Jessica Yazmin Fuerte Alejo Art

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

A cairn is an almost ubiquitous symbol of trail finding and communion with nature. This design combines stone and glass in a beautiful tension that’s fitting for almost any home. (...

Weigt of the sculpture 2,15 kg Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Acade...

The sculpture is signed below, inside Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics press, large format murals, sculpture and painting. In all these areas, in addition to artistic workshop, the most important thing is his message of the work, the message contained therein. He believe that "art" is one of many languages (perhaps even more sophisticated than others) that humanity learned to lead the discourse at a level different than just verbal. He indentify with the principle "if you have nothing to say - be quiet...

A piece capturing the movement we all know from working with hammers. This piece is created with found objects and blown glass to capture this moment in time. The hammers and nails vary from piece to piece but the movement is always the same. Robert Burch began working with glass in Atlanta, Georgia while still in high school. After graduating, he worked for the Japanese glassblower, Tadashi Torii for two years. Shortly after, he attended Pilchuck Glass School before deciding to make the jump to the mecca of glass working, Seattle, Washington. It was there that Burch had the honor of working with the renown American glass artist, Martin Blank. In the span of five years, Burch learned many aspects of glass artistry as he worked for Blank. Subsequently, the team collaborated on color design teams for the glass empire company Chihuly Inc. During all these glass adventures, he never stopped shooting photos...

Gildasio Jardim is from a very beautiful and poor region of Brazil, the Jequitinhonha Valley. He began in the visual arts in a self-taught way. When h...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

Untitled Figure with X on Chest by Charlie Willeto, Navajo Folk Art, wood, paint Vintage

Atticus Adams is a sculptor whose work embodies the transformative power of art to create beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—...

Born in Bialystok, Poland. His full name is Benzion Rabinowicz. His grandfather was a Rabbi and his father was an architect. Benn was a Jewish-Polish painter and graphic artist. After studying at the Academy of Arts in Warsaw he made his debut in 1927 with his first solo exhibition. During this time he designed the typography for various collections of Yiddish poetry. After being very active in the 1920's and 30's in the Polish theater scene as well as being the founder of the modernist group "3F", he went to Paris to study with Fernand Leger. After the German occupation of France in 1940 he went into hiding. After being denounced he was arrested by the Gestapo and sent to a concentration camp but miraculously survived the war. He returned to Paris and in the post-war years he developed his own style of metaphysical painting techniques and surrealism. Later in his life Benn also was active in book design and contributed illustrations for various books of the Bible...