Bronze Abstract Sculptures

Delphine Brabant: Union VI, Bronze, 2025 25 × 7 × 6 cm / 9.8 × 2.8 × 2.4 in 5 kg / 11 lbs Edition of 8 + 4 Artist's Proofs Union VI, Bronze is a sculpture by contemporary French art...

Upward-gazing miniature figurative head sculpture in polished bronze with dark oxidation, individually cast and hand-finished by Spanish artist Óscar Aldonza Torres. Originally titl...

Huma is an abstract bronze sculpture by French artist Antoine Vidal. Vidal's works in bronze, very often marked by a verticality with totemic accents, reflect an aesthetic pursuit fo...

Untitled III is an abstract sculpture by French artist Antoine Vidal. Bronze, 19.3 × 5.9 × 3.5 in (49 × 15 × 9 cm). Limited edition of 8 + 4 Artist's Proofs. Vidal's works in bronz...

Gaïa is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 90 × 64 × 75 cm (35.4 × 25.2 × 29.5 in). The sculpture is signed and numbered, it is part of a limi...

Michael Ghaui (Tanzanian, b. 1950) Pair of Elephants, Patinated Bronze inscribed M. A. Ghaui C 97 AC with Pangolin Editions foundry mark Measurements 15 by 49 by 14 inches Condit...

Chronos is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 64 × 66 × 50 cm (25.2 × 26 × 19.7 in). The sculpture is signed and numbered, it is part of a lim...

This artwork was created by the Italian artist Piero Perin. Piero Perin was born in 1924, in Cervarese, near Padua Italy. He lived and worked in Padova where he teached at the School...

Nando Kallweit’s "Callindra II" is a striking contemporary bronze sculpture that captures a poised and introspective moment. This modern figurative artwork features an elongated, faceless form sitting with crossed legs, exuding a sense of grace and quiet contemplation. The rich patina and textured bronze surface enhance its expressive simplicity, making it a compelling addition to minimalist, abstract, and contemporary art collections. German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

This engaging bronze sculpture on black wooden base, well represents a human bust, but for its expressive force, the bust turns into an abstract shape of it. The artist who created t...

Vibration n°2 is a bronze sculpture by contemporary artist Martine Demal, dimensions including base (wood plinth, steel base) are 61 × 24 × 12 cm (24 × 9.4 × 4.7 in). The sculpture i...

Inverted pocket-sized figurative head sculpture in polished bronze with dark oxidised details, individually cast, sanded and hand-finished by Spanish artist Óscar Aldonza Torres. Or...

Antoinette Briet (Dutch artist) Couple 25 x 11 x 8 cm Bronze Antoinette Briet's sculpture can be called both a figurative and an abstract work of art. Her sculpted animals show thei...

This engagind and intense artwork was create in 1985 by the Italian artist Edmondo Cirillo. It was forged in bronze and then silver plated. The title of this piece is "Stele frontal...

After Fernando Botero – CAT, Bronze, Marble Base, Great for Home or Office Edition of 50 This beautifully executed bronze sculpture is an After Fernando Botero work, created in fai...

Unity II, is a bronze sculpture by French contemporary artist Delphine Brabant. 25 cm × 12 cm × 12 cm. Limited edition of 8 + 4 A.P. Fascinated with the concept of construction, De...

Slip is a stone sculpture by contemporary British artist Peter Brooke-Ball (Foundry: Pangolin Editions). Dimensions are 24 × 18 × 10 cm (9.4 × 7.1 × 3.9 in). The dimensions include t...

