1950 Chandelier In Rope By Audoux Minet

While little is known about audacious modernist designers Adrien Audoux and Frida Minet, the French-Swiss husband-and-wife duo created playful and unique decorative objects, dining chairs, sconces and other furniture during the mid-20th century. Rejecting Art Deco lavishness and the concept that seating, tables and other furnishings should be made with luxurious and exotic materials, Minet and Audoux adopted a rustic style in their work, integrating abaca hemp cord and other organic materials such as beech and bamboo in their provocative designs.

Audoux and Minet were active in Côte d'Azur, France — they are believed to have established a workshop there in the late 1920s. The designers were members of the Union des Artistes Modernes, a collective of like-minded artists founded in 1929. The raison d'être of the Union was to design household furnishings and decorative pieces for a wider demographic of people, not merely affluent Parisians — a target kind of buyer for many creators of the day. They promoted simplicity and prioritized functionalism. The collective’s membership boasted other celebrated furniture designers, including Jean Prouvé, Charlotte Perriand, Francis Jourdain and Louis Sognot. 

Minet and Audoux spent much of their time in the Provence region, a hub of creativity where other artists such as Pablo Picasso found endless inspiration. They created everything from lighting to lounge chairs and end tables that reflected a nautical theme and coastal living. Minet and Audoux’s imaginative works — table lamps with shades covered in raffia, oak benches with seat backs of woven rope — were made available to passers-by in the duo’s retail outlet in the seaside resort town of Golfe-Juan. The pair also incorporated woven rope into larger pieces such as armchairs and side tables. These furnishings are often compared to the work of similarly adventurous Union des Artistes Modernes member Charlotte Perriand. Several of Audoux and Minet’s seating pieces are on display at the Maison Dumas in St. Tropez, France. 

Find vintage Adrien Audoux and Frida Minet furniture on 1stDibs.

Chandeliers — simple in form, inspired by candelabras and originally made of wood or iron — first made an appearance in early churches. For those wealthy enough to afford them for their homes in the medieval period, a chandelier's suspended lights likely exuded imminent danger, as lit candles served as the light source for fixtures of the era. Things have thankfully changed since then, and antique and vintage chandeliers and pendant lights are popular in many interiors today.

While gas lighting during the late 18th century represented an upgrade for chandeliers — and gas lamps would long inspire Danish architect and pioneering modernist lighting designer Poul Henningsen — it would eventually be replaced with the familiar electric lighting of today.

The key difference between a pendant light and a chandelier is that a pendant incorporates only a single bulb into its design. Don’t mistake this for simplicity, however. An Art Deco–styled homage to Sputnik from Murano glass artisans Giovanni Dalla Fina (note: there is more than one lighting fixture that shares its name with the iconic mid-century-era satellite — see Gino Sarfatti’s design too), with handcrafted decorative elements supported by a chrome frame, is just one stunning example of the elaborate engineering that can be incorporated into every component of a chandelier.

Chandeliers have evolved over time, but their classic elegance has remained unchanged. Not only will the right chandelier prove impressive in a given room, but it can also offer a certain sense of practicality. These fixtures can easily illuminate an entire space, while their elevated position prevents them from creating glare or straining one’s eyes. Certain materials, like glass, can complement naturally lit settings without stealing the show. Brass, on the other hand, can introduce an alluring, warm glow. While LEDs have earned a bad reputation for their perceived harsh bluish lights and a loss of brightness over their life span, the right design choices can help harness their lighting potential and create the perfect mood. A careful approach to lighting can transform your room into a peaceful and cozy nook, ideal for napping, reading or working.

For midsize spaces, a wall light or sconce can pull the room together and get the lighting job done. Perforated steel rings underneath five bands of handspun aluminum support a rich diffusion of light within Alvar Aalto's Beehive pendant light, but if you’re looking to brighten a more modest room, perhaps a minimalist solution is what you’re after. The mid-century modern furniture designer Charlotte Perriand devised her CP-1 wall lamps in the 1960s, in which a repositioning of sheet-metal plates can redirect light as needed.

The versatility and variability of these lighting staples mean that, when it comes to finding something like the perfect chandelier, you’ll never be left hanging. From the whimsical — like the work of Beau & Bien’s Sylvie Maréchal, frequently inspired by her dreams — to the classic beauty of Paul Ferrante's fixtures, there is a style for every room. With designs for pendant lights and chandeliers across eras, colors and materials, you’ll never run out of options to explore on 1stDibs.