recurved, Erica retorta Plate 362
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Etching Still-life Prints
Materials
Etching
After the Storm, Limited Edition Print, Landscape Etching Print in Greens
Located in Deddington, GB
After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...
Category
2010s Contemporary Etching Still-life Prints
Materials
Archival Paper, Etching, Aquatint
Aria II, Rosie Emerson, Limited Edition Print, Affordable Artwork, Still Life
Located in Deddington, GB
‘Aria’, the accompanied solo performance in an Opera, also means Air in Italian is a fitting title for these brand new ethereal works, they work well in pairs or a set of three. The ...
Category
21st Century and Contemporary Expressionist Etching Still-life Prints
Materials
Paper, Etching
Neula, Forest Art, Landscape, Black and White Woodland Art, Monochrome Artwork
By Sarah Duncan
Located in Deddington, GB
Neula is a limited edition signed etching print on paper by Sarah Duncan of a black and white snowy forest in the winter with the trees bare and snow on the ground. This work is in a...
Category
21st Century and Contemporary Minimalist Etching Still-life Prints
Materials
Paper, Etching
Still Life with Lobster - 1945 - Etching and Aquatint in Colours - Cubism
Located in London, GB
PABLO PICASSO 1881-1973
Málaga 1881-1973 Mougins (Spanish)
Title: Still Life with Lobster Nature morte à la langouste, 1945
Technique: Hand Signed and Numbered Etching and Aquatint in Colours on BFK Rives Wove Paper
Paper size: 36.5 x 53.8 cm. / 14.3 x 21.2 in.
Image size: 27 x 46 cm. / 10.6 x 18.1 in.
Additional Information: This work is hand signed in pencil by the artist "Picasso" at the lower right margin.
It is also hand numbered from the edition of 100, at the lower left corner.
The work was printed in the 1945 in a limited edition of 100 impressions and published by Atelier Lacourière, Paris.
It is additionally inscribed in pencil “gravé et imprimé par Lacourière Paris 1945” [Engraved and printed by Lacourière, Paris 1945].
This etching and aquatint is based after Picasso oil painting...
Category
1940s Cubist Etching Still-life Prints
Materials
Etching, Aquatint
Key Collection, Minimalist Print by Sondra Mayer
Located in Long Island City, NY
Artist: Sondra Mayer
Title: Key Collection
Year: 1979
Medium: Etching and aquatint, signed and numbered in pencil
Edition: 41/250
Image Size: 14 x 18 inches
Paper Size: 22 in. x 26 ...
Category
1970s Minimalist Etching Still-life Prints
Materials
Etching, Aquatint
Tennis tree
Located in Ljubljana, SI
Tennis tree. Original color etching and aquatint, unknown year. Edition of 150 signed and numbered impressions on Arches paper.
Jean-Michel Folon was a Belgian contemporary artist, i...
Category
Late 20th Century Post-Modern Etching Still-life Prints
Materials
Etching, Aquatint
Forwards!, Penguin Art, Contemporary Mononchrome Animal Art, Black and White Art
Located in Deddington, GB
Original Print, hand made and hand printed by the artist. A penguin on a mission, a gentoo penguin striding along in the indomitable way a penguin does.
Helen Fay is available online and in our gallery at Wychwood Art. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert. I have long been a fan of Munch for his direct markmaking, colour and intensity and at the other end of the spectrum, Hammershoi for his limited palette, sense of space and calm. I am interested in black and white photography and film and have recently discovered and been amazed by the films of Yasujiro Ozu. The photographs of Andrei Tarkovsky are favourites too. Lastly, I would like to namecheck a great influence in natural history illustration...
Category
21st Century and Contemporary Contemporary Etching Still-life Prints
Materials
Paper, Etching
Cardoon, Still Life Art, Floral Art, Pink and Green Print, Representative Art
Located in Deddington, GB
Vicky Oldfield artist and printmaker, ‘Cardoon’ is a hand coloured collagraph print, the print is taken from a plate which has been collaged with a variety of textured materials. The...
Category
21st Century and Contemporary Contemporary Etching Still-life Prints
Materials
Ink, Etching, Paper, Intaglio
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016)
Flowers, Flowers in a Vase, Etching.
1979/1980,
Hand signed, dated l.r.,
Hand numbered from small edition 12/24,
Dimensions: 23 by 19 in. Framed 25 by 21 in
Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
Category
1980s American Modern Etching Still-life Prints
Materials
Etching
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016)
Flowers, Flowers in a Vase, Etching.