Mid-Century Modern wrought iron sculpture a person with oversize top, shorts, and carrying a hat, signed, artist's monogram and cipher, further mounted on a plaster base. 28" H. This a unique piece. It is interesting in that it speaks of a transition, leading into the later aluminum public pieces that kind of defined his work in the 70's. According to his estate this is most probably cast bronze. It might possibly be wrought iron.. William Dickey King was born in 1925 in Jacksonville, Florida and grew up in the Coconut Grove neighborhood of Miami. As a boy, William King made model airplanes and helped his father and older brother build furniture and boats. “I was 19, 20, my mother gave me a hundred bucks, says, ʻGet out of this state and don’t come back until you’re 65; there is nothing here for you,’ ” Bill King recalled in a video interview for the Smithsonian museum. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. He was a contemporary, at the Cooper Union, of Alex Katz and Lois Dodd, his first wife, and remained close in many ways to their common aesthetic grounding, shared also with younger sculptors such as Red Grooms and Marisol Escobar. The hallmark of King’s early work was radical experiment keeping company with social connection and hedonism. The mix of big, important, innovative ideas and immediate, sensory, in-the-moment experience was a kind of visual jazz. For this was not just the time of Franz Kline’s big open defiant brushstrokes and Jackson Pollock’s all-over mists of intricately drooling line, but of Charlie Parker and Dizzy Gillespie. If we look at the works that King made in the early 1950s when he got back from his Fulbright to Italy we see free, experimental, open forms that take their cue from jazz as much as art in their fusion of virtuosity and cool.American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. William Dicky King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshhorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacometti conceived by John Cheever.” From an article by David Cohen "In a career that ran in tandem with the hegemony of formal abstraction in sculpture, Bill King inevitably struggled with the prejudice that sculpture full of humanity and humor can’t be quite as serious as sculpture devoid of them. But the tide has clearly turned in ways that ought to work in King’s favor, with an increasing number of sculptors, fêted internationally, who are producing work that looks remarkably close in spirit, if not quite as regal in sheer mastery of form, as his own. When art historians of the future connect the dots of modern sculpture then artists like Franz West, Stephan Balkenhol, Huma Bhabha...

This is a joyful bronze sculpture multiple art work signed by the well known Italian artist Concetto Pozzati. Title "In posa" translate " Staying" This is a multiple of a numbered e...

Punctuation is a bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 43 × 50 × 30 cm (16.9 × 19.7 × 11.8 in). The sculpture is signe...

Anamorphose II is a unique sculpture by French contemporary artist Frédérique Domergue. This piece is made with oak wood clad in patinated bronze. Dimensions are 43.3 × 11.4 × 4.7 in...

Alegria is an abstract bronze sculpture by French artist Antoine Vidal. Dimensions are 66 × 19 × 13 cm (25.9 × 7.4 × 5.1 in) Antoine Vidal’s bronze sculptures, often characterized b...

Konstantin Vladimirovich Selikhanov (born June 18, 1967, Minsk) is a Belarusian sculptor, artist, and graphic artist, the grandson of sculptor S. I. Selikhanov. The alley leading to ...

Salvador Dali (Spanish, 1904-1989) Alma del Quijote Bronze with marble base Edition: AB 52/100 Signed by Dalí This Surrealist sculpture depicts a dynamic and fragmented Don Quixote...

Hyperrealistic bronze female head sculpture with hollowed skull evokes mystery and organic patina. Soño (24 × 17 × 22 cm) by Aldonza is cast by the artist using the traditional lost-...

This fragmented bronze head sculpture combines realist facial modelling with open cavities, irregular edges and a richly layered green and blue verdigris patina. Created by Spanish ...

Canadian sculptor Viktor Mitic looked to the stars for inspiration in creating this striking contemporary sculpture. The elegant and ethereal abstract form of Cygnus A is intended to...

This lyrical and elegant contemporary sculpture is by David Chamberlain whose work is collected and admired around the world. Hand forged in patinated bronze and steel, the flowing c...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Dimensions include marble base STANISŁAW WYSOCKI (b. 1949) Wysocki studied at the Academy of Fine Arts in Poznań (1978-1980) and then at the Hochschule der Kunste in Berlin under p...

