Peter Kirkiles

Horizontal Rule

2011

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

The blue whale is the largest being on planet earth. In many cultures is said that they are the embodiment of very advanced souls, older brothers who in service to humanity, raise the vibration and harmonize planet earth for millions of years. Their song is a call of love to preserve life. Azul is a hymn to life, an interactive sculpture we're both children's and adults can let themselves be carried away by the magic of emotions and imagination. In September 2018, the construction of this majestic 2 ton 20 meter long and 5 meter wide sculpture...

As part of my "Distress" series, the steel and wood work titled "Disconnect" addresses our civilizations habitual unwillingness to properly manage our environs. Outdated systems and...

"Garden of Earthly Frights" is a thought-provoking piece inspired by the 15th-century painting titled "The Garden of Earthly Delights" by the renowne...

"Egyptian Blue," a poignant addition to the "Distress" series, serves as a striking commentary on our civilization's persistent failure to responsibly manage our environment. Through the use of symbolic elements and a visually compelling composition, the artwork addresses the prevalence of short-term solutions, represented by masking tape and staples, in contrast to the imperative need for long-term conservation efforts. The choice of the title, "Egyptian Blue," adds an intriguing layer of historical and cultural reference, suggesting a timeless connection to the struggles of civilizations in managing their surroundings. The piece delves into the urgency of acknowledging and addressing environmental distress, emphasizing that makeshift solutions are not sustainable, neither for the present nor for the crucial future. A distinctive feature of the artwork is the incorporation of Morse code...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...