1979/1980,
Hand signed, dated l.r.,
Hand numbered from small edition 12/24,
Dimensions: 23 by 19 in. Framed 25 by 21 in
Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
Category
1980s American Modern Etching Still-life Prints
Materials
Etching
Fresno Basket
Located in San Francisco, CA
Artist: Beth Van Hoesen – American (1926- 2010)
Title: Fresno Basket
Date: 1974
Medium: Color etching
Image Size: 12.25 x 12.75 inches
Framed size: 23 x 22.25 inches
Signature: signe...
Category
1970s Realist Etching Still-life Prints
Materials
Color, Etching
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016)
Flowers, Flowers in a Vase, Etching.
1979/1980,
Hand signed, dated l.r.,
Hand numbered from small edition 12/24,
Dimensions: 23 by 19 in. Framed 25 by 21 in
Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
Category
1980s American Modern Etching Still-life Prints
Materials
Etching
Untitled (Still Life)
Located in Fairlawn, OH
Untitled (Still Life)
Etching, aquatint and soft ground, 2001
Signed in pencil (see photo)
Edition: 260
Published by the Print Club of Cleveland, Publication 80, 2002
Printed by Felix Harlan at Harlan and Weaver, New York
William Bailey, Modernist Figurative Painter, Dies at 89
He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery.
The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey
By William Grimes for the New York Times
April 18, 2020
William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89.
His death was confirmed by his daughter, Alix Bailey.
Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art.
In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery.
His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than
“They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979.
Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air.
The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.”
But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.”
William Harrison Bailey was born on Nov. 17, 1930, in Council Bluffs, Iowa. His father, Willard, worked in radio advertising and moved the family from city to city in the Midwest. Bill was in his early teens when his father died. His mother, Marjorie (Cheyney) Bailey, was a homemaker who later worked as an accountant for her second husband, Fred...
Category
Early 2000s Contemporary Etching Still-life Prints
Materials
Etching
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016)
Flowers, Flowers in a Vase, Etching.
1979/1980,
Hand signed, dated l.r.,
Hand numbered from small edition 12/24,
Dimensions: 23 by 19 in. Framed 25 by 21 in
Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
Category
1980s American Modern Etching Still-life Prints
Materials
Etching
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016)
Flowers, Flowers in a Vase, Etching.
1979/1980,
Hand signed, dated l.r.,
Hand numbered from small edition 12/24,
Dimensions: 23 by 19 in. Framed 25 by 21 in
Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
Category
1980s American Modern Etching Still-life Prints
Materials
Etching
Salvador Dali - Venus in Furs - Original Stamp-Signed Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Original Etching
Stamp signed by Dali
Edition of 294 copies.
Paper : Arches vellum.
Dimensions : 16x12".
Catalogue Raisonné : Field 68-6 (p. 40-41).
Salvador Dal...
Category
1960s Surrealist Etching Still-life Prints
Materials
Etching
Zen Minimalist Flowers Etching American Modernist Ed Baynard Pop Art Print
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016)
Flowers, Flowers in a Vase, Etching.
1979/1980,
Hand signed, dated l.r.,
Hand numbered from small edition 12/24,
Dimensions: 23 by 19 in. Framed 25 by 21 in
Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
Category
1980s American Modern Etching Still-life Prints
Materials
Etching
Salvador Dali - The Winged Demon - Original Stamp-Signed Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Winged Demon - Original Stamp-Signed Etching
Stamp signed by Dali
Edition of 294 copies.
Paper : Arches vellum.
Dimensions : 16x12"....
Category
1960s Surrealist Etching Still-life Prints
Materials
Etching
Zen Minimalist Flowers Aquatint Etching American Modernist Ed Baynard Pop Art
By Ed Baynard
Located in Surfside, FL
ED BAYNARD (American, 1940-2016)
Flowers, Flowers in a Vase, Aquatint Etching.
1979/1980,
Hand signed, dated l.r.,
Hand numbered from small edition 12/24,
Dimensions: 23 by 19 in. Framed 25 by 21 in
Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...
Category
1980s American Modern Etching Still-life Prints
Materials
Etching
Graines en Folies (Crazy Seeds), by Francois Houtin
Located in Palm Springs, CA
Signed, titled and numbered by the artist, edition of 30. Imaginary topiary and garden scenes, with incredibly fine line work in the etching in this image of a suspended garden. Oth...
Category
1970s Contemporary Etching Still-life Prints
Materials
Etching
Arbre sans titre, by Francois Houtin
Located in Palm Springs, CA
Signed, titled and numbered in pencil, 3/50. Imaginary topiary and garden scene, with incredibly fine line work in the etching.