Boulder #4 is a sculpture by English artist Tom Price. This artwork can be customized— feel free to contact us for a quote. Tom Price’s artistic approach focuses on material explora...

Couple is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 54 × 22 × 16 cm (21.3 × 8.7 × 6.3 in). The sculpture is signed and numbered, it is part of a lim...

Duo is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 48 × 20 × 22 cm (18.9 × 7.9 × 8.7 in).   The sculpture is signed and numbered, it is part of a l...

This modern bronze sculpture was inspired by music and made by David Chamberlain. As graceful as a dancer’s form, this contemporary bronze sculpture in a striking deep turquoise patina is by David Chamberlain. Created from one luminous piece the lustre accentuates the spiralling form and reflects light. Chamberlain’s sculptures...

This tall, blue, green, abstract, totem, bronze, outdoor sculpture was created by Viktor Mitic, a Canadian sculptor known for his inspired work. Intricately designed abstract shapes ...

This artwork was created by the Italian artist Rodica Tanasescu. The title " Musa" Muse. Rodica Tanasescu was born in Rumania and now lives in and works in Mestre, (Venezia, Italy). ...

Listening, bronze sculpture, childs portrait, limestone base, contemporary limited edition bronze

Eros is an abstract bronze sculpture by French artist Antoine Vidal. Vidal's works in bronze, very often marked by a verticality with totemic accents, reflect an aesthetic pursuit fo...

"Veloce" by Kevin Barrett Bronze outdoor sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Metal, Bronze, Indo...

Signs and Writings No. 2 is a monumental bronze sculpture by contemporary artist Martine Demal, dimensions of the bronze sculpture: 236 H x 70 cm L x 45 cm D, dimensions of the brass...

Marcelo Morandin 1933-1996 Untitled (Embracing Couple, Lovers) Bronze 1988; ed. P/E; Hand signed, dated and editioned to lower edge DImensions: 48.5 x 32 x 21 cm / 18.8 x 12.5 x 8.2 inches (approximately) PAREJA, Bronce, patinado Marcelo Morandin (1933 - 1996) was active/lived in Argentina, Mexico. Argentinian, Mexican Postwar & Contemporary sculptor Morandin is best known for his monumental sculpture. This is a wonderful, art deco inspired nude couple, the woman appears pregnant). Marcello Morandín (Marcelo Román Morandín Paroni) was born in 1933 in Argentina. He was an important plastic artist and Argentine architect, distinguished in Mexico for being an excellent sculptor and furniture designer. At the end of his studies at the Faculty of Architecture of Buenos Aires, Argentina, he traveled to Mexico and settled in Xalapa, Veracruz. In this city he was part of several artistic projects and noted for being one of the founders of the Department of Aesthetic Research and Applied Design at the University of Veracruz, as well as the Department of Aesthetic Research at UNAM. Between the years 80 and 90, he carried out several monumental works, among them "La pigeon de la paz" a project for the UN; "The foundation of Tenochtitlan" located in front of the Official Residence of Los Pinos; and "The Kinetic Tower" Of the government of Veracruz that combines the light and the sound with diverse moving parts to the compass of the music of Arnold Schoenberg. (Lily Kassner. Dictionary of Mexican sculptors of the twentieth century. Volume II. Mexico. Conaculta, 1997). Similar in style to Israeli artists Aharon Bezalel and Isaac Kahn. He has shown with Jose Villalobos, Nicolas Moreno, Pedro...

April is an abstract bronze sculpture by French artist Antoine Vidal. Dimensions are 38 × 8 × 7 cm (14.9 × 3.1 × 2.7 in) His bronze sculptures—often characterized by strong vertical...

Salvador Dalí (Spanish, 1904–1989) "Peace Menorah" (Menorat Hashalom) 1980 Bronze with dark patina on stepped Jerusalem Stone base Approximately 20"H x 11.5"W x 5.5"D overall Inscri...

