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'Lumbo Ogooue Mask' from Ngounie Province in Gabon, Unknown

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'April Requiem', 2021, by Sunni Mercer, is a human-scale, Mixed Media, Sculptural Assemblage featuring Clay, Gauze Bandages, Deer Hide, Copper and Paint. The sculpture depicts a fema...

This 20.47" x 9.44" x 10.62" bronze sculpture by Armenian artist, Arman Hambardzumyan, was created in 2013 and depicts the tragedy of the Greek goddess Danae. The artist's interpretation of this classical Greek myth, where an oracle foretold Danae would bear a son who would kill her father, and in an attempt to evade this, Acrisius, her father, imprisoned her. The king of Gods - Zeus, desired Danae and came to her in the form of golden rain. The oracle came true, Danae conceived a son, Perseus, who killed Acrisius by accident. The expressive love between Danae and Zeus is imitated by the naked body of a woman and a golden shower on her body. "The image of a woman always inspires me in both physical and spiritual beauty. In this sculpture, I tried to express the image of a woman with her soul, which has no smell, taste and is not tangible. The contour of the beautiful shimmering body of a woman allows you to feel the presence of the female soul inside."--ArmanH Arman is an Armenian artist represented in several major collections around the world including the Terra Garden in Kikinda (Serbia), Contemporary Hall of the National Museum of Fine Arts (Chisinau, Republic of Moldova), Boyajyan Center for the Arts (Prague, Czech Republic), and at private collections in Europe, Asia and in the USA. This work was exhibited in 2015 in 2015 Myths, Folk Art Museum after Hovhannes Sharambeyan. Yerevan, Armenia. Exhibit coordinator: Armine Beglaryan; and at the Art Expo, New York, April 21-24, 2017, organized by Redwood Art...

Master sculptor Harold Castor created this realistic depiction of the Pioneer Woman seeking new land and opportunity in the American West with her two ch...

This 24.01" x 15.74" bronze table top sculpture by artist Arman Hambardzumyan was created in 2013 and features an abstract nude female form. The figure is seated with crossed legs, the torso is curved upward opening into a corset form with outstretched arms. "The image of a woman always inspires me in both physical and spiritual beauty. In this sculpture, I tried to express the image of a woman with her soul, which has no smell, taste and is not tangible. The contour of the beautiful shimmering body of a woman allows you to feel the presence of the female soul inside."--ArmanH Arman is an Armenian artist represented in several major collections around the world including the Terra Garden in Kikinda (Serbia), Contemporary Hall of the National Museum of Fine Arts (Chisinau, Republic of Moldova), Boyajyan Center for the Arts (Prague, Czech Republic), and at private collections in Europe, Asia and in the USA. This work was exhibited in 2015 in 2015 Myths, Folk Art Museum after Hovhannes Sharambeyan. Yerevan, Armenia. Exhibit coordinator: Armine Beglaryan; and at the Art Expo, New York, April 21-24, 2017, organized by Redwood Art...

This 35.43" x 9.84" bronze sculpture by Armenian artist, Arman Hambardzumyan, features a faceless figural form with long legs and a short torso. Th...

The full frontal female figure is suspended in mid-air with both arms in motion, seemingly about to jump off the canvas. The blurred figure is set against a clear, graphic backdrop of reds, black and other dark tones with a turquoise rectangular box framing the torso of the figure. A simple black wooden frame frames the work. "I have been active in telling stories with images for over 45 years. My fascination with shapes and textures are my earliest memories and everything I have done in my adult life has revolved around these interests. I learned a lot about color, composition and story telling by stripping all sentimentality from these elements and using them for more than 25 years as a designer. Although I enjoy the challenge and variety of commissions, my own work is very personal. My work has always been about expressing the otherness and mystery just underneath everyday life. Reacting to the ephemeral nature of life and mortality. All of my personal paintings are just different ways of expressing one moment, one feeling. I’m describing a place I’ve never been with a language I’ve never spoken but I’ve spent my whole life trying to get there because its my home." -- Mark Gilmore...

Early 20th century zoomorphic African puppet head sculpture from the Bozo tribe in Mali. This puppet head would have been used by the Bozo ethnic group during the Sogobo ceremony. This ancestral tradition continues in the region of Segou in Mali along the Niger river. It is an opportunity to regroup the different villages and give rise to musical and theatrical performances whose highlight is the puppet show...

"Senufo Mask of Ceremonies (from Republic Ivory Coast)" is an carved wood artifact from the Senufo people of Africa, in the northeastern cote d'Ivoire. The...

A large scale and beautifully carved wooden ceremonial mask from Cameroon. There are traces of colour and decoration to the surface and the mask has a magnificent patina giving it a wonderful presence as a sculptural object. The Batcham Mask or simply the Batcham originated in western Cameroon although its name refers to the place where it was first found: Batcham. This is a ceremonial mask from the Bamileke culture in the western Grasslands of Cameroon. This tall crest (76 cm in height) has clearly defined features, a powerful yet calm visage, sharply chiselled diamond and triangular furrows, and nearly perfect symmetry. Such painstaking craftsmanship underscores the sophistication and control of the sculptor in preparing this ceremonial piece. It shares the elements of Batcham masks including: The general morphology is built on two axes: a symmetrical vertical axis with chiseled furrows, stylized eyes, lips, nostrils, mouth and teeth; a horizontal axis presenting swollen cheeks, an ovular mouth showing multiple teeth, and triangular ears supported on a hollow cylindrical base. One interpretation is that the masks depict a hippopotamus emerging from watery depths, conveying nature’s power conferred to enthroned royalty. The Batcham mask represents the pi, or double animal of a great dignitary of the kingdom. It was used by a great dignitary of the Msop society who intervened only on rare occasions: during the funeral and enthronement of the king and the nine notables, and to perform the Royal Tso dance, elephant dance...

"Idgo Nigeria Female Standing" is a wooden statue with blue and white pigment created in Nigeria circa 1930. This figure stands up right with arms out slightly in front of her. A st...

Representing the forces of female fecundity, these statues were used in rituals to make these forces work. This type of figure was known under the tribal name of Alangua. Standing an...

"Nail Fetish Bacongo-Zaire" is a sculpture made of glass, wood, and metal created circa 1910. He has a top hat upon his head and face paint. Their right ha...