François Houtin was born in Craon en Mayenne, France...
Category
1970s Contemporary Etching Still-life Prints
Materials
Etching
Still Life - Etching by Leo Guida - 1976
By Leo Guida
Located in Roma, IT
Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original screen print on cardboard
Hand-signed on the lower right in pencil ...
Category
1970s Contemporary Etching Still-life Prints
Materials
Etching
Still Life - Etching by Leo Guida - 1976
By Leo Guida
Located in Roma, IT
Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original screen print on cardboard, in an attractive portfolio.
Signed on p...
Category
1970s Contemporary Etching Still-life Prints
Materials
Etching
After All by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered from the edition of 15. Japanese still life of flowers and vase. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilities. Young women and their relationships to shoes, food, and fashion provide much of Hiratsuka’s subject matter. Another group of his prints focus on landscape, flowers, and floral patterns.
Hiratsuka’s graphic work has been exhibited in the Americas, Europe and Asia. He has received numerous awards in international competitions. During the last four years he has had 14 solo shows in the United States, and international solo shows in Gabrovo, Bulgaria, Munich, Germany and Geneva, Switzerland.
Partial list of public collections:
The British Museum, UK
Tokyo Central Museum, Japan
Panstwowe Museum, Poland
The House of Humor and Satire, Bulgaria
Cincinnati Art...
Category
2010s Contemporary Etching Still-life Prints
Materials
Etching, Aquatint
Arbitrary Sprinkles
Located in Palm Springs, CA
Signed, titled, and numbered from the edition of 15. Large multi-layer cake with sprinkles. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilities. Young women and their relationships to shoes, food, and fashion provide much of Hiratsuka’s subject matter. Another group of his prints focus on landscape, flowers, and floral patterns.
Hiratsuka’s graphic work has been exhibited in the Americas, Europe and Asia. He has received numerous awards in international competitions. During the last four years he has had 14 solo shows in the United States, and international solo shows in Gabrovo, Bulgaria, Munich, Germany and Geneva, Switzerland.
Partial list of public collections:
The British Museum, UK
Tokyo Central Museum, Japan
Panstwowe Museum, Poland
The House of Humor and Satire, Bulgaria
Cincinnati Art Museum, OH
Jundt Art Museum, WA
The Portland Art Museum...
Category
2010s Contemporary Etching Still-life Prints
Materials
Etching, Aquatint
Still Life Fresco - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Campana in the 18th Century.
Signed on the plate.
Good conditions with slight foldin...
Category
18th Century Modern Etching Still-life Prints
Materials
Etching
Still Life Fresco - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Campana in the 18th Century.
Signed on the plate.
Good conditions.
The etching belo...
Category
18th Century Modern Etching Still-life Prints
Materials
Etching
Moon Glow, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table, with a large glowing orange moon in the backgrou...
Category
2010s Contemporary Etching Still-life Prints
Materials
Etching, Aquatint
Still Life with Eleven Objetcs in a Sphere - Etching by Giorgio Morandi - 1942
Located in Roma, IT
Still life with eleven objetcs in a sphere (Original Italian title: Natura morta in un tondo) is an etching realized by Giorgio Morandi (1890-1964) in 1942.
Hand numbered Edition 5...
Category
1940s Modern Etching Still-life Prints
Materials
Etching
Salvador Dali - The Lane of the Birches - Original Stamp-Signed Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Lane of the Birches - Original Stamp-Signed Etching
Stamp signed by Dali
Edition of 294 copies.
Paper : Arches vellum.
Dimensions : 16x12".
Catalogue Raisonné ...
Category
1960s Surrealist Etching Still-life Prints
Materials
Etching
Etel Adnan, Compotier 111, etching, signed, 2015
By Etel Adnan
Located in London, GB
Etching with extensive hand colouring, 2015, signed, dated ‘14 and numbered ‘II’, aside from the edition of 15 black and white etchings, published by Gallerie Lelong, Paris, 38 × 56 ...
Category
21st Century and Contemporary Impressionist Etching Still-life Prints
Materials
Etching, Pastel
Kate Boxer, I Won't Eat You, Limited edition animal print, contemporary art
Located in Deddington, GB
I Won’t Eat You [2021]
limited_edition
Drypoint print
Edition number of 30
Image size: H:81 cm x W:113 cm
Complete Size of Unframed Work: H:92 cm x W:122 cm x D:0.1cm
Sold Unframed
...
Category
21st Century and Contemporary Contemporary Etching Still-life Prints
Materials
Drypoint, Etching, Paper
Still Life - Etching by Leo Guida - 1976
By Leo Guida
Located in Roma, IT
Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original screen print on cardboard
Hand-signed on the lower right in pencil ...
