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Terence Millington
Terence Millington (b.1943) - Contemporary Aquatint, The Shovel

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  • Still Life with Skull
    By (after) Pablo Picasso
    Located in London, GB
    PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Still Life with Skull Nature morte au crâne, ca. 1960 Technique: Hand Signed and Numbered Aquatint in Colours on...
    Category

    1960s Cubist Still-life Prints

    Materials

    Aquatint

  • BROOKSHAW. A Pair of Melons: White Seed'd Rock and Silver Rock Mellon
    By George Brookshaw
    Located in London, GB
    Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...
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    1810s Naturalistic Still-life Prints

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    Aquatint, Handmade Paper, Engraving

  • THORNTON. Group of Carnations
    By Dr. Robert John Thornton
    Located in London, GB
    Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First ...
    Category

    1790s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper, Aquatint, Mezzotint

  • THORNTON. The Roses
    By Dr. Robert John Thornton
    Located in London, GB
    Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...
    Category

    1790s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper, Mezzotint, Aquatint

  • THORNTON. The Tulips.
    By Dr. Robert John Thornton
    Located in London, GB
    Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...
    Category

    1790s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper, Aquatint, Mezzotint

  • THORNTON. The Superb Lily.
    By Dr. Robert John Thornton
    Located in London, GB
    A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
    Category

    1790s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper, Aquatint, Mezzotint

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