Lithograph Abstract Sculptures

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

Paper Sculpture III (2020) is part of a series of abstract boat-like objects by Danish sculptor, Jane Balsgaard. The minimalist construction consists of...

Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso. Biog...

Assembler Violeta N°1, by Fanny Finkelman Szyller Acrylics, aluminum, screws, and painted metal ring on aluminum Dimensions:  40 H x 40 W x 8D cm. 2021 ______ Fanny Finkelman's scul...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

This beautiful pink minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work,...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Epitafios by Alejandro Valencia Plexiglass Measures: 9.25 in. H x 18 in. W x 3 in. D Individual size: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

Assembler Gris. Wall sculpture. by Fanny Finkelman Szyller Acrylics, aluminum, screws, and painted metal ring on aluminum Dimensions:  52 H x 52 W x 16D cm. 2021 ______ Fanny Finke...

Trebol Indigo, by Fanny Finkelman Szyller Acrylics, aluminum, screws, and painted metal ring on aluminum Dimensions:  43 H x 43 W x 14 D cm. 2021 ______ Fanny Finkelman's sculpture...

Etapas 1-3 and black box by Alejandro Valencia Plexiglass Overall dimensions: 38 in. H x 9.5 in. W x 3 in. D Epitafos dimensions: 10.25 in. H x 9.5 in. W x 1.4 in. D Etapas 1-3 individual dimensions: 9.25 in. H x 6 in. W x 3 in. D Unique 2017 Crossing between various disciplines, Valencia’s practice explores the transformative qualities of objects, language, and the built environment. Often referencing ritualistic practices, architecture and ceremonial objects, his work attempts to open spaces of contemplation and connection, as an alternative to reconcile divisions within social structures. Born in Pereira, Colombia, 1990. Lives and works in Miami, Florida. He attended Miami Dade College (2009-2013) and New World School of the Arts (2013-2017) where he received a BFA in Painting. Valencia’s work has been exhibited in The Boca Raton Museum of Art (2013); Little Haiti Cultural Center (2015); Bridge Red Studios (2015); Miami Biennale (2016); The Cultural Conservancy, San Francisco, CA (2016); and most recently at the Cisneros-Fontanals Art Foundation in Miami, FL; the South Florida Art...