Folk Art Abstract Sculptures

WELCOME HOME by Rocky Dobey is a hand-inscribed copper sheet with cut diamonds, black asphaltum and fired porcelain paint. It measures 36 x 32" and is fra...

FREE SHIPPING WORLDWIDE! Artisan: Martin Olivas Quintana MASTERPIECE Carved polychrome jar decorated with a sgraffito and painted hummingbird, flowers ...

FREE SHIPPING TO WORLDWIDE! Artisan: Zeny Fuentes Mendez MASTERPIECE Made with Copal wood, woodcarving technique gouges, machete and sandpaper, decorated with acrylic paintings with...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

"Penguin" - Steatite Stone Hand Carved Sculpture, St. Lawrence Island Eskimo Art Dynamic steatite stone sculpture of a standing penguin. The sculpture prop...

Aguila - Eagle Alebrije This Mexican Aguila - Eagle Alebrije made with Copal wood, wood carving technique gouges, machete and sandpaper, decorated with acrylic paintings with Zapotec symbols. At Cactus Fine Art...

A cairn is an almost ubiquitous symbol of trail finding and communion with nature. This design combines stone and glass in a beautiful tension that’s fitting for almost any home. (...

FREE SHIPPING TO WORLDWIDE! Artisan: Roxana y Jesus Hernandez MASTERPIECE Made with Copal wood, woodcarving technique gouges, machete and sandpaper, decorated with acrylic paintin...

FREE SHIPPING TO WORLDWIDE! Artisan: Agustin Cruz Tinoco MASTERPIECE: Made with Copal wood, woodcarving technique gouges, machete and sandpaper, decorated with acrylic paintings wi...

A piece capturing the movement we all know from working with hammers. This piece is created with found objects and blown glass to capture this moment in time. The hammers and nails vary from piece to piece but the movement is always the same. Robert Burch began working with glass in Atlanta, Georgia while still in high school. After graduating, he worked for the Japanese glassblower, Tadashi Torii for two years. Shortly after, he attended Pilchuck Glass School before deciding to make the jump to the mecca of glass working, Seattle, Washington. It was there that Burch had the honor of working with the renown American glass artist, Martin Blank. In the span of five years, Burch learned many aspects of glass artistry as he worked for Blank. Subsequently, the team collaborated on color design teams for the glass empire company Chihuly Inc. During all these glass adventures, he never stopped shooting photos...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

"Drover" is an original yellow & green opal serpentine stone sculpture by Aaron Perkins Chikumbirike, a contemporary Shona stone sculptor. The artist signed the piece. It depicts an ...

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...

A striking and completely unique abstract fibreglass sculpture from the artist's own home. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Concrete Fram...

Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...

Untitled Figure with X on Chest by Charlie Willeto, Navajo Folk Art, wood, paint Vintage

HOME SWEET HOME by Rocky Dobey is a hand-inscribed copper sheet with cut diamonds, black asphaltum and fired porcelain paint. It measures 36 x 24", and framed in bronze it measures 37 x 25”. Part of the "Home" series of recent works, Home Sweet Home features a darkly shimmering chandelier...

Tucan Majestuoso - Toucan Alebrije This Mexican Tucan - Toucan Alebrije made with Copal wood, wood carving technique gouges, machete and sandpaper, decorated with acrylic paintings with Zapotec symbols. At Cactus Fine Art...

