Al Jaffee

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

Revitalize your interiors — introduce drawings and watercolor paintings to your home to evoke emotions, stir conversation and show off your personality and elevated taste.

Drawing is often considered one of the world’s oldest art forms, with historians pointing to cave art as evidence. In fact, a cave in South Africa, home to Stone Age–era artists, houses artwork that is believed to be around 73,000 years old. It has indeed been argued that cave walls were the canvases for early watercolorists as well as for landscape painters in general, who endeavor to depict and elevate natural scenery through their works of art.

The supplies and methods used by artists and illustrators to create drawings and paintings have evolved over the years, and so too have the intentions. Artists can use their drawing and painting talents to observe and capture a moment, to explore or communicate ideas and convey or evoke emotion. No matter if an artist is working in charcoal or in watercolor and has chosen to portray the marvels of the pure human form, to create realistic depictions of animals in their natural habitats or perhaps to forge a new path that references the long history of abstract visual art, adding a drawing or watercolor painting to your living room or dining room that speaks to you will in turn speak to your guests and conjure stimulating energy in your space.

When you introduce a new piece of art into a common area of your home — a figurative painting by Italian watercolorist Mino Maccari or a colorful still life, such as a detailed botanical work by Deborah Eddy — you’re bringing in textures that can add visual weight to your interior design. You’ll also be creating a much-needed focal point that can instantly guide an eye toward a designated space, particularly in a room that sees a lot of foot traffic.

When you’re shopping for new visual art, whether it’s for your apartment or weekend house, remember to choose something that resonates. It doesn’t always need to make you happy, but you should at least enjoy its energy. On 1stDibs, browse a wide-ranging collection of drawings and watercolor paintings and find out how to arrange wall art when you’re ready to hang your new works.