Category
1970s Contemporary Etching Still-life Prints
Materials
Etching
Still Life - Etching by Leo Guida - 1976
By Leo Guida
Located in Roma, IT
Still Life is a artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017).
Original screen print on cardboard, in an attractive portfolio.
Signed on pl...
Category
1970s Contemporary Etching Still-life Prints
Materials
Etching
Oil Lamp With Heads of Animals - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Oil Lamp With Heads of Animals from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De Grado in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy).
It was published between 1757 and 1792 by the Regia Stamperia, and copies were delivered to selected recipients across Europe.
Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici.
The Bourbon King Carlo appointed fifteen scholars creating a new “Herculaneum Academy” to study the artifacts and publish the results of the archaeological excavations of the sites.
The engravings are of high quality and the accompanying text shows a large scholarship.
They were realized by 25 prominent artists involved by the King to prepare drawings and engravings on the finds, among which we can find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli, and Giovanni Battista Casanova.
The “Antiquities” was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research., following and increasing the interest of 18th-century society for the classical culture and Art in particular.
Through the exaltation of the classical concept of proportions and harmony, the book was of inspiration to the neoclassical movement in Europe, giving artists and decorators access to a huge shop of Hellenistic motifs.Oil Lamp With Animals...
Category
18th Century Old Masters Etching Still-life Prints
Materials
Etching
Flowers - Etching by Mauro Chessa - 1982
Located in Roma, IT
Flowers is an etching realized by Mauro Chessa in 1982.
Hand-signed and numbered. Edition of 100 prints.
Good conditions.
The artwork is realized through harmonious colors in a be...
Category
1980s Contemporary Etching Still-life Prints
Materials
Etching
Salvador Dali - The Negresses - Original Stamp-Signed Etching
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Original Etching
Stamp signed by Dali
Edition of 294 copies.
Paper : Arches vellum.
Dimensions : 16x12".
Catalogue Raisonné : Field 68-6 (p. 40-41).
Category
1960s Surrealist Etching Still-life Prints
Materials
Etching
Oil Lamp With Medusa, Cupid - Etching by Francesco Giomignani - 18th Century
Located in Roma, IT
Oil Lamp With Medusa, Cupid and Poseidon from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Giomignani in the 18th Century.
Signed on the plate.
Good c...
Category
18th Century Old Masters Etching Still-life Prints
Materials
Etching
The Still Life - Etching by Riccardo Tommasi Ferroni - 1983
Located in Roma, IT
The Still Life is an etching artwork realized by the Italian artist Riccardo Tommasi Ferroni (1934-2000), in 1983.
Hand-signed on the lower right margin.
Dated and Numbered on th...
Category
1980s Modern Etching Still-life Prints
Materials
Etching
Temple With Sphinx - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Temple With Sphinx from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De Grado in the 18th Century.
Signed on the plate.
Good conditions and aged with som...
Category
18th Century Old Masters Etching Still-life Prints
Materials
Etching
Roman Temple With Shepard - Etching by Giussepe Aloja - 18th Century
Located in Roma, IT
Roman Temple With Shepard from "Antiquities of Herculaneum" is an etching on paper realized by Giussepe Aloja in the 18th Century.
Signed on the plate.
Good conditions and aged wit...
Category
Late 18th Century Old Masters Etching Still-life Prints
Materials
Etching
Roman Style Still - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Style Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions and aged with some...
Category
Late 18th Century Old Masters Etching Still-life Prints
Materials
Etching
Still Life with Red Peppers - Etching by Enotrio Pugliese - 1960s
Located in Roma, IT
Still Life with Red Peppers is an Etching realized by Enotrio Pugliese in the 1960s.
Hand-signed by the artist on the lower.
Numbered, Limited edition of 11/11prints.
Good conditi...
Category
1960s Contemporary Etching Still-life Prints
Materials
Etching
Oil Lamp - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp is an Etching realized by Giovanni Battista Casanova (1735-1810).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Late 18th Century Old Masters Etching Still-life Prints
Materials
Etching
Tragic Mask Pompeian Style - Original Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Tragic Mask Pompeian Style from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions.
The etch...
Category
Late 18th Century Old Masters Etching Still-life Prints
Materials
Etching
Etching still-life prints for sale on 1stDibs.
Find a wide variety of authentic Etching still-life prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, William Curtis, Valton Tyler, and Leo Guida. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching still-life prints, so small editions measuring 0.1 inches across are also available