Bronze Abstract Sculptures

Bronze on a slate composite base Unique variation in a series Stamped with monogram signature and numbered 275B Natural bronze has a translucent golden patination before lacquering t...

Bronze Edition of 9 Stamped with monogram signature and uniquely numbered 393, 5/9 The natural bronze edges are finely rubbed before lacquering for protection and to prevent natural ...

Series of individual variations Bronze freely rotating on a spalted beech base Stamped with monogram signature and uniquely numbered 579A Rotation allows...

Bronze on a MDF base with LED light Unique Stamped with monogram signature and uniquely numbered 388 The LED light has a driver operating between 100 and 240 volts. The power lead i...

Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultural anthropology. After receiving a master...

Born and raised in Detroit, Michigan, Danette Landry was a longtime resident of California before moving to Paris to pursue studies in cultural anthropology. After receiving a master...

Bronze on a Laburnum wood base Series of unique variations Stamped with monogram signature and uniquely numbered 665A The main patinated body is heavily textured and derived from ero...

Bronze Series of variations Stamped with monogram signature and uniquely numbered 681A The natural bronze elements of this sculpture are finely rubbed and lacquered clear Weight: 4....

Bronze on a Forest of Dean stone base. Series of unique variations. Stamped with monogram signature and uniquely numbered 656A on base of bronze. The bronze pieces have brushed edges...

Unique Bronze freely rotating on a scorched yew base Stamped with monogram signature and uniquely numbered 561A The natural bronze ends of the ring are finely rubbed and lacquered. W...

This pair of bronze sculptures by Catherine Lee, from 1995, is a minimalist abstract that would work well in any contemporary space. Artist:...

E Tu (Stand Tall), contemporary Maori sculpture, green patina, warrior figure Wi Te Tau Pirika Taepa (born 1946, in Wellington) is a New Zealand ceram...

Pradip Mondal - Nature (II) - 15 x 15 inches Medium - Wood & Bronze Single edition. About the Artist and his work : Born : 1977 in West Bengal. Education : 2001-02 : BVA (Modellin...

Brand New Sculpture. It weighs 2 kg and it is handmade out of solid bronze metal. The perfect gift for a new home. Many customers place these ants upon offic...

Andrew Hayes grew up in Tucson, Arizona and studied sculpture at Northern Arizona University. The desert landscape inspired much of his early sculptural work and allowed him to culti...

a strikingly expressive bronze sculpture by contemporary Italian marble and bronze sculptor Lorenzo Vignoli RELAZIONI ( AMORE II ) by Lorenzo Vignoli (2010) 17inch W x 14inch H x...

Edition 3 of 12, signed "R Holmes 3/12" on back edge of kneeling figure, and "Kneeling 3/12" on underside of base. Robert Holmes's sculpture has been exhibited over the past thirt...

Mexican contemporary art, geometric, abstract, unique piece.

Eran Shakine Chair 2014 Bronze Sculpture He was born in 1962 in Israel to a French father and Hungarian mother. He has lived in Paris, London and for seven years in New York City, wh...

Oh, by John Reeves, rotating, bronze, sculpture, shape shift, granite, edition Oh, John Reeves rotating, bronze, sculpture, shape shift, granite, edition Oh, rotating bronze sculpt...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

What would a perfect future look like and how would it be represented for future generations to examine and question? What would we choose to preserve from high art and mainstream cu...

Leopoldine by Eric de Dormael, Galerie Negropontes in Paris, France. One of a kind sculpture in bronze Éric de Dormael is an unconventional artist, his trajectory far from the beate...

Pair of Bronze Sculptures RED: 13.5 x 3.25 x 5 in (35 x 8.25 x 12.7 cm) BLACK: 13.5 x 2.75 x 1 in (35 x 2.5 x 7 cm) Born in Thessaloniki, Greece, Kostis Georgiou studied s...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

Pair of Bronze sculptures 7 x 9.5 x 2 in 18 x 24 x 5 cm Available in RED & BLACK painted patinas Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Floren...

Pair of Bronze sculptures 11 x 7.8 x 2.3 in 28 x 20 x 6 cm Available in RED & BLACK painted patinas Born in Thessaloniki, Greece, Kostis Georgiou studied stage scenery in Flo...

What would a perfect future look like and how would it be represented for future generations to examine and question? What would we choose to preserve from high art and mainstream culture? How will our successes be depicted and will we account for our failures? Perhaps our contemporary mythologies will replace the ancient Greek and Roman gods and goddesses of yore with superheroes, extra-terrestrials and science fiction characters devastated by technological advancement. Brandon Vickerd works in a realm of unreality where the perfect future is chimeral, where there are more questions asked than answers presented. In his recent pieces currently displayed at Art Mûr, we find skeletons of humans and primates. They are dressed in spacesuits, as seen in Monument to the First American in Space, or trailing tentacles and zebra mussels in The Sub-Mariner. The pieces are evocative, and somehow manage to come across as realistic; incongruous bodies and objects have been integrated into fluid forms. Generally, there is either a lot of movement (literal as well as implied) in Vickerd’s work, or a stasis, as seen with these beings frozen in action. They are unabashed in their theatricality. The polished, vibrant sculptures in these galleries represent a kind of death and memorialization. The forms are stripped of flesh and dressed in protective suits (potentially after the implied catastrophes), which appear either manufactured or suggestive of the organic. Ghost Rider...

