Hans (Jean) Arp

Rare Large Hans Jean Arp Sculpture Relief ed. of 5

1962

This piece is unsigned. Irving Lehman (1900-1983) was an American Jewish painter, sculptor, engraver, and designer. Born in Kiev in then Russia, Lehman studied at the Art Students League, Cooper Union and the National Academy of Art and spent much of his working life in New York City. Part of the Abstract Expressionist school, he worked in oil and watercolor as a painter and in metal and steel as a sculptor; his works have been shown in galleries in England, France, Italy, Israel and Japan, and were included in an international traveling exhibition in Europe in 1951. Like many other artists of his generation, he painted for the WPA and then adopted a more abstract style after WWII. Lehman spent much of his career in NYC. He had his first exhibition at ACA Gallery in 1934. He also exhibited at the Whitney, National Academy, PAFA, Brooklyn Museum, Chicago Art Institute, and others. This work contains Constructivist elements anticipating the more gestural abstraction of the post-WWII New York Abstract Expressionist School. Member of American Art Congress, worked near Woodstock and in Columbia County...

Asger Jorn (1914-1973) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. Les Emigrants 132 x 98 inches, Pure ...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

George Snyder (American, b.1951) Acrylic painting on canvas tubular sculpture Abstract composition of blue, purple, orange, red, yellow, and black geome...

Melanie Yazzie (1966-) Pollen Keeper II (maquette) Powder-coated metal, 2008 Hand signed, titled, dated and numbered 2/30, attributed, titled, dated and numbered again to paper label Mounted to a white composition plinth Provenance: The Freund Family Collection Melanie Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder. Yazzie was born in 1966 in Ganado, Arizona, United States. She is Navajo of the Áshįįhí, born for Tó Dichʼíinii. She grew up on the Navajo Nation. Although she grew up on the Navajo Nation, Melanie Yazzie is of the Salt Water Clan born for the Bitter Water Clan. She first studied art at the Westtown School in Pennsylvania. Yazzie earned a BA in Studio Art with a minor in Spanish from Arizona State University in 1990 and an MFA in printmaking from the University of Colorado at Boulder in 1993. Melanie Yazzie works a wide range of media that include printmaking, painting, sculpting, and ceramics, as well as installation art. Her art is accessible to the public on many levels and the main focus is on connecting with people and educating people about the contemporary status of one indigenous woman and hoping that people can learn from her experience. Her subject matter is significant because the serious undertones reference native postcolonial dilemmas. Melanie's work focuses primarily on themes of indigenous people. Her work often brings images of women from many indigenous cultures to the forefront. Thus her work references matrilineal systems and points to the possibility of female leadership. Yazzie is known for her multilayered monotype prints that focus on storytelling and reflect her dreamtime friends and companions. The works are filled with colors and textures that reflect different world. The works are made with stencils and often she is printing with soy based inks called Akua inks that are safe for the artist and the environment. The works most often are printed on Arches 88 due to the absorbing quality of that 100% rag paper. It is a fine art paper made in France and very soft to the touch. It is a paper designed originally for screen printing but is the perfect surface for many of the works Yazzie creates. The works often are monotypes as opposed to monoprints. So the works are a one of a kind work of art and not made in multiples. She is a Professor and Head of Printmaking at the University of Colorado at Boulder. She teaches printmaking courses and travels extensively to indigenous communities within the United States and abroad. She can always be found through the University of Colorado Art and Art History Department. In addition to teaching at the Institute of American Indian Arts, the College of Santa Fe (now Santa Fe University of Art and Design), Boise State University, and the University of Arizona, Yazzie has taught at the Pont Aven School of Contemporary Art in France. Yazzie has led over 100 international print exchanges over a 20-year time period. Many of these exchanges include artists from Siberia, Japan, New Zealand, Australia, Canada, Mexico, and Germany. In 2012, the Denver Art Museum welcomed Yazzie as artist-in-residence, making her the first in the Native Arts department. A selection of major exhibitions from the 1990s to present include "Between Two Worlds" (2008) at Arizona State University, "Traveling" at the Heard West Museum (2006), "About Face: Self-Portraits by Native American, First Nations, and Inuit Artists" at the Wheelwright Museum (2005), "Making Connections" (2002) in Bulova, Russia, "Navajo in Gisborne" (1999) in Gisborne, New Zealand and "Watchful Eyes" (1994) at the Heard Museum. In September 2013 she co-curated the exhibition "Heart Lines: Expressions of Native North American Art" in Colorado University Art Museum, partially based on her private collection and including her work "Pollen Girl". Artists featured: Norman Akers, Maile Andrade, Kenojuak Ashevak, Pitseolak Ashoona, Corwin Clairmont, Jimmie Durham...

A very heavy, massive bronze sculpture by an important Chicago sculptor. Signed and marked "Firenze" with "Fuse Marinelli". METROPOLIS. Seven abstract shapes on black marble base. 1...

The sculptures of Damon Hyldreth appear both static and fluid, rigid and flexible, strong and smooth, effectively blurring the line between nature and structure. By crafting organic forms from an obviously man-made metal, Hyldreth creates a unique symbiosis between nature and structure, unifying the sculpture and the surroundings through the free-flowing energy and architecture of his artworks. Keeping in mind the intimate connection between artists and their tools, Hyldreth studies the potential energies of his metals and coaxes out exquisite forms and natural power. Using mainly stainless steel, as well as the occasional bronze and Cor-ten steel, Hyldreth allows his materials to dictate their final shape and become an ultimate collaboration between man and matter. The evocative forms subliminally draw the audience in, giving every viewer a deeply personal experience. In 2004 Damon received his BFA in Sculpture from San Francisco Art Institute in San Francisco, CA. Public and private installations of Hyldreth’s work include the town of Palm Desert, CA, the Four Seasons Hotel in Hong Kong, The W Hotel in Taipei, Taiwan, Trump Hollywood, Hollywood, FL Neiman Marcus, Houston, TX, Soffitel Hotel, Los Angeles, CA and the Westminster Bridge Park Plaza...

Intense, dynamic color radiates from this suspended sculpture made up of 3 intertwined spiral arrays. Color shifting dichroic glass within the polished stainless frames creates an e...

DOUBLE HELIX can suspended from a ceiling or from a semi circular tension bar as shown here. The dichroic glass shifts color from different points of vie...

I grew up in the high mountain desert of Northern New Mexico the son of an artist and an Inventor/engineer. My childhood was filled with amazement and curiosity which I have worked h...

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

I grew up in the high mountain desert of Northern New Mexico the son of an artist and an Inventor/engineer. My childhood was filled with amazement and curiosity which I have worked h...