20th Century Still-life Prints
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Period: 20th Century
Salvador Dali - Currant's Reverence - Original Hand-Signed Lithograph
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Currant's Reverence - Original Hand-Signed Lithograph
Dimensions: P. 57 x 37 cm
Sheet: 75 x 56 cm
Handsigned
Edition: XIV/XXXV
Lithograph with drypoint in colours, 1...
Category
Surrealist 20th Century Still-life Prints
Materials
Lithograph
Dracena II
Located in New York, NY
Printer: Gemini, G.E.L., Los Angeles
Publisher: Gemini, G.E.L., Los Angeles
Catalogue raisonné: Axsom 213
Edition size: 30, plus proofs
Signed and numbered in pencil, lower right
Category
Minimalist 20th Century Still-life Prints
Materials
Lithograph
Aaron Fink, Cocktail Cherry Woodcut
By Aaron Fink
Located in Surfside, FL
Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins.
In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers...
Category
Modern 20th Century Still-life Prints
Materials
Woodcut
Vase of Flowers with Cherry bole (After)
By Marc Chagall
Located in New York, NY
Chagall (After) offset lithograph, printed in circa 1970.
Signed in the plate, numbered in pencil 448/500.
Category
Modern 20th Century Still-life Prints
Materials
Lithograph, Offset
Journey
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Surrealist 20th Century Still-life Prints
Materials
Rag Paper, Etching
Music Box
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Surrealist 20th Century Still-life Prints
Materials
Rag Paper, Etching, Aquatint
Pillow Machine
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Surrealist 20th Century Still-life Prints
Materials
Rag Paper, Etching, Aquatint
Night Shift
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Surrealist 20th Century Still-life Prints
Materials
Rag Paper, Etching, Aquatint
Heritage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Outsider Art 20th Century Still-life Prints
Materials
Rag Paper, Etching, Aquatint
Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Outsider Art 20th Century Still-life Prints
Materials
Etching, Aquatint, Rag Paper
Still Life
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Outsider Art 20th Century Still-life Prints
Materials
Rag Paper, Etching
World of Watermelons
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category
Outsider Art 20th Century Still-life Prints
Materials
Rag Paper, Etching, Aquatint
Leaf IV
Located in New York, NY
Portfolio: Twelve Leaves
Printer and Publisher: Gemini, G.E.L., Los Angeles
Edition size: 20, plus proofs
Signed, titled, and numbered in pencil, lower right
Catalogue Raisonné: Axso...
Category
Contemporary 20th Century Still-life Prints
Materials
Lithograph
Freezing Point
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
Outsider Art 20th Century Still-life Prints
Materials
Rag Paper, Etching
The Oval Office
Located in Long Island City, NY
Artist: Roy Lichtenstein
Title: The Oval Office (C. 277)
Year: 1992
Medium: Screenprint on Rives, signed, dated and numbered in pencil
Edition: 17/175
Image: 30 x 39.25 inches
...
Category
Pop Art 20th Century Still-life Prints
Materials
Screen
Flowers FS II.70, 1970
By Andy Warhol
Located in New York, NY
Andy Warhol
Flowers (FS II.70), 1970
silkscreen on paper
36 x 36"
ed. of 250
signed in ball point pen and numbered with a rubber stamp on verso
Category
Pop Art 20th Century Still-life Prints
Materials
Archival Ink
Folded Flag
By Mark Adams
Located in San Francisco, CA
Born in Fort Plains, N.Y., Mark Adams (1925 - 2006) went on to attend Syracuse University, but left before graduation to study abstract art in New York with...
Category
Contemporary 20th Century Still-life Prints
Materials
Lithograph
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