Fruit Étrange One by Perrin & Perrin, Galerie Negropontes in Paris, France. Limited Edition, Bronze Sculpture Martine and Jacki Perrin have formed an inseparable artistic duo since ...

Kachina Family, bronze by Dan Namingha, gold and brown patina, limited edition limited bronze edition

Icare is a tall abstract sculpture with a black patina, made by Patrice Breteau, a French contemporary artist. Very slender shape, this bronze ...

The exquisite detail of antique hand-carved wood has been re-imagined as a mask in this intriguing sculpture by Dale Dunning. The Canadian artist often re-purposes found objects—this...

Artist: Henry Moretti, French/American Title: Untitled Medium: Bronze Sculpture Size: 35 x 24 x 23 in. (88.9 x 60.96 x 58.42 cm) Base: 37 x 17 x 17 inches

A sculpture by Carlos Luna. "Elefante" is a bronze sculpture depicting an detailed yet abstracted elephant by Latin American artist Carlos Luna. Edition 8 of 8. Signed lower left. C...

Using small hand carved wooden escutcheons created by rural furniture makers early in the last century as the basis for the molds, Dunning has created the wax elements and sculpted a...

Spinning-top is a tall abstract resin sculpture made by Patrice Breteau, a French contemporary artist.This sculpture is available in eight different colors, all resistant to UV expos...

Boon is a 2008 bronze sculpture by Guy Dill. The refinement and poise of Guy Dill's bronze work is effortlessly balanced with the industrial and modern feel of the metal sculpture. B...

Duo is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 48 × 20 × 22 cm (18.9 × 7.9 × 8.7 in).   The sculpture is signed and numbered, it is part of a l...

Observant, by Allan Houser, bronze, sculpture, limited edition, blanketed figure GLENN GREEN GALLERIES' LONG ASSOCIATION WITH ALLAN HOUSER Allan Houser was represented by Glenn Gre...

"Robed IV" Bronze Sculpture 9.5" x 4" x 3" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

Carver by Clay Enoch Figurative Bronze with Glass 6x3x3" ed/open A skier takes the slopes in this clever composition. Shipping price includes the custom packing necessary for safe ...

Big Jump by Clay Enoch Abstract Figurative Sculpture Bronze with Resin. 9x20x4" ed/15 Kids leaping into a pool. The resin base eludes to water. The children vary in age and gender p...

Bronze sculpture 102 x 85 x 85 inches on 16 x 48 x 48 inch base

A grand new Erdman bronze sculpture! Without beginning or ending, this bronze sculpture has a calm, meditative quality, enhanced by the richness of its captivating patina. Now availa...

Cast bronze sculpture with classic green patina on black marble base. Edition of 3 at this size. Other sizes and patina finishes are also available by commission, please inquire for more details. Pisapia's "Expedition Series," inspired by sea voyages, is about meeting life’s challenges with courage and purpose. It connects to the idea expressed by J.W. Goethe: “Character is formed in the stormy billows of the world.” Taking up life’s tasks can require one to go against the wind. The feeling of determination to achieve and continue steering through obstacles is poured into the pure forms; a dynamic balancing of the straight and curve on different axes. "With a rounded starting point," Pisapia explains, "I add on a variety of disparate angles, diverse curves, and twisting planes. I carve and smooth the surfaces, bringing out particular tensions and transitions." Flavius Valone Pisapia is an Italian-Romanian artist born in Bucharest in 1981. He completed his higher education in the UK, with an MA in Transpersonal Arts & Therapy, 2014; a Diploma in Transformative Arts, 2011; and a BA (Hons) in Film and Video, 2005. Pisapia studied sculpture throughout his higher education and appreciated several sculptor mentors in the UK. Since 2016, he has resided in India, where he is currently an artist in residence at Studio Sukriti in Jaipur. He has had several solo exhibitions in India and his artwork is found in private collections worldwide. "It's important for me to experience the world at a deeper level by penetrating the veil of the senses. Through an immersive process the essence, beauty and the pure form of an idea are gradually revealed to me. The emerging awareness flows into my artwork imbuing it with a higher reality. To achieve this awareness in my creative process, I go through three stages: imagination, inspiration and intuition." - Flavius Pisapia