MEDUSA by Rocky Dobey is a hand-inscribed copper sheet with cut diamonds, blue machinist ink and fired porcelain paint. It measures 36 x 48", and framed in aluminum it measures 37 x 49”. It features some of the artist’s notable motifs – a monstrous brick wall with crenelated and flaming towers, inlaid with sparkles of diamond and glass, sword-like flames. New for the artist are the twisting, turning bodies of which there are at least eight. The deep blue background of machinist ink coating the copper provides a momentous, mythological night sky. For over 40 years, outsider artist Rocky Dobey has been producing intaglio prints, etched metal plaques, engraved copper sheets and site-specific public sculptures. Working anonymously for the first two decades, his work has drawn attention to social and political issues like prison and justice reform, neighborhood gentrification, globalization, indigenous sovereignty, drug rehabilitation and homelessness. With striking imagery of demonic towers toppled in flames, horrific machines and cryptic symbols of oppression, Rocky's work soon became a recognized and sought-after stamp of organized resistance. Several of his prints are held in collections, particularly the “Carnival Against Capitalism” poster he produced for the 2001 Quebec City protests against the Free Trade Area of the Americas. Rocky’s poster...

DOES IT LOOK EXPENSIVE by Rocky Dobey is a hand-inscribed copper sheet with cut glass, asphaltum and fired porcelain paint. It measures 24 x 36" and is fr...

GOD MACHINE by Rocky Dobey is a hand-inscribed, engraved copper sheet with black ink. It measures 26x18” and carries many of the familiar marks of the art...

CHECKMATE by Rocky Dobey is a hand-inscribed copper sheet with black ink, acrylic paint, and asphaltum. It is framed in aluminum and measures 108 x 48”. It features some of the artist’s notable motifs – the number 13-1/2 (refers to 12 jurors, 1 judge, half a chance), a monstrous tower of brick with crenelated towers, inlaid with eyes, hooked daggers and barred windows, clouds with lightening bolts, tongues of flame drifting down... Though the swirl of black cloud near the top of the tower also rewards our attention – the engraving here suggesting floral as well as cosmic patterns, biological patterns. Checkmate also contains more subtle mark-making and ritualized ornamentation, such as the wheat sheafs across the expanse of copper, names of people are inscribed in the borders of the tower, vertical hash marks counting off months or years in bundles of five. For over 40 years, outsider artist Rocky Dobey has been producing intaglio prints, etched metal plaques, engraved copper sheets and site-specific public sculptures. Working anonymously for the first two decades, his work has drawn attention to social and political issues like prison and justice reform, neighborhood gentrification, globalization, indigenous sovereignty, drug rehabilitation and homelessness. With striking imagery of demonic towers toppled in flames, horrific machines and cryptic symbols of oppression, Rocky's work soon became a recognized and sought-after stamp of organized resistance. Several of his prints are held in collections, particularly the “Carnival Against Capitalism” poster he produced for the 2001 Quebec City protests against the Free Trade Area of the Americas. Rocky’s poster...

TRAILER PRISON by Rocky Dobey is a hand-inscribed copper sheet with black ink. It measures 60x36” and slightly less than .25" thick. It features some of the artist’s repeating motifs – the number 13-1/2 appears here as 12 + 1 + 1/2 in the trailer windows. The number refers to 12 jurors, 1 judge, half a chance. Rocky says all his structures are prisons, and this trailer with tentacles is no exception. Trailer Prison is a signature example of the artist's work – the inscribed details are both compelling and powerful, while swirls and spikes evoke both prison architecture and monstrous intent. For over 40 years, outsider artist Rocky Dobey has been producing intaglio prints, etched metal plaques, engraved copper sheets and site-specific public sculptures. Working anonymously for the first two decades, his work has drawn attention to social and political issues like prison and justice reform, neighborhood gentrification, globalization, indigenous sovereignty, drug rehabilitation and homelessness. With striking imagery of demonic towers toppled in flames, horrific machines and cryptic symbols of oppression, Rocky's work soon became a recognized and sought-after stamp of organized resistance. Several of his prints are held in collections, particularly the “Carnival Against Capitalism” poster he produced for the 2001 Quebec City protests against the Free Trade Area of the Americas. Rocky’s poster...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, each vehicle is an exercise in imagining the future through the lens of the past – or vice versa. Built from found materials collected over the years, the car's futuristic form is layered with personal memories and keepsakes from the past. The most minute of details is always intentional – from the weathered finish to the fictitious sponsor to the miniaturized furnishings of the cramped interior. This sculptural car entitled "Pylon Trunk" is intended as a complement to the rest of Fitzgerald's imaginative cars, something of a service vehicle loaded with removable traffic cones and street signs. A simple truck bed...

Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...

Huichol Indian - Hand beaded Sea Cow This beautiful Huichol Sculpture beaded has such beautiful bright colors. Hand beaded sculpture with attention to detail. At Cactus Fine Art, we...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...

Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...

Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...

Frida Espectacular - Amazing Frida Made with natural clay and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Frida =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 12" x 16" x 6" in or 30x 40" x 15 cm Artisan: Taller Alfonso Castillo Orta...

An extraordinarily moving piece by an outsider artist who must have spent many a day conceiving, cutting, hammering, soldering and welding this stunning metal group made of tin and iron. The result is something completely individualistic, which at the same time recalls early medieval...

Vendedor de pájaros - Bird seller Made with natural clay, copper wire and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Sculpture of a Bird seller =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 8" x 10" x 5" in or 20 x 25 x 13 cm Artisan: Taller Alfonso Castillo Orta...

Huichol Indian - Hand beaded Sea Cow This beautiful Huichol Sculpture beaded has such beautiful bright colors. Hand beaded sculpture with attention to detail....

Familia del Mezcal - Mezcal Family Made with natural clay, copper wire and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Sculpture of a Mezcal Family =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 7" x 8" x 5" in or 17" x 20" x 13 cm Artisan: Taller Alfonso Castillo Orta...

FREE SHIPPING TO WORLDWIDE! Artisan: Taller “Manuel Jimenez” MASTERPIECE  Angelico Jimenez Carrillo & Isaias Jimenez Hernandez Made with Copal wood, woodcarving technique gouges,...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

Figurative anthropomorphic animal sculpture of an owl with human figure made with saw blade, metal wire body, and wood mallet legs "Saw Blade with Owl" by Lee Musselman...

FREE SHIPPING TO WORLDWIDE! Artisan: Manuel Cruz Prudencio MASTERPIECE Made with Copal wood, woodcarving technique gouges, machete and sandpaper, decorated with acrylic paintings ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

FREE SHIPPING TO WORLDWIDE Artisan: Jessica Yazmin Fuerte Alejo MASTERPIECE  Catrina made with natural clay, dressed with feathers of different types of birds. *Special Permissio...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Granny's Curse Jar Materials : Stoneware, Underglaze, Glaze Date : 2015 Dimensions : 4" x 3.5" x 3.5" Description : Ceramic jar with vintage textile prints and vignette phrases Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present. Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO. With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts. Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art. Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...

FREE SHIPPING WORLDWIDE! Artisan: Cecilio Sanchez Fierro Made with natural clay. Hand-modeled technique decorated with colors of natural earthen substances, and cooked in oven. - D...

FREE SHIPPING TO WORLDWIDE! Artisan: Meliton Zeferino Acevedo Made with Tzomplantli wood, woodcarving technique gouges, machete and sandpaper, decorated with traditional lacquer ba...

FREE SHIPPING TO WORLDWIDE! Artisan: Maria del Socorro Madrigal Martinez MASTERPIECE Figures made and shaped with bee wax, dresses with Purepecha Traditional garment.  - Dimension...

FREE SHIPPING TO WORLDWIDE! Artisan: Maria del Socorro Madrigal Martinez Participant Piece Category “Religious Figure” SECRETARIA DE CULTURA III Edition National Award "CERERIA Y ...

FREE SHIPPING TO WORLDWIDE! Artisan: Gabriel Isidro Perez Rajon MASTERPIECE Made with Cedar wood, woodcarving technique gouges, machete and sandpaper, decorated with acrylic paintin...

FREE SHIPPING TO WORLDWIDE! Artisan: Juan Zeferino Rivera MASTERPIECE Made with Tzomplantli wood, woodcarving technique gouges, machete and sandpaper, decorated with traditional ...