Artist: Kuno Vollet Title: Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Lim...

Archaic-looking pocket head sculpture in dark patinated bronze with selectively polished golden highlights, individually cast and hand-finished by Spanish artist Óscar Aldonza Torres...

Totems is a set of sculptures by French contemporary artist Frédérique Domergue. The sculptures are made with oxidized zinc and bronze leaves on aluminum, patina fixed with oak slats...

This AFTER BOTERO sculpture is a very beautiful, faithful reproduction in the style of BOTERO'S work that has sold very well here on 1st Dibs. The edition is 50 in Roman numerals. ...

This squirrel is made by Dutch Artist Frans van Straaten. Van Straaten should be called an artist of balance always searching for harmony between force and movement in combination with space. Because of the wide range in his art-education he has mastered the art of drawing, painting and sculpting technology. However, the classical plastic art of sculpture and modelling opens up the possibility for him to create his own language of sculpture in answer to his urge for art. Due to this style of sculpting, the preference for bronze is natural. After his study of sculpture at the Academy of Art in Rotterdam (1988), Frans van Straaten creates bronze sculptures in which he unites force and movement. Feeling and Emotion converted into Matter Sculpture is an experience of space combined with the challenge of the three-dimensional. The tension of space and movement are the themes, which Frans expresses in his sculptures. Summary it can be said that the power of life and being, the feeling and emotion by force and movement will be converted into matter. The experience of space is being expressed in the shapes and characters in each of Frans’ sculptures. His sculptures of bulls express explosive power while the horses find their strength in being elegant. Each sculpture recalls this way their own association and serves as a metaphor for a certain emotion. Feelings, which has inspired the artist for each sculpture. Powerful and Elegant Looking at the works of this artist, it becomes very clear that one of his most important sources is his background in art history. The Renaissance period as well as several Italian artists served as inspiration to Frans as a sculpture. For instance the expressions in Leonardo da Vinci’s artworks, and also Giovanni Bologna...

The Passage is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 43 × 27 × 24 cm (16.9 × 10.6 × 9.4 in). The sculpture is signed and numbered, it is par...

This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...

Abstract bronze sculpture by artist Clyde Ball on cast concrete base. Circa 1970's, signed on base. The patina on this piece is dark, with hints of ...

This intense and engaging abstract sculpture was create in 1980 by the Italian artist Lino Tinè. This is a multiple of 300 specimens, numbered and signed by the artist. The title is ...

Walter Valentini was born in 1928 in South Italy. A painter and engraver, he lives and works in Milan. He is Holder of the chair for engraving at the Nuova Accademia di Belle Arti in...

Boulder #3 – The Tunnel is a bronze sculpture by contemporary artist Tom Price, dimensions are 85 × 140 × 135 cm (33.5 × 55.1 × 53.1 in). This artwork is available on commission. 8 ...

Bronze & Steel Table

Soar into the realm of timeless artistry with this magnificent gilded bronze sculpture by celebrated Thai artist Hattakitkosol Somchai (1934–2000)—a commanding representation of a bi...

Sophia is an abstract bronze sculpture by French artist Antoine Vidal. Dimensions are 50 × 14 × 13 cm (19.7 × 5.5 × 5.1 in). 8 editions, 4 artist's proofs. Antoine Vidal’s bronze sc...

Canadian sculptor Viktor Mitic looked to the stars for inspiration in creating this striking contemporary sculpture. The elegant and ethereal abstract form of Cygnus A is intended ...

"Rhapsody" by Kevin Barrett Indoor/outdoor sculpture in bronze. The sculpture is 65"h and rests on a 24"h stainless steel base. Kevin Barrett is noted for creating unique, rhythmic,...

Container (2014) is a work by contemporary French artist Romain Langlois. Bronze, 39 cm × 106 cm × 26 cm. Edition of 8 & 4 A.P. In this bronze sculpture, Romain Langlois has pro...