Cast bronze sculpture with classic green patina on marble base. Edition of 3 at this size, available by commission. Other sizes and patina finishes are also available by commission, please inquire for more details. Pisapia's "Expedition Series," inspired by sea voyages, is about meeting life’s challenges with courage and purpose. It connects to the idea expressed by J.W. Goethe: “Character is formed in the stormy billows of the world.” Taking up life’s tasks can require one to go against the wind. The feeling of determination to achieve and continue steering through obstacles is poured into the pure forms; a dynamic balancing of the straight and curve on different axes. "With a rounded starting point," Pisapia explains, "I add on a variety of disparate angles, diverse curves, and twisting planes. I carve and smooth the surfaces, bringing out particular tensions and transitions." Flavius Valone Pisapia is an Italian-Romanian artist born in Bucharest in 1981. He completed his higher education in the UK, with an MA in Transpersonal Arts & Therapy, 2014; a Diploma in Transformative Arts, 2011; and a BA (Hons) in Film and Video, 2005. Pisapia studied sculpture throughout his higher education and appreciated several sculptor mentors in the UK. Since 2016, he has resided in India, where he is currently an artist in residence at Studio Sukriti in Jaipur. He has had several solo exhibitions in India and his artwork is found in private collections worldwide. "It's important for me to experience the world at a deeper level by penetrating the veil of the senses. Through an immersive process the essence, beauty and the pure form of an idea are gradually revealed to me. The emerging awareness flows into my artwork imbuing it with a higher reality. To achieve this awareness in my creative process, I go through three stages: imagination, inspiration and intuition." - Flavius Pisapia

Cast bronze sculpture with classic green patina on black marble base. Edition of 3 at this size. Other sizes and patina finishes are also available by commission, please inquire for more details. Pisapia's "Expedition Series," inspired by sea voyages, is about meeting life’s challenges with courage and purpose. It connects to the idea expressed by J.W. Goethe: “Character is formed in the stormy billows of the world.” Taking up life’s tasks can require one to go against the wind. The feeling of determination to achieve and continue steering through obstacles is poured into the pure forms; a dynamic balancing of the straight and curve on different axes. "With a rounded starting point," Pisapia explains, "I add on a variety of disparate angles, diverse curves, and twisting planes. I carve and smooth the surfaces, bringing out particular tensions and transitions." Flavius Valone Pisapia is an Italian-Romanian artist born in Bucharest in 1981. He completed his higher education in the UK, with an MA in Transpersonal Arts & Therapy, 2014; a Diploma in Transformative Arts, 2011; and a BA (Hons) in Film and Video, 2005. Pisapia studied sculpture throughout his higher education and appreciated several sculptor mentors in the UK. Since 2016, he has resided in India, where he is currently an artist in residence at Studio Sukriti in Jaipur. He has had several solo exhibitions in India and his artwork is found in private collections worldwide. "It's important for me to experience the world at a deeper level by penetrating the veil of the senses. Through an immersive process the essence, beauty and the pure form of an idea are gradually revealed to me. The emerging awareness flows into my artwork imbuing it with a higher reality. To achieve this awareness in my creative process, I go through three stages: imagination, inspiration and intuition." - Flavius Pisapia

San Carlos Girl, bronze, sculpture, by Allan Houser, Apache, woman, brown lifetime casting limited edition Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist because he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the warpath. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is in many international collections including the Georges Pompidou Centre, The Smithsonian National Portrait Gallery, and The Dahlem Museum among others. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. The ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *” Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

A grand new bronze sculpture by renowned artist Richard Erdman! Edition number 2 of 3 of "Odyssey" is available now. Please inquire if you would like us to do a photo mock-up of this...

With a joyful sound when lightly activated, "Barco de Besos" presents a delicate balance of white seashells surrounding a white, coral-like, carved wood element. This is delicately attached to a vase-shaped polished concrete base via a curving bronze stem. Jeff Glode...

Pablo Atchugarry Untitled, 2021 Bronze 60 x 29 x 18 cm. Edition 8 of 8

Sherry Owens Queen of the Night, 2019 Bronze, patina 8 x 19 x 11 1/2 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrt...

Sherry Owens Almost a Symphony, 2019 Bronze, patina, brass nails, paint 16 5/8 x 12 1/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

This work is numbered 7 of 8. Richard Orlinski is a French artist born in Paris (France) in 1966. Sculptor since 2004, his work, conceived around the concept “Born Wild” in a style...

"El Set" Bronze Sculpture 71" x 22" x 22" inch by Maged Mikhail * Due to the Ministry of Culture policy + COVID situation, handling time (paperwork) may take up to 1-3 month. ARTIST BIO: Maged Mikhail was born in the Upper Egyptian city of Sohag in 1982. He studied at the Faculty of Fine Arts in Cairo, to graduate in 2004 with a major in Monumental Sculpture. His apprenticeship with the renowned Artist, Adam Henein...